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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the(...)
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the(...)
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Photography monographs
Photography monographs
Publication:
January 2007, Salzburg
January 2007, Salzburg
Title:
Hanns Otte : Grossglockner Hochalpenstrasse
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the spatial coordinates are lost. The photographer has moved from the neutral grey to arrive at the white of fantasy. This road appears to be a path into the unreal, away from the certainties of daily life- and yet, heaping up the snow is only the trite means to make a road also passable in the winter.» Timm Starl 2007
Hanns Otte : Grossglockner Hochalpenstrasse
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«In the end Otte devotes himself to a dream: He builds a new road. The rotary snowplow is his tool. It drives upon the existing, the direction determining ground, in order to erect another edifice upon it. It follows an old track, but lets itself not be diverted from its undertaking. A gorge offering no escape emerges between the masses of snow, in whose uniformity the spatial coordinates are lost. The photographer has moved from the neutral grey to arrive at the white of fantasy. This road appears to be a path into the unreal, away from the certainties of daily life- and yet, heaping up the snow is only the trite means to make a road also passable in the winter.» Timm Starl 2007
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books
books
Publication:
January 2007, Salzburg
January 2007, Salzburg
Subject:
Photography monographs
Photography monographs
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books
books
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were(...)
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were(...)
Title:
Georg Salner: Chandigarh Brasilia, revision
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were all ‘ideal types’ of designers: innovative, influential and motivated by a huge commitment to a world civilization whose – at times utopian – approaches were not always able to flourish in every sense. Indeed, they remained lone figures with many outstanding comrades in arms and successors.
Georg Salner: Chandigarh Brasilia, revision
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Why does a visual artist, as Austrian photographer Georg Salner, make a photographic ‘excursion’ to Le Corbusier (and Pierre Jeanneret) in Chandigarh and to Oscar Niemeyer in Brasília (Niterói and Rio de Janeiro)? Of all grandmasters, Le Corbusier and Niemeyer are the only ones to have infused entire capitals with their ideas and endowed them with key buildings. They were all ‘ideal types’ of designers: innovative, influential and motivated by a huge commitment to a world civilization whose – at times utopian – approaches were not always able to flourish in every sense. Indeed, they remained lone figures with many outstanding comrades in arms and successors.
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books
books
Publication:
January 2017
January 2017
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Susanne Kriemann: Duskdust
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site(...)
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Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Susanne Kriemann: Duskdust
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Duskdust is an artist book by Susanne Kriemann. It takes as its starting point the former industrial site of limestone mining at Furilden peninsula on the northeastern coast of Gotland, Sweden’s biggest island. It is informed by the artist’s ongoing preoccupation with photography, labor, and archaeology and includes photographs taken during her residencies and site visits, archival material as well as text contributions by invited authors.
Form:
books
books
Publication:
April 2016
April 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$40.00
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The(...)
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The(...)
Title:
Susanne Kriemann: P(ech) B(blende). Library for radioactive afterlife
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The publication brings together seven texts viewing the subject with a literary eye through the lens of media theory. All the texts deal with the documentation of radioactive materials, their effects, and afterlife. The book P(ech) B(lende) ties in with Kriemann’s exhibition Pechblende (Chapter 1) at the Ernst Schering Foundation in Berlin (17, March to 5, June 2016). The work was previously on show at Prefix ICA in Toronto under the title Pechblende (Prologue).
Susanne Kriemann: P(ech) B(blende). Library for radioactive afterlife
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Susanne Kriemann's artist’s book "P(ech) B(lende), library for radioactive afterlife" looks at the political and actual invisibility of the highly radioactive mineral pitchblende (uraninite). From 1946 to 1989 pitchblende was mined in the Erzgebirge (Ore) Mountains in an area contained within the former GDR and was an important component in the USSR’s nuclear arsenal. The publication brings together seven texts viewing the subject with a literary eye through the lens of media theory. All the texts deal with the documentation of radioactive materials, their effects, and afterlife. The book P(ech) B(lende) ties in with Kriemann’s exhibition Pechblende (Chapter 1) at the Ernst Schering Foundation in Berlin (17, March to 5, June 2016). The work was previously on show at Prefix ICA in Toronto under the title Pechblende (Prologue).
