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books
books
Title:
John Lehr: The last things
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
$168.95
(available in store)
Summary:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
Title:
John Lehr: The last things
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$168.95
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Summary:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
John Lehr: The last things
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Price:
$168.95
(available in store)
Summary:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Form:
books
books
Publication:
November 2024
November 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Two pipes fourteen locations
Two pipes fourteen locations
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty(...)
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty(...)
Title:
Two pipes fourteen locations
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$69.96
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty (19'). Cut, the other has variable length. The distance between them is invariably eight centimeters (3''). Whether outdoors, in an exhibition space, or on a piece of paper, the Two Poles and Two Lines will accompany the Two Pipes in this tensioning of space. The book, "Two pipes fourteen locations", opens with a plate of captions. It provides information on the dimensions and location of the pieces. The very first photograph reproduced in the book is a close-up shot. The image is cropped. It foreshadows the photographic work that the artist Peter Downsbrough would develop over several decades.
Two pipes fourteen locations
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$69.96
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Summary:
Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty (19'). Cut, the other has variable length. The distance between them is invariably eight centimeters (3''). Whether outdoors, in an exhibition space, or on a piece of paper, the Two Poles and Two Lines will accompany the Two Pipes in this tensioning of space. The book, "Two pipes fourteen locations", opens with a plate of captions. It provides information on the dimensions and location of the pieces. The very first photograph reproduced in the book is a close-up shot. The image is cropped. It foreshadows the photographic work that the artist Peter Downsbrough would develop over several decades.
Form:
books
books
Publication:
April 2024
April 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$65.00
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Summary:
An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and(...)
$65.00
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Summary:
An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and(...)
Title:
Matteo de Mayda: There's no calm after the storm
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An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and Friuli-Venezia Giulia found their cellars flooded and even their houses torn apart by the winds. More than six years later, the consequences of storm Vaia are still visible and tangible. The slopes of various mountains are barren. The remaining forests have been invaded by the spruce bark beetle: a parasite that feeds on wood. Without the plants, there is no protection against landslides and avalanches. While experts and locals are rolling up their sleeves to try and bring the situation back to normal, the total economic damage has been estimated at three billion euros.
Matteo de Mayda: There's no calm after the storm
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$65.00
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Summary:
An extreme weather event hit north-eastern Italy in October 2018. The Sirocco wind blew up to 200 kilometres per hour through the Dolomite valleys, knocking some 14 million trees to the ground. The incessant rain caused torrents to overflow, dragging logs and debris downstream. Overnight, the inhabitants of a number of mountain communities in Trentino,Veneto and Friuli-Venezia Giulia found their cellars flooded and even their houses torn apart by the winds. More than six years later, the consequences of storm Vaia are still visible and tangible. The slopes of various mountains are barren. The remaining forests have been invaded by the spruce bark beetle: a parasite that feeds on wood. Without the plants, there is no protection against landslides and avalanches. While experts and locals are rolling up their sleeves to try and bring the situation back to normal, the total economic damage has been estimated at three billion euros.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Brian Kanagaki: Doldrums
Brian Kanagaki: Doldrums
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$105.00
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Summary:
"Doldrums" explores the therapeutic embrace of nature—the transformative power it holds in nurturing the spirit and facilitating self-reflection. California, specifically the San Francisco Bay Area, with its storied history as a beacon of prosperity and possibility, emerges as a familiar and compelling backdrop. It’s a place where people have always been drawn, seeking(...)
$105.00
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Summary:
"Doldrums" explores the therapeutic embrace of nature—the transformative power it holds in nurturing the spirit and facilitating self-reflection. California, specifically the San Francisco Bay Area, with its storied history as a beacon of prosperity and possibility, emerges as a familiar and compelling backdrop. It’s a place where people have always been drawn, seeking(...)
