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This book and CD-ROM present the world's best final-year projects by students in architecture, urban design and landscape architecture. Archiprix International invited institutions teaching design from all over the world in 2001 and 2003 to each select and send in their best final-year project. A fascinating collection of over 300 submitted projects from every continent(...)
Museums and Universal Exhibitions
January 2003, Rotterdam
Archiprix International 2001/2003 : world's best graduation projects
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This book and CD-ROM present the world's best final-year projects by students in architecture, urban design and landscape architecture. Archiprix International invited institutions teaching design from all over the world in 2001 and 2003 to each select and send in their best final-year project. A fascinating collection of over 300 submitted projects from every continent gives an insight into the trends worldwide in design education. They range from a vision of a futuristic urban Utopia from Kazakhstan to a museum for African culture from Ghana, and a cutting-edge Dutch polder landscape to a modest lookout tower in a Finnish park. Besides project presentations, the book also includes the jury's assessments.
books
January 2003, Rotterdam
Museums and Universal Exhibitions
books
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Discipline émergente, la muséologie se situe à l'intersection de différents domaines des sciences sociales. Elle est sociologie lorsqu'elle questionne la place du musée dans la société et qu'elle analyse ses publics. Elle est pédagogie par la prise en compte de la mission didactique de l'institution muséale. Elle participe pleinement des sciences de la communication au(...)
Museums and Universal Exhibitions
May 2004, Paris
La muséologie : histoire, développements, enjeux actuels
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Discipline émergente, la muséologie se situe à l'intersection de différents domaines des sciences sociales. Elle est sociologie lorsqu'elle questionne la place du musée dans la société et qu'elle analyse ses publics. Elle est pédagogie par la prise en compte de la mission didactique de l'institution muséale. Elle participe pleinement des sciences de la communication au sein desquelles ses spécificités restent largement à explorer. Elle est aussi histoire puisque celle-ci lui est intimement liée par la dimension patrimoniale du musée. L'ambition de cet ouvrage est de couvrir le très large éventail des points de vue portés sur le musée, de montrer leurs interrelations et de mettre en lumière les conditions de l'équilibre - nécessaire - entre les différentes fonctions que le musée est appelé à exercer au sein de la société. De nombreux exemples illustrent le propos et offrent un aller-retour permanent entre théorie et pratique. L'ouvrage s'intéresse à l'ensemble des musées quelle qu'en soit la nature. Les spécificités (musées d'art, de sciences, de société, etc.) sont abordées lorsque nécessaire. Plutôt que de souligner les différences, les auteurs ont préféré mettre l'accent sur les points communs et les convergences, afin de dégager les traits spécifiques de l'institution muséale. Synthèse fondée sur les publications les plus récentes, cette introduction à la muséologie s'adresse à tous les étudiants concernés, ainsi qu'aux professionnels des musées, aux chercheurs en sciences humaines et à tous ceux que le monde des musées intéresse.
books
May 2004, Paris
Museums and Universal Exhibitions
Vienna Fair
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For almost a century Vienna has hosted fairs of international fame, an essential element in its position as an international center of commerce. With the recent completion of new fair buildings, the Prater has been "relaunched." Essays on the history of fairs in Vienna, a contribution by Gustav Peichl on new fair architecture, and historical insights by Markus Kristan(...)
Vienna Fair
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For almost a century Vienna has hosted fairs of international fame, an essential element in its position as an international center of commerce. With the recent completion of new fair buildings, the Prater has been "relaunched." Essays on the history of fairs in Vienna, a contribution by Gustav Peichl on new fair architecture, and historical insights by Markus Kristan give comprehensive coverage of an institution that once gave Vienna its image and that has now been restored to life.
Museums and Universal Exhibitions
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The Serpentine Gallery annually commissions international architects of world-wide acclaim to design a Pavilion for the Gallery's lawn that provides a unique showcase for contemporary architectural practice. This is the third commission in the series, following Zaha Hadid in 2000 and Daniel Libeskind with Arup in 2001, whose ‘Eighteen Turns’ was listed by "The Observer"(...)
Museums and Universal Exhibitions
January 1900, Tokyo
Serpentine Gallery Pavilion 2002 : Toyo Ito with Arup
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The Serpentine Gallery annually commissions international architects of world-wide acclaim to design a Pavilion for the Gallery's lawn that provides a unique showcase for contemporary architectural practice. This is the third commission in the series, following Zaha Hadid in 2000 and Daniel Libeskind with Arup in 2001, whose ‘Eighteen Turns’ was listed by "The Observer" as one of the top-ten buildings of 2001.
Museums and Universal Exhibitions
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of(...)
