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Depuis seulement quelques temps citons-nous Margaret Watkins (1884-1969) au sein des annales de la photographie du 20e siècle. La Clarence H. White School of Photography se souvient d'elle en tant que professeure mémorable, et le Pictoral Photographers of America (New York) en tant que membre actif et dynamique. Cela dit, ce sont ses photographies, désormais des(...)
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Depuis seulement quelques temps citons-nous Margaret Watkins (1884-1969) au sein des annales de la photographie du 20e siècle. La Clarence H. White School of Photography se souvient d'elle en tant que professeure mémorable, et le Pictoral Photographers of America (New York) en tant que membre actif et dynamique. Cela dit, ce sont ses photographies, désormais des(...)
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Margaret Watkins: symphonies domestiques
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Depuis seulement quelques temps citons-nous Margaret Watkins (1884-1969) au sein des annales de la photographie du 20e siècle. La Clarence H. White School of Photography se souvient d'elle en tant que professeure mémorable, et le Pictoral Photographers of America (New York) en tant que membre actif et dynamique. Cela dit, ce sont ses photographies, désormais des oeuvres-clés des débuts de la photographie publicitaire et des exemples classiques de la photographie moderne, qui lui ont valu sa reconnaissance au sein de l'histoire de ce médium artistique. Watkins a perturbé les préconceptions du monde artistique de l'époque avec ses images de vaisselle sale dans un évier et du tuyau de douche dans une salle de bain. Encore plus surprenant pour certains fut la découverte que cette photographe qui a poussé les limites de la photographie moderne new-yorkaise des années 20 était Canadienne. Cette publication accompagne la première rétrospective d'importance des oeuvres - certaines prêtées de collections privées et publiques d'envergure - de Margaret Watkins. Avec près de 100 planches pleine-page, dont plusieurs n'ayant jamais été publiées, ainsi qu'un récit approfondi de la vie extraordinaire de Watkins, cette publication est une monographie nécessaire afin de découvrir l'oeuvre, une fois perdue, de cette artiste fascinante.
Margaret Watkins: symphonies domestiques
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Depuis seulement quelques temps citons-nous Margaret Watkins (1884-1969) au sein des annales de la photographie du 20e siècle. La Clarence H. White School of Photography se souvient d'elle en tant que professeure mémorable, et le Pictoral Photographers of America (New York) en tant que membre actif et dynamique. Cela dit, ce sont ses photographies, désormais des oeuvres-clés des débuts de la photographie publicitaire et des exemples classiques de la photographie moderne, qui lui ont valu sa reconnaissance au sein de l'histoire de ce médium artistique. Watkins a perturbé les préconceptions du monde artistique de l'époque avec ses images de vaisselle sale dans un évier et du tuyau de douche dans une salle de bain. Encore plus surprenant pour certains fut la découverte que cette photographe qui a poussé les limites de la photographie moderne new-yorkaise des années 20 était Canadienne. Cette publication accompagne la première rétrospective d'importance des oeuvres - certaines prêtées de collections privées et publiques d'envergure - de Margaret Watkins. Avec près de 100 planches pleine-page, dont plusieurs n'ayant jamais été publiées, ainsi qu'un récit approfondi de la vie extraordinaire de Watkins, cette publication est une monographie nécessaire afin de découvrir l'oeuvre, une fois perdue, de cette artiste fascinante.
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books
books
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November 2012
November 2012
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Photography monographs
Photography monographs
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books
books
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Barney Kulok : building
Barney Kulok : building
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of(...)
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of(...)
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Barney Kulok : building
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Forty years after the original commission, it is finally being completed in 2012. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture—elements that were of fundamental importance to Kahn’s phenomenal achievements. As architect Steven Holl writes, “Kulok’s photographs free the subject matter from a literal interpretation of the site. They stand as ‘Equivalents’ to the words about material, light and shadow that Louis Kahn often spoke.”
Barney Kulok : building
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Forty years after the original commission, it is finally being completed in 2012. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture—elements that were of fundamental importance to Kahn’s phenomenal achievements. As architect Steven Holl writes, “Kulok’s photographs free the subject matter from a literal interpretation of the site. They stand as ‘Equivalents’ to the words about material, light and shadow that Louis Kahn often spoke.”
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books
books
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October 2012
October 2012
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Photography monographs
Photography monographs
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books
books
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$24.95
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of(...)
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Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
Daido Moriyama: Tales of Tono
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Daido Moriyama's work is characterised by powerful, high contrast black-and-white pictures, concentrating on the little-seen parts of the city and highlighting the effects of industrialisation on modern life in Japan. He has showcased his photography in dozens of extremely influential artists books which have had an enormous impact on the world of photography. One of these is Tales of Tono, first published in 1976, which features work shot in the countryside of northern Honshu, Japan. Taking its name from a collection of Japanese rural folk legends, its non-narrative diptychs display a nascent nostalgia, whilst the formal qualities of the photos embrace the grainy and raw techniques that Moriyama brought to his more urban subject matter.