Title:
Brian Kanagaki: Doldrums
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$105.00
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Summary:
"Doldrums" explores the therapeutic embrace of nature—the transformative power it holds in nurturing the spirit and facilitating self-reflection. California, specifically the San Francisco Bay Area, with its storied history as a beacon of prosperity and possibility, emerges as a familiar and compelling backdrop. It’s a place where people have always been drawn, seeking not only financial windfalls but also the promise of a better life—a westward pull that echoes through time. As I navigate the present, no longer burdened by the same fog of depression that led to the creation of this body of work, but rather fuelled by a hunger and longing for love and connection, "Doldrums" becomes a testament to the transformative power of time.
Brian Kanagaki: Doldrums
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$105.00
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Summary:
"Doldrums" explores the therapeutic embrace of nature—the transformative power it holds in nurturing the spirit and facilitating self-reflection. California, specifically the San Francisco Bay Area, with its storied history as a beacon of prosperity and possibility, emerges as a familiar and compelling backdrop. It’s a place where people have always been drawn, seeking not only financial windfalls but also the promise of a better life—a westward pull that echoes through time. As I navigate the present, no longer burdened by the same fog of depression that led to the creation of this body of work, but rather fuelled by a hunger and longing for love and connection, "Doldrums" becomes a testament to the transformative power of time.
Form:
books
books
Publication:
December 2024
December 2024
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$60.00
(available in store)
Summary:
In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
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Summary:
In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French(...)
Title:
Bunker research: the hidden history of modernism in the mountains
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$60.00
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Summary:
In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
Bunker research: the hidden history of modernism in the mountains
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$60.00
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Summary:
In southern France, high above the villas and the pleasure palaces of the Côte d’Azur, there is the Alpine Extension of the Maginot Line. These little-known fortifications were built before the Second World War to protect France from Mussolini. But nobody has successfully invaded over the Alps since Napoleon, and things didn’t quite turn out as the French expected. Now, the bunkers are marooned, forlorn and crumbling, in some of the most beautiful and remote parts of France. They are disappearing into the landscapes they once commanded, stray facts from a future passed, still waiting for an onslaught that never came.
Form:
books
books
Publication:
March 2019
March 2019
Form:
books
books
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$49.95
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Summary:
In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us(...)
$49.95
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Summary:
In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us(...)
Title:
Steven B. Smith. The weather and a place to live: photographs of the suburban west
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In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us into the contemporary reality of sprawling suburbs reconfiguring what was once vast, unpopulated territory. With arresting concision and an unblinking eye, Smith shows how a new frontier is being won, and suggests too how it may be lost in its very emergence.
Steven B. Smith. The weather and a place to live: photographs of the suburban west
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$49.95
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Summary:
In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us into the contemporary reality of sprawling suburbs reconfiguring what was once vast, unpopulated territory. With arresting concision and an unblinking eye, Smith shows how a new frontier is being won, and suggests too how it may be lost in its very emergence.
Form:
books
books
Publication:
November 2005
November 2005
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$49.95
(available in store)
Summary:
In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups(...)
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Summary:
In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups(...)
Title:
An American lens : scenes from Alfred Stieglitz's New York Secession
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In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view. Bochner uses these scenes to recreate for today's readers the birth of modernism in America-what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe. Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate-casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in "An American lens" create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
An American lens : scenes from Alfred Stieglitz's New York Secession
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$49.95
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Summary:
In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view. Bochner uses these scenes to recreate for today's readers the birth of modernism in America-what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe. Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate-casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in "An American lens" create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
Form:
books
books
Publication:
October 2005, Cambridge, London
October 2005, Cambridge, London
Subject:
Photography monographs
Photography monographs
Form:
books
books
Actions:
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$51.95
(available to order)
Summary:
Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph(...)