Museums and Universal Exhibitions
January 1900, London
Bartlett works : architecture, buildings, projects
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The Bartlett School of Architecture at University College London is one of the world’s leading schools of architecture, with a substantial impact and presence worldwide. "Bartlett Works" covers the major achievements of former Bartlett architecture students and current staff, celebrating the diversity of different types of architectural activity and exploring the role of the architect generally and in specific aspects of architectural practice, the construction industry, academia and public discourse. "Bartlett Works" explores the links between education and practice and brings together such disparate work as building design, architectural education, film direction, furniture design, architectural journalism, history and theory, arts and architecture policy formulation, video production and website design. Emphasis is placed on recently completed projects and work-in-progress. This book is a useful guide for anyone interested in pursuing a career in architecture or in the subject generally. Contributors include Foster & Partners, Softroom, Ushida Findlay, Allford Hall Monaghan Morris, David Chipperfield Architects, Block Architecture and filmmaker Patrick Keiller.
Museums and Universal Exhibitions
books
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" Cette Exposition marque le triomphe de la civilisation " déclarait Abd-El-Kader à l'Empereur Napoléon III en visitant les pavillons de l'Exposition Universelle de 1867. Si cette Exposition provoqua l'enthousiasme du sultan, elle fut, comme la première en 1855 et celles qui suivirent, en 1878, 1889, 1900, 1931, 1937, un événement international de premier ordre. A chaque(...)
Paris : les expositions universelles de 1855 à 1937
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" Cette Exposition marque le triomphe de la civilisation " déclarait Abd-El-Kader à l'Empereur Napoléon III en visitant les pavillons de l'Exposition Universelle de 1867. Si cette Exposition provoqua l'enthousiasme du sultan, elle fut, comme la première en 1855 et celles qui suivirent, en 1878, 1889, 1900, 1931, 1937, un événement international de premier ordre. A chaque occasion les nations du monde entier présentèrent à Paris ce qu'elles savaient réaliser de plus beau et de meilleur. Les visiteurs venus de tous les pays s'y rencontrèrent ; Paris fut ainsi à sept reprises la capitale mondiale de la science, de la culture, des techniques, des arts et de la Paix. Il y eut jusqu'à 50 millions de visiteurs en 1900. Pour ces Expositions de grandioses édifices furent construits dont un certain nombre subsistent ; les gares de Saint Lazare, de Lyon et d'Orsay, les hôtels du Louvre et Intercontinental, la Tour Eiffel, le Grand et le Petit Palais, le Pont Alexandre III, le musée des Colonies, le musée d'Art Moderne et le Palais de Chaillot. C'est une synthèse de ces extraordinaires événements internationaux, aujourd'hui oubliés, que propose cet ouvrage.
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February 2004, Paris
Museums and Universal Exhibitions
$52.50
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on(...)
Art Spaces : the architecture of four Tates
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Markedly different in location and appearance, the four Tate Galleries--Tate Britain, Tate Liverpool, Tate St. Ives, and Tate Modern--nevertheless share certain features: their waterside settings, their distance from fashionable city centers, and their role in the regeneration of their neighborhoods. Helen Searing traces the architectural history of each site, focusing on the buildings themselves as well as their artistic, political, and cultural contexts.
Museums and Universal Exhibitions
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design(...)
Design museums of the world
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To celebrate the first design exhibition of Neues Museum, Staatliches Museum für Kunst und Design in Nuremberg, Die Neue Sammlung München, one of the world’s oldest design museums and responsible for the design section in Nuremberg, invited 29 museums from all over the world, who likewise focus on design in a museum context, to contribute to its very first design exhibition in Nuremberg. The result is a highly diverse picture of this type of museum, based on an insightful text and a selected object from each country. The exhibition and the catalogue document a wide variety of different approaches and the ever-changing way design museums see themselves. Among the museums featured are: Stedelijk Museum (Amsterdam), The National Museum of Modern Art (Kyoto), The Metropolitan Museum of Art (New York) and Vitra Design Museum (Weil am Rhein).
Museums and Universal Exhibitions
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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
October 2002, Melbourne
dia - Architecture thesis projects : 2000-2001
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In the trajectory of the consolidated traditional stream of previous Major Project books, this publication documents the best final theses in Design produced within the Architecture Program of RMIT University.
Museums and Universal Exhibitions
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor),(...)
Architecture expo 02
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Five iconic installations: one mobile and four fixed “Arteplage” locations; 500 individual structures in transition from experimental architecture to scenographics; 45 international designer teams. Illustrations, detailed plans, and instructive texts portray the architecture of the Expo in all its complexity: from Pipilotti Rist’s "Laboratory of Ideas" (Ideenlabor), visionary models of 1998 and the international competition, through to its fulfilment. The project concepts are explained by the authors in their own words: Coop Himmelb(l)au and GLS, Jean Nouvel and GIM, J. Sbriglio, and Extasia with T. Kobler/Vehovar + Jauslin, West 8/Diller + Scofidio.
Museums and Universal Exhibitions