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«Je voudrais passionnément que Paris possède un centre culturel [...] qui soit à la fois un musée et un centre de création où les arts plastiques voisineraient avec la musique, le cinéma, les livres, la recherche audiovisuelle. [...] Tout cela coûte cher [...] Mais [...] si l'objectif est atteint, ce sera une réussite sans précédent.» Lorsque Georges Pompidou livre ces(...)
Le Centre Pompidou : les années Beaubourg
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«Je voudrais passionnément que Paris possède un centre culturel [...] qui soit à la fois un musée et un centre de création où les arts plastiques voisineraient avec la musique, le cinéma, les livres, la recherche audiovisuelle. [...] Tout cela coûte cher [...] Mais [...] si l'objectif est atteint, ce sera une réussite sans précédent.» Lorsque Georges Pompidou livre ces mots au Monde en 1972, sa décision est prise depuis 1969. Et malgré les années de vives polémiques qui s'ensuivent - sur sa nécessité même, sur le lieu choisi, le plateau Beaubourg, sur son architecture aux allure de «raffinerie» , le Centre Pompidou ouvre ses portes le 1er février 1977. Aussitôt, le public s'y presse un masse, découvrant sa désormais incontournable BPI, son CCI, Ircam et ses recherches acoustiques la richesse clé son musée, le Mnam et ses mémorables expositions, un calendrier quotidien de spectacles, de colloques de conférences, de rencontres. C'est à l'histoire de ces trente «années Beaubourg» que nous convie Germain Viatte, trente ans d'une activité culturelle sans précédent, dont le public ne saurait aujourd'hui se passer.
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January 1900, Paris
Museums and Universal Exhibitions
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
Museums and Universal Exhibitions
July 2005, Rotterdam
The architecture annual 2002-2003, Delft university of technology
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
Museums and Universal Exhibitions
$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide(...)
Museums and Universal Exhibitions
November 2005, London, New York
Architecture 05 : the guide to the RIBA awards
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide by British architects. It includes full coverage of the RIBA Worldwide Awards, introduced for the first time in 2004. All the award-winning projects are described and evaluated in full, and illustrated in colour, with special features on the buildings shortlisted for the Stirling Prize.
Museums and Universal Exhibitions
$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along(...)
Museums and Universal Exhibitions
January 1900, Rotterdam
Archiprix 2005 : the best plans by Dutch students
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along with the jury's assessments.
Museums and Universal Exhibitions
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to(...)
Museum, inc : inside the global art world
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Has corporate business overtaken the art world? It's no secret that art and business have always mixed, but their relationship today sparks more questions than ever. "Museum, inc." describes the new art conglomerates from an insider's perspective, probing how their roots run deep into corporate culture. Paul Werner draws on his nine years at the Guggenheim Museum to reveal that contemporary art museums have not broken radically with the past, as often claimed. Rather, Werner observes, they are the logical outcome of the evolution of cultural institutions rooted in the eighteenth-century Enlightenment, the colonial expansion of the liberal nation-state, and the rhetoric of democracy. Werner critically analyzes today's art institutions and reframes the public's accepted view of them, exposing how their apparent success belies the troubling forces operating within them. He ultimately argues that the art museum we know and love may have already run its course. An engaging discourse structured as an informal gallery talk, "Museum, inc." is a thought-provoking and passionate polemic that offers ideas for a new, more democratic museum.
Museums and Universal Exhibitions
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Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this(...)
Museums and Universal Exhibitions
January 1900, Rotterdam
Archiprix international, Glasgow 2005 : world's best graduation projects
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Every two years, Archiprix International invites all university-level courses in the field of architecture, urban planning, and landscape architecture to send in their best graduation projects. A record number of 184 projects from 67 countries from every continent were submitted to Archiprix International 2005. A fascinating collection of designs is presented in this publication, consisting of a book and a dvd. The book contains a selection of the projects including those of the winners and the nominees as well as the jury report. The dvd contains the full crop and besides the project presentations, there is a documentary film and a report of the workshops held in Glasgow in June 2005.
books
January 1900, Rotterdam
Museums and Universal Exhibitions
books
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
The New York world's fair 1939 1940
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Most dazzling, influential, prophetic, nostalgic fair of the century. 155 photographs show architecture, technological wonders, wonderful sights.
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January 1900, Mineola
Museums and Universal Exhibitions
Vie d'un musée 1937-2005
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L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture,(...)
Vie d'un musée 1937-2005
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L'histoire du musée national des Arts et Traditions populaires (Atp), qui a commencé à la fin des années 1930, se termine au printemps 2005 par une fermeture définitive. Martine Segalen qui a dirigé pendant dix ans le Centre d'ethnologie française, laboratoire rattaché au musée, revient sur cette histoire riche d'enseignements sur les rapports entre politique et culture, beaux-arts et arts populaires, identité, nation et patrimoine.
Museums and Universal Exhibitions
$26.95
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The annual Royal institute of British Architects' awards celebrate the best contemporary architecture by British architects building not just in the UK and elsewhere in the European Union but, for the first time this year, worldwide.
Museums and Universal Exhibitions
December 2004, London, New York
Architecture 04 : the guide to the RIBA awards
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The annual Royal institute of British Architects' awards celebrate the best contemporary architecture by British architects building not just in the UK and elsewhere in the European Union but, for the first time this year, worldwide.
Museums and Universal Exhibitions
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Les musées français ont été largement renouvelés et remodelés, voire reconstruits, depuis une génération : ils suscitent aujourd’hui un attachement unanime de la part d’un public de plus en plus nombreux. Mais cette mutation spectaculaire a souvent conduit à célébrer les progrès accomplis au détriment de la mémoire des lieux et des hommes. Dans son moment fondateur, en(...)
Une histoire des musées de France, XVIIIe-XXe siècle
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Les musées français ont été largement renouvelés et remodelés, voire reconstruits, depuis une génération : ils suscitent aujourd’hui un attachement unanime de la part d’un public de plus en plus nombreux. Mais cette mutation spectaculaire a souvent conduit à célébrer les progrès accomplis au détriment de la mémoire des lieux et des hommes. Dans son moment fondateur, en rupture avec le secret des collections particulières, le musée a voulu illustrer l’utilité publique de l’art et du savoir. Du XIXe siècle au XXe siècle, entre bureaux parisiens et conservateurs locaux, une institutionnalisation décisive s’accomplit au service, selon les cas, des propagandes républicaines ou monarchiques. Les musées attestent du goût français, mettent en scène la profondeur historique de la nation, et participent à la construction d’identités collectives. La fin du XXe siècle voit surgir un nouveau modèle d’établissement, qui place les publics au centre de ses préoccupations et contribue au développement culturel comme à la définition d’un patrimoine. Ces deux siècles ont connu de nombreux conflits de musées, la disparition de certains, la reconversion radicale d’autres, et, en guise d’innovations, quelques déménagements de collections. Loin d’une image stéréotypée de l’institution, l’auteur montre combien son histoire, dans ses rencontres plus ou moins réussies avec les visiteurs, témoigne d’engagements politiques et sociaux, autant que d’évolutions professionnelles et de configurations disciplinaires.
Museums and Universal Exhibitions