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books
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An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century. With different approaches and strategies, Franco Albini, BBPR, Lina Bo Bardi and Carlo Scarpa rethought and redesigned the Second World War's museums and their purposes. Despite(...)
$44.00
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An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century. With different approaches and strategies, Franco Albini, BBPR, Lina Bo Bardi and Carlo Scarpa rethought and redesigned the Second World War's museums and their purposes. Despite(...)
Title:
The Living Museums: Franco Albini, BBPR, Lina Bo Bardi, Carlo Scarpa
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An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century. With different approaches and strategies, Franco Albini, BBPR, Lina Bo Bardi and Carlo Scarpa rethought and redesigned the Second World War's museums and their purposes. Despite their intrinsic differences, the four case studies show how all these architects' projects sought to achieve two common purposes: to make art education accessible to everyone and to highlight the value of history in building the present.
The Living Museums: Franco Albini, BBPR, Lina Bo Bardi, Carlo Scarpa
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An analysis of four museums by architectural historian Orietta Lanzarini, built between the 1940s and 1960s, and set up by four of the most groundbreaking Italian architects of the 20th century. With different approaches and strategies, Franco Albini, BBPR, Lina Bo Bardi and Carlo Scarpa rethought and redesigned the Second World War's museums and their purposes. Despite their intrinsic differences, the four case studies show how all these architects' projects sought to achieve two common purposes: to make art education accessible to everyone and to highlight the value of history in building the present.
Form:
books
books
Publication:
March 2021
March 2021
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$53.95
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How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe(...)
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How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe(...)
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The art museum in modern times
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How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right.
The art museum in modern times
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Summary:
How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For "The art museum in modern times," Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$65.00
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To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912,(...)
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To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912,(...)
Title:
Journey North: The Inuit Art Centre Project
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To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson’s Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book’s author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project.
Journey North: The Inuit Art Centre Project
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$65.00
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Summary:
To commemorate the official opening of the Inuit Art Centre, now named Qaumajuq, Winnipeg Art Gallery director and CEO, Dr. Stephen Borys, set out to share the story of this extraordinary museum and building project. His book, Journey North: The Inuit Art Centre Project, traces the history of the centre beginning with the establishment of the Winnipeg Art Gallery in 1912, when the foundation was laid to support a diverse and far-reaching mission that could embrace both historical and contemporary artmaking on national and international levels. By the time director Dr. Ferdinand Eckhardt arrived at the gallery in 1953, and discovered Inuit stone carving at the Hudson’s Bay Company department store located across the street from the WAG, the idea of assembling a collection to celebrate this Indigenous art form moved closer to reality. This account of the development of the Inuit Art Centre includes different historical and contemporary perspectives and voices through a compilation of texts and images. In addition to the key essay by the book’s author Stephen Borys, several writers from across the country have shared their stories about the gallery, the Inuit art collection, and the building project.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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Price:
$100.95
(available in store)
Summary:
Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
$100.95
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Summary:
Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
January 2017
January 2017
Title:
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$45.00
(available in store)
Summary:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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Summary:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
Title:
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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Summary:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Form:
books
books
Publication:
September 2017
September 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$105.00
(available to order)
Summary:
What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
$105.00
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Summary:
What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Title:
Thinking outside the box: the Museum Haus Konstruktiv collection
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Thinking outside the box: the Museum Haus Konstruktiv collection
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$105.00
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Form:
books
books
Publication:
February 2017
February 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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Price:
$93.99
(available to order)
Summary:
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
$93.99
(available to order)
Summary:
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
Title:
Designing the V: the museum as a work of art (1857-1909)
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$93.99
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Designing the V: the museum as a work of art (1857-1909)
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$93.99
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Summary:
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Form:
books
books
Publication:
March 2017
March 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
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Price:
$78.00
(available to order)
Summary:
The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia(...)
$78.00
(available to order)
Summary:
The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia(...)
Title:
The collector's cabinet and miniature pharmacy
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$78.00
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia specimens – including seeds, flowers, roots, resins, ores, and a great deal more. The cabinet was probably owned by a wealthy doctor or pharmacist and its contents were intended as a curiosity, for the amusement of a select group of friends. 21st century readers will be equally impressed by this exceptional Dutch collector’s cabinet.
The collector's cabinet and miniature pharmacy
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$78.00
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Summary:
The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia specimens – including seeds, flowers, roots, resins, ores, and a great deal more. The cabinet was probably owned by a wealthy doctor or pharmacist and its contents were intended as a curiosity, for the amusement of a select group of friends. 21st century readers will be equally impressed by this exceptional Dutch collector’s cabinet.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$42.00
(available to order)
Summary:
Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity(...)
$42.00
(available to order)
Summary:
Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity(...)
Title:
Art's biggest stage: collecting the Venice Biennale, 2007-2019
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$42.00
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Summary:
Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity materials, and miscellany.
Art's biggest stage: collecting the Venice Biennale, 2007-2019
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Price:
$42.00
(available to order)
Summary:
Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity materials, and miscellany.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Actions:
Price:
$46.00
(available to order)
Summary:
Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the(...)
$46.00
(available to order)
Summary:
Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the(...)
Title:
The art lover's guide to Japanese museums
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$46.00
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Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the George Nakashima Memorial Museum, and the Hokkaido Historical Village.
The art lover's guide to Japanese museums
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$46.00
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Summary:
Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the George Nakashima Memorial Museum, and the Hokkaido Historical Village.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
