32 Results
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books
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$26.50
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Publication:
April 2013
April 2013
Title:
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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books
books
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April 2013
April 2013
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books
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$32.95
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Title:
Ghosts of the black chamber: Experimental, Dada, and Surrealist photography 1918-1948
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Ghosts of the black chamber: Experimental, Dada, and Surrealist photography 1918-1948
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$32.95
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Photography Periods and Styles
Photography Periods and Styles
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books
books
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$43.95
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art,(...)
$43.95
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art,(...)
Publication:
October 2010
October 2010
Title:
American Modern: Documentary photography by Abbott, Evans, and Bourke-White
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$43.95
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.
American Modern: Documentary photography by Abbott, Evans, and Bourke-White
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$43.95
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Summary:
American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.
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books
books
Publication:
October 2010
October 2010
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books
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$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
Publication:
August 2010
August 2010
Title:
The original copy: photography of sculpture, 1839 to today
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$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
The original copy: photography of sculpture, 1839 to today
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$66.00
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Summary:
This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
Form:
books
books
Publication:
August 2010
August 2010
Form:
books
books
Price:
$84.00
(available to order)
Summary:
Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such(...)
$84.00
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Summary:
Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such(...)
Title:
Praha, Paris, Barcelona: photographic modernity from 1918 to 1948
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$84.00
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Summary:
Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such movements as Constructivism and Surrealism led photography to new frontiers, developing techniques and styles that explored the medium strictly on its own terms.
Praha, Paris, Barcelona: photographic modernity from 1918 to 1948
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Price:
$84.00
(available to order)
Summary:
Examining the revolution in photography that took place across Europe between 1918 and 1945, this survey orients its examination around three cities, each of which served as a nexus for major developments in the medium: Prague, Paris and Barcelona. Until the First World War, photography had largely followed the aesthetics of painting. During and after the war, such movements as Constructivism and Surrealism led photography to new frontiers, developing techniques and styles that explored the medium strictly on its own terms.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Photography Periods and Styles
Photography Periods and Styles
Form:
books
books
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$66.00
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Summary:
In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
$66.00
(available to order)
Summary:
In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
Subject:
Photography Periods and Styles
Photography Periods and Styles
Publication:
August 2010
August 2010
Title:
The other Leipzig School: photography in the GDR, teachers and students of the Academy of Visual Arts Leipzig
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$66.00
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Summary:
In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
The other Leipzig School: photography in the GDR, teachers and students of the Academy of Visual Arts Leipzig
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Price:
$66.00
(available to order)
Summary:
In contemporary art, the mention of Leipzig brings to mind Arno Rink or Neo Rauch, but a comparable school of photography evolved alongside these painters. This publication introduces these extraordinary photographers to a broader audience, among them Arno Fischer, Evelyn Richter and Wolfgang G. Schröter.
Form:
books
books
Publication:
August 2010
August 2010
Subject:
Photography Periods and Styles
Photography Periods and Styles
Form:
books
books
Title:
Photomaton
Photomaton
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$65.95
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En septembre 1925, à New York, un immigrant d’origine russe, Anatol Josepho, installe le premier studio photo entièrement automatisé. Une petite cabine où il est possible de réaliser et d’obtenir des portraits d’identités sans l’intervention d’un photographe : « 8 photos en 8 minutes pour 25 cents ». Le Photomaton est né. Le procédé est simple. Le succès est immédiat.(...)
$65.95
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En septembre 1925, à New York, un immigrant d’origine russe, Anatol Josepho, installe le premier studio photo entièrement automatisé. Une petite cabine où il est possible de réaliser et d’obtenir des portraits d’identités sans l’intervention d’un photographe : « 8 photos en 8 minutes pour 25 cents ». Le Photomaton est né. Le procédé est simple. Le succès est immédiat.(...)
Title:
Photomaton
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En septembre 1925, à New York, un immigrant d’origine russe, Anatol Josepho, installe le premier studio photo entièrement automatisé. Une petite cabine où il est possible de réaliser et d’obtenir des portraits d’identités sans l’intervention d’un photographe : « 8 photos en 8 minutes pour 25 cents ». Le Photomaton est né. Le procédé est simple. Le succès est immédiat. Très vite le procédé va être détourné de son usage premier, et ouvrir un nouveau champ à l'improvisation, à la détente, au laisser-aller et à l'expression artistique. Séquencé en trois grands thèmes, Origines et Photographie identitaire, Arts, Détournements, ce livre dresse un inventaire du photomaton et de ses variations artistiques en y mêlant autoportraits de célébrités et d’anonymes. Le photomaton, marque commerciale devenue désignation générique au même titre que « frigidaire », a irréversiblement modifié la perception que nous avons de notre propre image, comme en témoigne l’intérêt qu’il a suscité et suscite toujours auprès de nombreux artistes mais aussi du grand public !
