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An archaeologist of haunted walls and loaded spaces, Robert Polidori photographs the inside and the outside of private and public dwellings as they transition from one state to another, whether from humble household to horrific disaster zone, or dilapidated grandeur to hygienic modernity. Some Points in Between assembles, for the first time, each of Robert Polidori's(...)
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An archaeologist of haunted walls and loaded spaces, Robert Polidori photographs the inside and the outside of private and public dwellings as they transition from one state to another, whether from humble household to horrific disaster zone, or dilapidated grandeur to hygienic modernity. Some Points in Between assembles, for the first time, each of Robert Polidori's(...)
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Some points between...up till now
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An archaeologist of haunted walls and loaded spaces, Robert Polidori photographs the inside and the outside of private and public dwellings as they transition from one state to another, whether from humble household to horrific disaster zone, or dilapidated grandeur to hygienic modernity. Some Points in Between assembles, for the first time, each of Robert Polidori's major photographic series in one affordably priced volume: Beirut (on post-civil-war Lebanon), Versailles (on the restoration of the palace), Havana (on Castro's Cuba), After the Flood (on post-Katrina New Orleans) and Zones of Exclusion (on the nuclear disasters at Pripyat and Chernobyl).
Some points between...up till now
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An archaeologist of haunted walls and loaded spaces, Robert Polidori photographs the inside and the outside of private and public dwellings as they transition from one state to another, whether from humble household to horrific disaster zone, or dilapidated grandeur to hygienic modernity. Some Points in Between assembles, for the first time, each of Robert Polidori's major photographic series in one affordably priced volume: Beirut (on post-civil-war Lebanon), Versailles (on the restoration of the palace), Havana (on Castro's Cuba), After the Flood (on post-Katrina New Orleans) and Zones of Exclusion (on the nuclear disasters at Pripyat and Chernobyl).
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books
books
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May 2010
May 2010
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Photography monographs
Photography monographs
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books
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$60.00
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No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore(...)
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No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore(...)
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Andrew Moore: Detroit disassembled
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No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse.
Andrew Moore: Detroit disassembled
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No longer the Motor City of boom-time industry, the city of Detroit has fallen into an incredible state of dilapidation since the decline of the American auto industry after the Second World War. Today, whole sections of the city resemble a war zone, its once-spectacular architectural grandeur reduced to vacant ruins. In Detroit Disassembled, photographer Andrew Moore records a territory in which the ordinary flow of time-or the forward march of the assembly line-appears to have been thrown spectacularly into reverse.
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books
books
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April 2010
April 2010
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Photography monographs
Photography monographs
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books
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$120.00
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A second-generation student of Bernd and Hilla Becher, photographer Boris Becker organizes his serial works by formal motifs and color accents. His encyclopedic compendium of Second World War German bunkers encompasses 700 images; others document apartment blocks, and more recent series include Fakes, photographs of objects designed to smuggle drugs.
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A second-generation student of Bernd and Hilla Becher, photographer Boris Becker organizes his serial works by formal motifs and color accents. His encyclopedic compendium of Second World War German bunkers encompasses 700 images; others document apartment blocks, and more recent series include Fakes, photographs of objects designed to smuggle drugs.
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Boris Becker : photographs, 1984-2009
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A second-generation student of Bernd and Hilla Becher, photographer Boris Becker organizes his serial works by formal motifs and color accents. His encyclopedic compendium of Second World War German bunkers encompasses 700 images; others document apartment blocks, and more recent series include Fakes, photographs of objects designed to smuggle drugs.
Boris Becker : photographs, 1984-2009
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A second-generation student of Bernd and Hilla Becher, photographer Boris Becker organizes his serial works by formal motifs and color accents. His encyclopedic compendium of Second World War German bunkers encompasses 700 images; others document apartment blocks, and more recent series include Fakes, photographs of objects designed to smuggle drugs.
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books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement(...)
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement(...)
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Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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$29.95
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement participatif. Cette pratique développe et revendique un art créé par et pour tous et toutes. Interactif, multidisciplinaire, ouvert sur le monde, ce genre artistique est soutenu par un idéal?: l'ouvre d'art total. Au Québec, l'artiste Maurice Demers, dont les créations collectives ont marqué les esprits à la fin des années 1960, incarne à -merveille cette quête à la fois culturelle, sociale et esthétique. Dans ce premier essai consacré au travail de Maurice Demers, l'auteur nous fait découvrir les ouvres de l'artiste et, du même souffle, évoque les grands enjeux de l'époque?: la syndicalisation, le féminisme, la critique de la société de consommation, l'identité collective québécoise, etc.
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement participatif. Cette pratique développe et revendique un art créé par et pour tous et toutes. Interactif, multidisciplinaire, ouvert sur le monde, ce genre artistique est soutenu par un idéal?: l'ouvre d'art total. Au Québec, l'artiste Maurice Demers, dont les créations collectives ont marqué les esprits à la fin des années 1960, incarne à -merveille cette quête à la fois culturelle, sociale et esthétique. Dans ce premier essai consacré au travail de Maurice Demers, l'auteur nous fait découvrir les ouvres de l'artiste et, du même souffle, évoque les grands enjeux de l'époque?: la syndicalisation, le féminisme, la critique de la société de consommation, l'identité collective québécoise, etc.
Form:
books
books
Publication:
February 2009
February 2009
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Joel Tettamanti: Davos
Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents(...)
$69.99
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents(...)
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Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents the resort as an open-ended location whose meanings aren’t—despite its fame—in any way predetermined. Instead, he asks the viewer to experience the city in its totality, paying attention to the landscape, climate, people, dreams, and debris alike.
Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents the resort as an open-ended location whose meanings aren’t—despite its fame—in any way predetermined. Instead, he asks the viewer to experience the city in its totality, paying attention to the landscape, climate, people, dreams, and debris alike.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$84.99
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2010
February 2010
Title:
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$67.99
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
Title:
Framing the West: the survey of Timothy H. O'Sullivan
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
Framing the West: the survey of Timothy H. O'Sullivan
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
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books
books
Publication:
March 2010
March 2010
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books
books
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$90.00
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
Title:
Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
Form:
books
books
Publication:
April 2010
April 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Subject:
Photography monographs
Photography monographs
Publication:
May 2010
May 2010
Title:
Helios: Eadweard Muybridge in a time of change
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$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Helios: Eadweard Muybridge in a time of change
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$96.00
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Summary:
Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Form:
books
books
Publication:
May 2010
May 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$90.00
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Title:
Walker Evans: decade by decade
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Walker Evans: decade by decade
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$90.00
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Form:
books
books
Publication:
April 2010
April 2010
Subject:
Photography monographs
Photography monographs
