Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam,(...)
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September 2002, Besançon
Renouvellement urbain 1
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Images de la ville. Dans cette ouvrage, vous trouverez des regards au long cour, inattendus, des photos d'Intérieurs chaleureux et des cages d'escalier inquiétantes. Des habitants qui ont ouvert leurs portes à huit jeunes photographes de l'École nationale supérieure des arts décoratifs, encore élèves et déjà professionnels. Eugénie Martinez, Stéphanie Lacombe, Sam, Clément Deuve, Christel Sasso, Kyu-Dong Kim, Érick Beltran, et Jean-Michel Pancin. Avec le regard de Stéphane Paoli.
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with(...)
Outsiders: American photography and film ,1950s-1980
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A visual tour through life at the margins in the United States from the late 1950s to the early 1980s, this book highlights the work of iconic photographers and filmmakers who profoundly changed the image of American culture. Kenneth Anger, Diane Arbus, Shirley Clarke, Nan Goldin, Danny Lyon, Garry Winogrand, and their contemporaries challenged rigid postwar society with their powerful films and photographs.
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To celebrate the centennial of America's National Park Service, "Picturing America's National Parks" brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself,(...)
Picturing America's National Parks
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To celebrate the centennial of America's National Park Service, "Picturing America's National Parks" brings together some of the finest landscape photography in the history of the medium, from America's most magnificent and sacred environments. Photography has played an integral role in both the formation of the National Parks and in the depiction of America itself, through this natural resource. From Yosemite to the most recent 2013 addition of Pinnacles National Park in California, America's National Parks have been enjoyed through photographs for over 100 years. This book traces that history and delights readers with stunning photographs of the best American landscapes.
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the(...)
Provoke: between protest and performance. Photography in Japan 1960-1975
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The short-lived Japanese magazine Provoke, founded in 1968, is nowadays recognized as a major contribution to postwar photography in Japan, featuring the country’s finest representatives of protest photography, vanguard fine art and critical theory in only three issues overall. The magazine's goal was to mirror the complexities of Japanese society and its art world of the 1960s, a decade shaped by the country’s first large-scale student protests. The movement yielded a wave of new books featuring innovative graphic design combined with photography: serialized imagery, gripping text-image combinations, dynamic cropping and the use of provocatively "poor" materials. The writings and images by Provoke's members—critic Koji Taki, poet Takahiko Okada, photographers Takuma Nakahira, Yakata Takanashi and Daido Moriyama—were suffused with the tactics developed by Japanese protest photographers such as Nobuyoshi Araki, Eikoh Hosoe and Shomei Tomatsu, who pointed at and criticized the mythologies of modern life. Provoke accompanies the first exhibition ever to be held on the magazine and its creators. Illuminating the various uses of photography in Japan at the time, the catalogue focuses on selected projects undertaken between 1960 and 1975 that offer a strongly interpretative account of currents in Japanese art and society at a moment of historical collapse and renewal.
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal(...)
Thought Pieces: 1970s photographs by Lew Thomas, Hal Fischer and Donna-Lee Philips
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976. This book is published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 – August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
Making strange: the modernist photobook in France
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
The Book of Images: A dictionary of visual experiences
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
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It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s(...)
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May 2019
Footnotes, backgrounds, sheds: the Drawing Matter Archive by Hugh Strange Architects
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It is the seemingly peripheral details and gestures that anchor this collection of images. Like the building they document, these photographs of the Drawing Matter Archive at the Shatwell Farm in Somerset are reflections of the project’s backgrounds, contextual minutiae, and footnotes. Taking the form of a three-way conversation between Hugh Strange (the archive’s architect), photographer Max Creasy, and architect and academic Elizabeth Hatz, this book offers a subtly poetic and expansive examination of the building, the collection it houses, and its place in the surrounding farm, as well as a wider evaluation of the built form.
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à(...)
D'ici, ça ne paraît pas si loin
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à l’heure des nouveaux ensembles – régions, Europe –, nos identités étaient multiples? « D’ici, ça ne paraît pas si loin » invite à trois voyages – géographique, temporel et affectif –, autour de trois questions : quelle ruralité à l’ère des métropoles? quel horizon pour chacun? d’où se raconte l’histoire qu’un territoire inspire? S'incarnant dans une géographie abstraite qui dépasse les frontières du Sud-Ouest, ce livre mêle textes et images en renouvelant les idées de faire culture et de faire société.
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+photographie
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Chaque année, des milliers de photographies (tirages, négatifs, plaques…) entrent dans les collections publiques françaises. Musées nationaux ou régionaux, grandes institutions culturelles, Frac, centres d'art ou d'archives, bibliothèques… enrichissent leurs fonds sans pour autant donner à voir leurs acquisitions au public. Cette publication y remédie en opérant une(...)
+photographie
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Chaque année, des milliers de photographies (tirages, négatifs, plaques…) entrent dans les collections publiques françaises. Musées nationaux ou régionaux, grandes institutions culturelles, Frac, centres d'art ou d'archives, bibliothèques… enrichissent leurs fonds sans pour autant donner à voir leurs acquisitions au public. Cette publication y remédie en opérant une sélection d'images, tant actuelles que patrimoniales. Du fonds Marc Riboud acquis par le musée Guimet aux photographies réalisées par Émile Zola, d'albums de photos de famille au portrait du dernier « cannibale » des îles Marquises ou à d'intenses clichés issus de la Première Guerre mondiale et des registres de déportation, cette publication revisite l'histoire de cet art visuel, depuis ses origines jusqu'à ses champs contemporains.
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