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Stefan Hunstein: in the ice
Stefan Hunstein: in the ice
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of(...)
$69.95
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Summary:
The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of(...)
Title:
Stefan Hunstein: in the ice
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of these breathtaking photographs for the first time. In these photographs, Hunstein, famous for his critical examination of contemporary history through the artistic processing of pre-existing pictures, is behind the camera himself, and his unusual work feels almost unreal in its outlines, shadows, and reflections. Luminous and haunting, the photographs were printed on glass using a special technique, and the reproductions gathered here capture the intersection of the fragile and the monstrous, the beauty of nature and the dangers it hides.
Stefan Hunstein: in the ice
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The artist Stefan Hunstein journeyed to the Arctic in 2012 and returned with magical photographs of untouched landscapes. In their majesty and beauty, their immensity and their palpable, deadly cold, the photographs echo the visions of ice in painting and literature, especially during the Romantic era. Stefan Hunstein: "In the ice" offers a selection of more than fifty of these breathtaking photographs for the first time. In these photographs, Hunstein, famous for his critical examination of contemporary history through the artistic processing of pre-existing pictures, is behind the camera himself, and his unusual work feels almost unreal in its outlines, shadows, and reflections. Luminous and haunting, the photographs were printed on glass using a special technique, and the reproductions gathered here capture the intersection of the fragile and the monstrous, the beauty of nature and the dangers it hides.
Form:
books
books
Publication:
April 2017
April 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Sara A. Tremblay : Själsö
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les(...)
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les(...)
Title:
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les forces tranquilles de la nature, au travers desquelles s'esquissent des présences éthérées. Själsö, village hôte qui a prêté son nom au livre, se décline par les mots själ (âme) et ö (île), comme quoi l'île amène à chercher dans le réel des traces de ce qui ne se voit pas.
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les forces tranquilles de la nature, au travers desquelles s'esquissent des présences éthérées. Själsö, village hôte qui a prêté son nom au livre, se décline par les mots själ (âme) et ö (île), comme quoi l'île amène à chercher dans le réel des traces de ce qui ne se voit pas.
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books
books
Publication:
February 2017
February 2017
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books
books
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$60.00
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
Publication:
March 2015
March 2015
Title:
Klara Källström et Thobias Fäldt : village
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux
Klara Källström et Thobias Fäldt : village
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Summary:
"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux
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books
books
Publication:
March 2015
March 2015
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books
books
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
Title:
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
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books
books
Publication:
November 2016
November 2016
Subject:
Photography monographs
Photography monographs
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books
books
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$54.00
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This oublication is an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the(...)
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This oublication is an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the(...)
Title:
Cesare Fabbri: The flying carpet
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This oublication is an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the Italian master’s words: “the camera is a magical toy capable of bringing together the great and the small, illusion and reality, our adult awareness and the fairy-tale world of childhood.” Indeed, in 'The Flying Carpet', we encounter scenes that might derive from comics – a rural hut with painted questioning eyes, a plant uprooted and hovering mid-air, and an embroidered carpet lifting up in the breeze.
Cesare Fabbri: The flying carpet
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This oublication is an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the Italian master’s words: “the camera is a magical toy capable of bringing together the great and the small, illusion and reality, our adult awareness and the fairy-tale world of childhood.” Indeed, in 'The Flying Carpet', we encounter scenes that might derive from comics – a rural hut with painted questioning eyes, a plant uprooted and hovering mid-air, and an embroidered carpet lifting up in the breeze.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$83.95
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other(...)
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other(...)
Title:
Larry Sultan: pictures from home
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of ''Pictures from home'' clarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.
Larry Sultan: pictures from home
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First published in 1992 to wide critical acclaim, ''Pictures from home'' is Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work. Significantly increasing the page count of the original book, this MACK design of ''Pictures from home'' clarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Photography monographs
Photography monographs
