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As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of(...)
Pattern: ornament, structure, and behavior
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As models and paradigms, patterns have been helping to orient architects since the Middle Ages. But patterns are also the basis of the history of ornament, an aesthetic phenomenon that links all times and cultures at a fundamental level. Ornament – and hence pattern as well – was abolished by the avant-garde in the first half of the twentieth century, but the notion of pattern has taken on new meaning and importance since the 1960s. Today the use of generative computerized methods is opening up new ways of talking about an idea that is becoming increasingly abstract and dynamic. Pattern explores the question: what are the notions of pattern that must be discussed in the context of contemporary architecture?
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Pattern, patron, patroon
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A great pattern design can successfully transform any surface. "Simply Pattern" contains hand drawn, pixel based, playful, elegant and ethnic designs from artists including Deanne Cheuk Design, Catalina Estrada, Julia Rothman, Yuko Kondo, Skwak, Takora Kimiyoshi Futori, PotiPoti, and others. Each shares their creative patterns for packaging, textiles, wallpaper,(...)
Pattern, patron, patroon
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A great pattern design can successfully transform any surface. "Simply Pattern" contains hand drawn, pixel based, playful, elegant and ethnic designs from artists including Deanne Cheuk Design, Catalina Estrada, Julia Rothman, Yuko Kondo, Skwak, Takora Kimiyoshi Futori, PotiPoti, and others. Each shares their creative patterns for packaging, textiles, wallpaper, stationary, clothing, furniture, boutiques, even dining utensils, showing how repeating graphic elements can be arranged randomly or thoughtfully in order to bring modern, classic or dynamic effect to any project. Raw patterns are found next to examples of how they are used to breathe life into any work.
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Taking the form of an eighteenth century plate-book, this witty artist's book proposes 83 new designs for door frames. Printed in sepia, the sometimes impractical, outrageous or tasteful designs cover many epochs and motifs--from Gothic to Postmodern, Chinoise to Turkish--but always from the same perspective.
Ornamental designs for the framing of doors
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Taking the form of an eighteenth century plate-book, this witty artist's book proposes 83 new designs for door frames. Printed in sepia, the sometimes impractical, outrageous or tasteful designs cover many epochs and motifs--from Gothic to Postmodern, Chinoise to Turkish--but always from the same perspective.
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William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching(...)
William Morris
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William Morris’s interests were wide-ranging: he was a poet, writer, political and social activist, conservationist, and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris’s various spheres of activity, places his art in the context of its time, and examines his ongoing and far-reaching legacy. Published to mark the 125th anniversary of Morris’s death, this book includes contributions from a wide range of Morris experts, with chapters on painting, church decoration and stained glass, interior decoration, furniture, tiles and tableware, wallpaper, textiles, calligraphy, and publishing. Additional materials include a contextualized chronology of Morris’s life and a list of public collections around the world where examples of Morris’s work may be seen today. This study is a wide- ranging, fully illustrated exploration of a great thinker and artist, and essential reading for anyone interested in the history of design.
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This colouring book explores the intricate work of William Morris and allows the reader to invent their own colourways to complete Morris' patterns.
William Morris: an arts and crafts coloring book
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This colouring book explores the intricate work of William Morris and allows the reader to invent their own colourways to complete Morris' patterns.
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La Fondation Cartier pour l'art contemporain célèbre la richesse et les couleurs extraordinaires de l'art latino-américain. De la céramique à la peinture en passant par la sculpture, la photographie, l'architecture ou les peintures corporelles, elle propose une plongée au coeur de l'abstraction géométrique en Amérique latine, de la période précolombienne à nos jours.
Géométries sud : du Mexique à la terre de feu
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La Fondation Cartier pour l'art contemporain célèbre la richesse et les couleurs extraordinaires de l'art latino-américain. De la céramique à la peinture en passant par la sculpture, la photographie, l'architecture ou les peintures corporelles, elle propose une plongée au coeur de l'abstraction géométrique en Amérique latine, de la période précolombienne à nos jours.
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The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the(...)
The grammar of ornament: a visual reference of form and colour in architecture and decorative arts
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First published in 1856, ''The Grammar of Ornament'' remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809-1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources.