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books
books
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October 2012
October 2012
Subject:
Photography monographs
Photography monographs
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books
books
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Aux Fenassiers
Aux Fenassiers
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
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Aux Fenassiers
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
Aux Fenassiers
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Résidence photographique d'Hortense Soichet, projet «Espace partagés», cité des Fenassiers, ville de Colomiers, octobre 2011 - avril 2012.
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books
books
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November 2012
November 2012
Subject:
Photography monographs
Photography monographs
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books
books
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$57.95
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and(...)
$57.95
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and(...)
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Jan Kempenaers: Dun Briste, Downpatrick Head
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and numbered in an edition of 500.
Jan Kempenaers: Dun Briste, Downpatrick Head
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$57.95
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As a sequel to his previous books Spomenik and Picturesque, the photographs in this special edition are also part of Kempenaers' artistic research project on contemporary picturesque. A filmic sequence of photographs of a massive rock is printed on a cardboard leporello which measures 33 x 345 cm when unfolded. It contains an original colour lambda print, signed and numbered in an edition of 500.
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books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Luigi Ghirri : Kodachrome
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on(...)
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on(...)
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Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian).
Luigi Ghirri : Kodachrome
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This new edition of Kodachrome (1978) is published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of Kodachrome, alongside French and German translations of the original texts from the book (which were published in English and Italian).
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Donigan Cumming
Donigan Cumming
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$19.95
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des(...)
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des(...)
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Donigan Cumming
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des sujets dont elle prétend témoigner et qu'elle décrit. Son ouvre, bien qu'ancrée dans l'image photographique, embrasse différents médiums : vidéo, installation, dessin et collage.
Donigan Cumming
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$19.95
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Depuis plus de trente ans, Donigan Cumming explore, avec des résultats troublants, les incidences sociales et éthiques de l'image observationnelle au moyen d'une «communauté improvisée» qui se compose de personnages montréalais apparemment marginaux. L'ouvre de Cumming constitue une analyse suivie du naturalisme artificiel de la photographie documentaire sociale et des sujets dont elle prétend témoigner et qu'elle décrit. Son ouvre, bien qu'ancrée dans l'image photographique, embrasse différents médiums : vidéo, installation, dessin et collage.
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Raymonde April
Raymonde April
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
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Raymonde April
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
Raymonde April
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L'historienne de l'art France Gascon offre ici un regard distinctif sur une figure marquante de la photographie canadienne, Raymonde April. Celle-ci propose, depuis plus de trente ans, une photographie qui se traduit parfois par l'autofiction, parfois par l'image documentaire.
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books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
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books
books
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$25.95
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une(...)
$25.95
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une(...)
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La France de Raymond Depardon
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une chambre photographique posée sur un pied. La France de Depardon, c'est cette France ordinaire, entre rural et urbain. C’est la France réelle. Sommes-nous réels ?
La France de Raymond Depardon
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Avec ces 480 clichés en couleur, dont 200 sont inédits, Raymond Depardon a photographié la vraie France, la France qu’on ne regarde plus. Quelle est la relation de l’homme à son espace de vie ? C’est ce que Raymond Depardon désire comprendre et fixer sur la pellicule. Voyageant à bord d’un fourgon aménagé, il guette les traces de l’homme sur le territoire, à l’aide d’une chambre photographique posée sur un pied. La France de Depardon, c'est cette France ordinaire, entre rural et urbain. C’est la France réelle. Sommes-nous réels ?
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Paul Graham : 1981-2011
Paul Graham : 1981-2011
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In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the(...)
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Summary:
In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the(...)
Title:
Paul Graham : 1981-2011
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In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the continuum, the before/after and coming/ going of life's dazzling dance. Designed by Paul Graham and MACK, printed in colour throughout, 1981 & 2011 aligns these two bodies of Graham's work across the 3 decades spanning his career. With David Campany's incisive essay, we can piece together and explore the concerns that link and bind an artist over the years making this a salient book on the passage of creativity in the observable world.
Paul Graham : 1981-2011
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In 2011 Paul Graham released The Present, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the continuum, the before/after and coming/ going of life's dazzling dance. Designed by Paul Graham and MACK, printed in colour throughout, 1981 & 2011 aligns these two bodies of Graham's work across the 3 decades spanning his career. With David Campany's incisive essay, we can piece together and explore the concerns that link and bind an artist over the years making this a salient book on the passage of creativity in the observable world.
Form:
books
books
Publication:
December 2012
December 2012
Subject:
Photography monographs
Photography monographs