Photomaton
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$65.95
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Summary:
En septembre 1925, à New York, un immigrant d’origine russe, Anatol Josepho, installe le premier studio photo entièrement automatisé. Une petite cabine où il est possible de réaliser et d’obtenir des portraits d’identités sans l’intervention d’un photographe : « 8 photos en 8 minutes pour 25 cents ». Le Photomaton est né. Le procédé est simple. Le succès est immédiat. Très vite le procédé va être détourné de son usage premier, et ouvrir un nouveau champ à l'improvisation, à la détente, au laisser-aller et à l'expression artistique. Séquencé en trois grands thèmes, Origines et Photographie identitaire, Arts, Détournements, ce livre dresse un inventaire du photomaton et de ses variations artistiques en y mêlant autoportraits de célébrités et d’anonymes. Le photomaton, marque commerciale devenue désignation générique au même titre que « frigidaire », a irréversiblement modifié la perception que nous avons de notre propre image, comme en témoigne l’intérêt qu’il a suscité et suscite toujours auprès de nombreux artistes mais aussi du grand public !
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography Periods and Styles
Photography Periods and Styles
Form:
books
books
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$49.00
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Summary:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
$49.00
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Summary:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
February 2010
February 2010
Title:
19th Century French photography
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$49.00
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Summary:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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$49.00
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Summary:
The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
Form:
books
books
Publication:
February 2010
February 2010
Form:
books
books
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$114.00
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Summary:
This publication presents over 160 images of the breadth of the Düsseldorf School from the early 1970s to today. This survey is filled with reproductions of the best-known photographs by three generations of key Düsseldorf artists : Bernd and Hilla Becher, Laurenz Berges, Elger Esser, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse,(...)
$114.00
(available to order)
Summary:
This publication presents over 160 images of the breadth of the Düsseldorf School from the early 1970s to today. This survey is filled with reproductions of the best-known photographs by three generations of key Düsseldorf artists : Bernd and Hilla Becher, Laurenz Berges, Elger Esser, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse,(...)
Subject:
Photography Periods and Styles
Photography Periods and Styles
Publication:
February 2010
February 2010
Title:
The Düsseldorf school of photography
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$114.00
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Summary:
This publication presents over 160 images of the breadth of the Düsseldorf School from the early 1970s to today. This survey is filled with reproductions of the best-known photographs by three generations of key Düsseldorf artists : Bernd and Hilla Becher, Laurenz Berges, Elger Esser, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse, Thomas Struth and Petra Wunderlich.
The Düsseldorf school of photography
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Price:
$114.00
(available to order)
Summary:
This publication presents over 160 images of the breadth of the Düsseldorf School from the early 1970s to today. This survey is filled with reproductions of the best-known photographs by three generations of key Düsseldorf artists : Bernd and Hilla Becher, Laurenz Berges, Elger Esser, Andreas Gursky, Candida Höfer, Axel Hütte, Simone Nieweg, Thomas Ruff, Jörg Sasse, Thomas Struth and Petra Wunderlich.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography Periods and Styles
Photography Periods and Styles
Form:
books
books
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$144.95
(available to order)
Summary:
L'École de Düsseldorf depuis les années 80 s'est imposée sur la scène internationale comme un centre artistique de recherche essentiel pour ce qui est de la photographie plastique contemporaine. Cette publication retrace les richesses et la diversité des approches de cette école en trois temps : une étude de ses fondateurs Hilla et Bernd Beckert qui l'instituèrent en 1976(...)
$144.95
(available to order)
Summary:
L'École de Düsseldorf depuis les années 80 s'est imposée sur la scène internationale comme un centre artistique de recherche essentiel pour ce qui est de la photographie plastique contemporaine. Cette publication retrace les richesses et la diversité des approches de cette école en trois temps : une étude de ses fondateurs Hilla et Bernd Beckert qui l'instituèrent en 1976(...)
Title:
L'école de photographie de Düsseldorf
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$144.95
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L'École de Düsseldorf depuis les années 80 s'est imposée sur la scène internationale comme un centre artistique de recherche essentiel pour ce qui est de la photographie plastique contemporaine. Cette publication retrace les richesses et la diversité des approches de cette école en trois temps : une étude de ses fondateurs Hilla et Bernd Beckert qui l'instituèrent en 1976 ; une présentation des différentes générations d'artistes jouissant d'une réputation internationale et qui ont fréquenté l'école; une description technique du laboratoire Grieger Lab.
L'école de photographie de Düsseldorf
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$144.95
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L'École de Düsseldorf depuis les années 80 s'est imposée sur la scène internationale comme un centre artistique de recherche essentiel pour ce qui est de la photographie plastique contemporaine. Cette publication retrace les richesses et la diversité des approches de cette école en trois temps : une étude de ses fondateurs Hilla et Bernd Beckert qui l'instituèrent en 1976 ; une présentation des différentes générations d'artistes jouissant d'une réputation internationale et qui ont fréquenté l'école; une description technique du laboratoire Grieger Lab.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Photography Periods and Styles
Photography Periods and Styles