$51.95
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Summary:
Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2005, Cambridge
September 2005, Cambridge
Title:
Trees : national champions / photographs by Barbara Bosworth
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$51.95
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Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph America's "champion" trees - trees that are the biggest of their species, as recorded in the National Register of Big Trees, a list established and maintained by the nonprofit conservation organization American Forests. She has traveled down highways and up back roads, walked through forests and across clear-cut land, sometimes led by local tree enthusiasts, sometimes alone, to photograph trees that are remarkable not only for their size but for their endurance. Bosworth finds champion trees in backyards, fields, and forests, near roadways, power lines, and sidewalks. Her photographs document the trees' magnificence but also show how they are markers of a changing landscape. The yellow poplar, for example, stands on the fringes of a suburban housing development, in the center of a park for the enjoyment and relaxation of residents. The western red cedar stands alone in the middle of a clear-cut, saved from logging only because it is recorded in the Register as the biggest of its kind. The trees and their surroundings tell us about our relationship with nature and the land. Bosworth captures the ineffable grace and dignity of trees with clarity and directness: the green ash that shades a midwestern crossroads, the common pear that blooms in a Washington field, and the Florida strangler fig with its mass of entwining aerial roots. Her photographs, panoramic views taken with an 8 x 10 camera, show the immensity of the largest species and the hidden triumphs of the smallest. Some trees are dethroned each year because of sickness or destruction, but more often simpy because a new and bigger specimen is discovered; only three trees from the original Register in 1940 are still living today. Bosworth's 70 photographs of champion trees are not only a collection of tree portraits but the story of an American adventure as well. With a foreword by Roger Conover and essays by Douglas R. Nickel and John R. Stilgoe.
Trees : national champions / photographs by Barbara Bosworth
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$51.95
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Summary:
Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph America's "champion" trees - trees that are the biggest of their species, as recorded in the National Register of Big Trees, a list established and maintained by the nonprofit conservation organization American Forests. She has traveled down highways and up back roads, walked through forests and across clear-cut land, sometimes led by local tree enthusiasts, sometimes alone, to photograph trees that are remarkable not only for their size but for their endurance. Bosworth finds champion trees in backyards, fields, and forests, near roadways, power lines, and sidewalks. Her photographs document the trees' magnificence but also show how they are markers of a changing landscape. The yellow poplar, for example, stands on the fringes of a suburban housing development, in the center of a park for the enjoyment and relaxation of residents. The western red cedar stands alone in the middle of a clear-cut, saved from logging only because it is recorded in the Register as the biggest of its kind. The trees and their surroundings tell us about our relationship with nature and the land. Bosworth captures the ineffable grace and dignity of trees with clarity and directness: the green ash that shades a midwestern crossroads, the common pear that blooms in a Washington field, and the Florida strangler fig with its mass of entwining aerial roots. Her photographs, panoramic views taken with an 8 x 10 camera, show the immensity of the largest species and the hidden triumphs of the smallest. Some trees are dethroned each year because of sickness or destruction, but more often simpy because a new and bigger specimen is discovered; only three trees from the original Register in 1940 are still living today. Bosworth's 70 photographs of champion trees are not only a collection of tree portraits but the story of an American adventure as well. With a foreword by Roger Conover and essays by Douglas R. Nickel and John R. Stilgoe.
Form:
books
books
Publication:
September 2005, Cambridge
September 2005, Cambridge
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Simryn Gill : Standing still
Simryn Gill : Standing still
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$41.95
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Summary:
There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and(...)
$41.95
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Summary:
There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and(...)
Title:
Simryn Gill : Standing still
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$41.95
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Summary:
There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and excruciatingly beautiful.
Simryn Gill : Standing still
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$41.95
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Summary:
There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and excruciatingly beautiful.
Form:
books
books
Publication:
January 1900, Cologne
January 1900, Cologne
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Peter Bialobrezeski : Heimat
Peter Bialobrezeski : Heimat
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$66.00
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Summary:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
$66.00
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Summary:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Title:
Peter Bialobrezeski : Heimat
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$66.00
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Summary:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Peter Bialobrezeski : Heimat
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$66.00
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Summary:
Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Form:
books
books
Publication:
January 1900, Ostfildern
January 1900, Ostfildern
Subject:
Photography monographs
Photography monographs
