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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens,(...)
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens,(...)
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Pratiquer la muséohistoire : la guerre et l'histoire au musée : pour une visite critique
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens, aborder ces espaces publicsc dans leurs différentes dimensions, comme des objets culturels, sociaux et politiquesé Objets culturels, ils le sont en tant que supports de représentation, de mémoires et d'oublis; et objets sociopolitiques, ils le sont également par l'implication d'acteurs différents et nombreux dont il s'agit de repérer les enjeux, les stratégies, les contraintes.
Pratiquer la muséohistoire : la guerre et l'histoire au musée : pour une visite critique
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Ce guide intéressera particulièrement les chercheurs, les étudiants et les enseignants qui très nombreux arpentent chaque année les musées d'histoire accompagnés de leurs élèves. Son propos est double : questionner les mises en scène et les mises en récit de l'histoire des conflits du XXe siècle en confrontant les contenus des expositions muséales aux savoirs historiens, aborder ces espaces publicsc dans leurs différentes dimensions, comme des objets culturels, sociaux et politiquesé Objets culturels, ils le sont en tant que supports de représentation, de mémoires et d'oublis; et objets sociopolitiques, ils le sont également par l'implication d'acteurs différents et nombreux dont il s'agit de repérer les enjeux, les stratégies, les contraintes.
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books
books
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April 2012
April 2012
Subject:
Museology
Museology
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books
books
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand(...)
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand(...)
Title:
Le musée: entre la recherche et l'enseignement
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand échantillonnage des recherches en lien avec le musée.
Le musée: entre la recherche et l'enseignement
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Cet ouvrage s’articule autour de cette nécessité qu’a l’institution muséale de concevoir des activités favorisant un enrichissement intellectuel. Les axes de cet ouvrage, au nombre de deux, sont : le musée en tant que sujet de recherche et le musée en tant qu’outil d’enseignement. Réunissant des chercheurs actifs dans le domaine muséal, ce livre présente un grand échantillonnage des recherches en lien avec le musée.
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books
books
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May 2012
May 2012
Subject:
Museology
Museology
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books
books
Title:
Exhibition experiments
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
Title:
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Form:
books
books
Publication:
May 2012
May 2012
Subject:
Museology
Museology
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books
books
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$29.95
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
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Summary:
Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic(...)
Title:
The culture of curating and the curating of culture(s)
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
The culture of curating and the curating of culture(s)
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Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O’Neill examines the emergence of independent curatorship and the discourse that helped to establish it. O’Neill describes how, by the 1980s, curated group exhibitions - large-scale, temporary projects with artworks cast as illustrative fragments - came to be understood as the creative work of curator-auteurs. The proliferation of new biennials and other large international exhibitions in the 1990s created a cohort of high-profile, globally mobile curators, moving from Venice to Paris to Kassel. In the 1990s, curatorial and artistic practice converged, blurring the distinction between artist and curator. O’Neill argues that this change in the understanding of curatorship was shaped by a curator-centered discourse that effectively advocated - and authorized - the new independent curatorial practice. Drawing on the extensive curatorial literature and his own interviews with leading curators, critics, art historians, and artists, O’Neill traces the development of the curator-as-artist model and the ways it has been contested. The Culture of Curating and the Curating of Culture(s) documents the many ways in which our perception of art has been transformed by curating and the discourses surrounding it.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Museology
Museology
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books
books
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$54.95
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Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of(...)
$54.95
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Summary:
Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of(...)
Publication:
May 2011
May 2011
Title:
Biennials: Art of a global scale
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Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of globalization expresses itself in terms of arts. There is, though, little published information on the biennials of Sao Paulo, Habana, Istanbul, Sidney, or New Delhi, to name but the oldest. To which tradition do biennials belong and what s the importance of this format today? Which developments do they reflect, which ones do they initiate? Through the portraits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
Biennials: Art of a global scale
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Each second year, those interested in the fine arts from all over the world feel attracted to the Biennale di Venezia . In modern times the leading format for internationalization, the number of new foundations has once more rapidly increased in the course of globalization since the eigthies. Biennials are in fact the only exhibition format in which the impact of globalization expresses itself in terms of arts. There is, though, little published information on the biennials of Sao Paulo, Habana, Istanbul, Sidney, or New Delhi, to name but the oldest. To which tradition do biennials belong and what s the importance of this format today? Which developments do they reflect, which ones do they initiate? Through the portraits of 22 selected biennials, the book seeks answers for these questions. Thanks to numerous illustrations and a list of the most important biennials founded, this book gives the first compact overview of this complex topic.
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books
books
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May 2011
May 2011
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books
books
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
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Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of(...)
Title:
Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
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The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
Biography of a building : How Robert Sainsbury and Norman Foster built a great museum
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$34.50
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Summary:
The Sainsbury Centre for Visual Arts at the University of East Anglia was Norman Foster's first major commission and the project that set him on the road to fame and fortune. It remains highly regarded in the architectural world. In this book, we learn how a major museum is conceived and developed, the role of the sponsor, the nature of collecting, and the experiences of the people who occupy the space.
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books
books
Publication:
May 2011
May 2011
Form:
books
books
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$66.00
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This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
$66.00
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Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Title:
unExhibit
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$66.00
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This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
unExhibit
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$66.00
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Summary:
This publication takes up the question of the “display as exhibition” in works by Maria Eichhorn, Richard Hamilton, Ann Veronica Janssens, Willem Oorebeek, Karthik Pandian and Mathias Poledna, Joëlle Tuerlinck and Heimo Zobernig. The book not only examines display as a material gesture, but also studies artistic methods of not showing and withdrawing - of “un-exhibiting.”
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Museology
Museology
Form:
books
books
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$43.95
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Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the(...)
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Summary:
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the(...)
Title:
Virtuality and the art of exhibition: curatorial design for the multimedia museum
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Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedial museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.
Virtuality and the art of exhibition: curatorial design for the multimedia museum
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Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedial museum, and curatorial design. Rounding out the volume are case studies with accompanying illustrations.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Museology
Museology
Form:
books
books
Title:
Project scope: exhibition design, a typology for architects, designers and museum professionals
Project scope: exhibition design, a typology for architects, designers and museum professionals
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$72.95
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This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans,(...)
$72.95
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Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans,(...)
Title:
Project scope: exhibition design, a typology for architects, designers and museum professionals
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$72.95
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Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans, visualizations, and attractive photographs illustrate the approach, whose essential structure remains the same while finding a different solution for each theme.
Project scope: exhibition design, a typology for architects, designers and museum professionals
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$72.95
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Summary:
This publication elaborates the special features of various thematic fields such as nature, archeology, history, art, and science since each represents different challenges for an exhibition design. Exemplary case studies clarify the specific features of the exhibition types presented with essays on the theory and practice of exhibition designs. Sketches, floor plans, visualizations, and attractive photographs illustrate the approach, whose essential structure remains the same while finding a different solution for each theme.
Form:
books
books
Publication:
December 2011
December 2011
Subject:
Museology
Museology
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books
books
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$32.00
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
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Summary:
This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Title:
Sketches for a national history museum
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This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Sketches for a national history museum
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$32.00
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Summary:
This book presents various designs for a National History Museum in the Netherlands. Kenneth Frampton and Hans Ibelings wrote essays on good museum architecture, researchers at the Berlage Institute made sketches, and three young European architecture firms, 51N4E, Baukuh, and Monadnock, submitted plans to encourage thinking about new museum architecture.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Museology
Museology