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The language of ornament
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Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the(...)
The language of ornament
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Ornament, the art of decorative patterning, includes some of the most spectacular creations of human imagination and skill. Although the fashion for unadorned form pushed ornament to the margins of Western taste in the twentieth century, an ornamental revival is now under way. This book introduces the global panorama of ornament and will be of value to crafts people, collectors, and students of art history. Trilling's approach is both visual and historical. With over 200 illustrations, he presents the dazzling variety of ornament so that the reader can appreciate both its inherent form and the role it has played in everything from the monumental architecture of Mycenaean Greece to the inlaid vessels of Zhou Dynasty China, from the bronze mirrors of Early Celtic Britain to the carved and woven ornament of the Indians of Alaska and British Columbia. The characteristics of individual styles are balanced against their evolution and interaction from the Paleolithic Age to the present day. Special attention is paid to patterns that migrate across large stretches of space and time, showing how ornament becomes a record of cultural interaction through trade, conquest, and the spread of religions. Finally, Trilling explores the fate of ornament since the beginning of modernism in the early twentieth century. Modernism actually nurtured a vibrant and original ornamental style of its own, one so different from traditional ornament that its true nature went virtually unrecognized. Ornament in the postmodern era is open to any number of possible innovations, combining the modernist legacy with forms and principles from the world of traditional ornament.
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June 2001, London
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This book details the interplay of art, society, politics, and commerce that led to the invention of "fine art", the elevation of the artist above the artisan, and the establishment of "originality" as the defining characteristic of art. The rejection of the warmth, familiarity, and richness of tradtional ornamnet resulted in architecture's alienation from the middles(...)
Architectural ornament : banishment & return
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This book details the interplay of art, society, politics, and commerce that led to the invention of "fine art", the elevation of the artist above the artisan, and the establishment of "originality" as the defining characteristic of art. The rejection of the warmth, familiarity, and richness of tradtional ornamnet resulted in architecture's alienation from the middles classes. In tracing the history of ornament, Brolin argues for its re-introduction into the design arts.
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January 1900, New York
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Durant des siècles et dans des régions aussi diverses que le bassin méditerranéen, le Moyen-Orient ou l'Asie centrale, des artistes ont perpétué la tradition des motifs géométriques islamiques. Eric Broug, spécialiste mondial de cette géométrie séculaire, développe ici les secrets de la construction de ces motifs. Dans un premier temps, il invite le lecteur à comprendre(...)
L'art des motifs islamiques: mode d'emploi
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Durant des siècles et dans des régions aussi diverses que le bassin méditerranéen, le Moyen-Orient ou l'Asie centrale, des artistes ont perpétué la tradition des motifs géométriques islamiques. Eric Broug, spécialiste mondial de cette géométrie séculaire, développe ici les secrets de la construction de ces motifs. Dans un premier temps, il invite le lecteur à comprendre et à apprendre les principes de base de la discipline (figures du rond, de l´hexagone, du pentagone, combinaisons possibles...). Ce sont ensuite des motifs majeurs de l´art islamique qui sont exposés pas à pas. Des schémas clairs et des explications précises guident le lecteur dans la réalisation des trésors artistiques des grands sites de l´art islamique, dont : la Grande Mosquée de Cordoue (Espagne) la chapelle Palatine (Sicile, Italie) la madrasa Mustansiriya (Irak) la Grande Mosquée des Omeyyades de Damas (Syrie) le complexe funéraire de Huand Hatun (Turquie) la mosquée du Vendredi de Herat (Afghanistan) la mosquée al-Salih Tala´i (Egypte) la tombe de Bibi Jawindi (Pakistan) la mosquée Al Quaraouiyine (Maroc) le coran de Rashid al-Din (Iran) Cet ouvrage didactique est organisé par niveaux de difficulté pour un apprentissage progressif de cet art subtil. L´ouvrage est complété par un CD-Rom qui présente : des gabarits à imprimer pour réaliser ses premiers motifs les étapes de construction détaillées de l´ensemble des motifs présentés dans l´ouvrage des motifs à imprimer et colorier une galerie de photographies et d´illustrations des plus belles réalisations du monde islamique une sélection de fonds d´écran à télécharger.
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