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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different(...)
The new design museum: Co-creating the present, prototyping the future
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"The New Design Museum" brings together theories and voices from leading international institutions and independent initiatives addressing the transformed––and continually transforming––nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation—of their missions, programs, and outreach platforms—to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. This book ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised.
Museology
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries(...)
Ways of Curating
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Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. ''Ways of Curating'' is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of collections from Athanasius Kircher's seventeenth-century Wunderkammer to modern museums, and points the way for projects yet to come. Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art--and at the world--in a new way.
Museology
Collecting Otherwise Manuals
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Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives.(...)
Collecting Otherwise Manuals
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Since 2020, Collecting Otherwise, initiated by the Nieuwe Instituut in Rotterdam, has explored how archives and their policies shape institutional memory, urban history, and public heritage, challenging the idea that heritage is “neutral”. It aims to change institutional culture to recognise and champion under-represented roles, practices, and perspectives in archives. Besides rethinking archival practices in case studies from the National Collection, the project addresses annual themes on collecting and develops collaborative tools. The manuals invite engagement with these tools to support reparative archival work and deepen reflections on the responsibilities of memory.
Museology
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This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the(...)
A model
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This book, "A model", parallels an exhibition at Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean. The museum’s director Bettina Steinbrügge conceived this exhibition as a conversation with the ever evolving contemporary art museum. This publication, with an essay about the roles museums can take, in theory, in practice, and in use, enacts how Steinbrügge engages the artists in the exhibition to sit with this shifting idea. Commissioning major works by Nina Beier & Bob Kil, Rayyane Tabet, Oscar Murillo, or Claire Fontaine and historical works by Alvar Aalto and Tomaso Binga the exhibition uses the format of prologue, body, and epilogue to overlap gestures in the museum space. Likewise, this book engages the designer Julie Peeters, photographer Adrianna Glaviano, and artist Jason Dodge as editor to stage a publication that makes a new exhibition, "A model", between these pages.
Museology
$54.00
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This book presents the work of artists, curators, collectives and scholars who address contemporary art as a site of learning in the 21st century. Building on earlier histories of education as civic service for the common good, it focuses on the last 25 years, as well as the question of the future of art education—as a practice that unfolds both in and beyond school. The(...)
Living to learn: Art and education for the common good
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This book presents the work of artists, curators, collectives and scholars who address contemporary art as a site of learning in the 21st century. Building on earlier histories of education as civic service for the common good, it focuses on the last 25 years, as well as the question of the future of art education—as a practice that unfolds both in and beyond school. The book constructs an impressionistic constellation of case studies to see how innovations in education have had a dynamic relationship with artistic practice, alternative arts organizations, universities and museums.
Museology
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint(...)
Self-Institution: Terminology Audit
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint Administrative Intelligence (O.J.A.I.), this publication investigates artist offices, bureaus, departments, ministries, societies, centres, and other explicitly institutional invocations. The Terminology Audit reveals language and jargon unique to each practice. The case studies, currently active in the field, represent a broad range of approaches, including research-based, performance-driven, pragmatic, materially motivated, counter-institutional, esoteric, and absurd facsimiles of institutionhood.
Museology
books
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Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new(...)
Architecture for Culture: Rethinking Museums
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Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new icons and rereading historical examples"Architecture for Culture" shows why museums remain essential. They serve as the repositories for the encyclopedia of 21st-century knowledge, help make our cities legible and ensure that art remains a vibrant presence in the spaces where we live. The museum is revealed as a venue where architecture refines its discourse on method, identity, and urban context; it is also a dynamic laboratory for the continuous development of a new cultural policy—one that must address itself to a planetary audience.
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September 2025
Museology
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This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and(...)
The institutution and its intentions
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This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and community in the future. The symposium marked the final chapter of a broader program dedicated to examining the museum as a model. The series was introduced by "A Model," a three-part exhibition curated by Bettina Steinbrügge that reflected on the role of the museum in the twenty-first century, reaffirming the need to consider the institutions a dynamic, living place, sensitive and receptive to contemporary debates. It also considered the possibilities that arise when museum collections are reimagined as active and performative environments. More than thirty artists were involved – some conceiving new commissions, others responding to works in Mudam’s collection.
Museology
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Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser(...)
L'éducation muséale au Québec : Transmettre et apprendre autrement
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Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser l’éducation d’aujourd’hui? Dans « L’éducation muséale au Québec : transmettre et apprendre autrement », Anik Meunier et Michel Allard retracent l’évolution de ces liens parfois méconnus, nourris par plus de 40 ans de recherche au sein du Groupe de recherche sur l’éducation et les musées (GREM). Des classes qui s’installent au musée, des projets conçus avec des adolescents et adolescentes, des modèles pédagogiques concrets : ce livre met en lumière des approches qui transforment l’expérience éducative.
Museology
$55.00
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Often dissident, sometimes adherent, this volume resists definition: adaptive, fluid, speculative. Reflecting the ambivalences of contemporary life, it is at once superficial and profound, profane and divine, present everywhere and nowhere, dismissed as futile yet capable of transforming even the most beautiful interiors. The book gathers diverse tools and insights –(...)
Nothing about interior architecture
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Often dissident, sometimes adherent, this volume resists definition: adaptive, fluid, speculative. Reflecting the ambivalences of contemporary life, it is at once superficial and profound, profane and divine, present everywhere and nowhere, dismissed as futile yet capable of transforming even the most beautiful interiors. The book gathers diverse tools and insights – polysemic and ambiguous, bespoke and improvised, ornamental and critical – spanning media, technology, the arts, and other undefined fields, to examine the impact on contemporary design. With contributions by Philippe Rahm, Line Fontana, Paule Perron, Youri Kravtchenko, Simon Husslein, Camille Bagnoud, more.
Museology