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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such(...)
Praha, Paris, Barcelona: photographic modernity from 1918 to 1948
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Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such movements as Constructivism and Surrealism led photography to new frontiers, developing techniques and styles that explored the medium strictly on its own terms.
Photography Periods and Styles
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$66.00
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In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
Photography Periods and Styles
August 2010
The other Leipzig School: photography in the GDR, teachers and students of the Academy of Visual Arts Leipzig
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In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
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August 2010
Photography Periods and Styles
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Photography Periods and Styles
March 2013
Color rush: american color photography from Stieglitz to Sherman
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Photography Periods and Styles
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
April 2013
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Leica: witness to a century
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
August 2013
Leica: witness to a century
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All sixteen Leica models, including digital cameras, are presented with relevant historical explanations and technical data alongside the works of such greats as André Kertész, Henri Cartier-Bresson, and Robert Capa. Over 200 black-and-white and color illustrations.
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Exhibition catalogue tracing the photographic interpretation of the city throughout the history of the medium.
Photography Periods and Styles
January 1996, Valencia
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Before the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed "record pictures," these illustrations followed the tradition of the Dutch topographical landscapes of the 17th century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, record pictures had(...)
January 2004, Göttingen, Germany
Record pictures : photographs from the archives of the Institution of Civil Engineers
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Before the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed "record pictures," these illustrations followed the tradition of the Dutch topographical landscapes of the 17th century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, record pictures had a scientific rather than an artistic purpose, just as most photography did in its infancy. Photography’s prime value was historically regarded as its ability to make highly detailed, objective (and relatively inexpensive) records. Industry was quick to harness the new medium to make record pictures. Significantly, one of the founders of Britain’s Photographic Society was a leading civil engineer. This original application gave rise to a genre of landscape photography that has not been properly recognized. Record Pictures: Photographs from the Archive of the Institution of Civil Engineers represents the photographic jewels of arguably the finest collection in Britain. Spanning a period of 75 years from the mid-19th century, the book contains previously unpublished examples drawn from across Europe, Africa, Australasia, the Far East, and Latin America. Record pictures are the unacknowledged foundation of the history of photography. In his introductory essay, Michael Collins demonstrates how this fundamental approach continues unchanged, only now it is no longer industry that applies these principles but such eminent artists as Bernd & Hilla Becher and Thomas Struth, proponents of contemporary art photography.
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January 2004, Göttingen, Germany
$30.00
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
May 2004, Los Angeles
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
$55.95
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"You press the button, we do the rest." Kodak used this slogan in ads for the first box cameras, introduced by George Eastman in 1888. From then on, virtually anyone could take pictures--the snapshot was born!~Without exception, the amateur photos presented in "Snapshots: the eye of the century" capture what are essentially ordinary moments--yet every trace of banality(...)
Snapshots : the eye of the century
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"You press the button, we do the rest." Kodak used this slogan in ads for the first box cameras, introduced by George Eastman in 1888. From then on, virtually anyone could take pictures--the snapshot was born!~Without exception, the amateur photos presented in "Snapshots: the eye of the century" capture what are essentially ordinary moments--yet every trace of banality disappears once they are removed from the context of personal biography. Sometimes the moment is right, and art just "happens," in the form of double or multiple exposures, slipped horizons, or curious details that enter the picture frame because the camera moved just as the shutter was released. Christian R. Skrein-Bumballa, an artist and a former professional photographer, has tracked down and collected thousands of these treasures, which can be viewed as part of our visual heritage. His impressive selection of photographs is here arranged thematically, and at its heart we find the essentials of the human condition: joy and pain, visualized in the decisive moment in which history stands still for a fraction of a second. Snapshots features the most aesthetically notable and otherwise curious photographs from the S.A.S. Snapshots Archiv Skrein, a collection of nearly one million snapshots from all over the world.
Photography Periods and Styles
$44.00
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.
October 2007, Amsterdam
Erik Kessels: In almost every picture
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.