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" Cette Exposition marque le triomphe de la civilisation " déclarait Abd-El-Kader à l'Empereur Napoléon III en visitant les pavillons de l'Exposition Universelle de 1867. Si cette Exposition provoqua l'enthousiasme du sultan, elle fut, comme la première en 1855 et celles qui suivirent, en 1878, 1889, 1900, 1931, 1937, un événement international de premier ordre. A chaque(...)
Paris : les expositions universelles de 1855 à 1937
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" Cette Exposition marque le triomphe de la civilisation " déclarait Abd-El-Kader à l'Empereur Napoléon III en visitant les pavillons de l'Exposition Universelle de 1867. Si cette Exposition provoqua l'enthousiasme du sultan, elle fut, comme la première en 1855 et celles qui suivirent, en 1878, 1889, 1900, 1931, 1937, un événement international de premier ordre. A chaque occasion les nations du monde entier présentèrent à Paris ce qu'elles savaient réaliser de plus beau et de meilleur. Les visiteurs venus de tous les pays s'y rencontrèrent ; Paris fut ainsi à sept reprises la capitale mondiale de la science, de la culture, des techniques, des arts et de la Paix. Il y eut jusqu'à 50 millions de visiteurs en 1900. Pour ces Expositions de grandioses édifices furent construits dont un certain nombre subsistent ; les gares de Saint Lazare, de Lyon et d'Orsay, les hôtels du Louvre et Intercontinental, la Tour Eiffel, le Grand et le Petit Palais, le Pont Alexandre III, le musée des Colonies, le musée d'Art Moderne et le Palais de Chaillot. C'est une synthèse de ces extraordinaires événements internationaux, aujourd'hui oubliés, que propose cet ouvrage.
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February 2004, Paris
Museums and Universal Exhibitions
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on(...)
Art Spaces : the architecture of four Tates
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on the buildings themselves as well as their artistic, political, and cultural contexts.
Museums and Universal Exhibitions
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design(...)
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design exhibition in Nuremberg. The result is a highly diverse picture of this type of museum, based on an insightful text and a selected object from each country. The exhibition and the catalogue document a wide variety of different approaches and the ever-changing way design museums see themselves. Among the museums featured are: Stedelijk Museum (Amsterdam), The National Museum of Modern Art (Kyoto), The Metropolitan Museum of Art (New York) and Vitra Design Museum (Weil am Rhein).
Museums and Universal Exhibitions
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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
October 2002, Melbourne
dia - Architecture thesis projects : 2000-2001
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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor),(...)
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor), visionary models of 1998 and the international competition, through to its fulfilment. The project concepts are explained by the authors in their own words: Coop Himmelb(l)au and GLS, Jean Nouvel and GIM, J. Sbriglio, and Extasia with T. Kobler/Vehovar + Jauslin, West 8/Diller + Scofidio.
Museums and Universal Exhibitions
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably(...)
Inchoate : an experiment in architectural education
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Implying always a beginning, teaching is about initiating excitement. It entails the deployment of pleasure, the built-up of passion, and obsession vis-à-vis a particular field of endeavour, the grounds on which a discipline operates, and its intellectual as well as physical practices. Notwithstanding the optimistic implications of such a claim, teaching inevitably involves a contradictory bias both in favour as well as against the discipline at issue, promoting an understanding of its regulating principles while at the same time questioning the seemingly secure bases on which it is presumed to stand. Whereas teaching is affirmative, it simultaneously introduces a distancing from the very subject matter that it promotes.
Museums and Universal Exhibitions
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
Museums and Universal Exhibitions
January 1900, Gollion
Futur antérieur : trésors archéologiques du 21e siècle après J.-C.
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Catalogue de l'exposition "Futur antérieur" qui eut lieu au Musée romain de Lausanne-Vidy.
Museums and Universal Exhibitions
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by(...)
Museums and Universal Exhibitions
January 1900, Barcelona
Mies van der Rohe Award 2003 : European Union prize for contemporary architecture
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"Old Europe" is beginning to show strong signs of renewed vitality, to judge from the results of this latest edition of the European Union prize for contemporary architecture - Mies van der Rohe award 2003. And not only because 269 works were selected, or because the number of competing countries (particularly those of Eastern Europe) is steadily increasing, bit also by virtue of the high average standard of the entries, particularly of the winning projects and 40 runner-up featured in this catalogue. In the end, the winning project encompasses all this : Zaha Hadid's tram station in Strasbourg is at the same time a strategy, open-ended, imperfect, intelligent and playful. But it also resolved and unafraid to identify with conventional architectural qualities.
Museums and Universal Exhibitions
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
Oscar Niemeyer : Serpentine Gallery Pavillion 2003
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The Serpentine Gallery Pavilion 2003, by the Brazilian architect Oscar Niemeyer, was his first completed, though temporary, structure in the UK. Sited on the Gallery's lawn from June 20th to September 14th, it offered visitors an opportunity to experience a space designed by one of the founding figures of modern architecture.
Museums and Universal Exhibitions
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.
June 2003, Paris
Les bâtisseurs du Louvre
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Ce guide se propose, en suivant l'évolution du monument, de retracer une certain histoire de l'architecture française, depuis les premières murailles de Philippe Auguste jusque'aux structures de verre et d'acier de la pyramide de Pei.