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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par(...)
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February 2010
February 2010
Title:
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
Photographies françaises du XIXe siècle
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Le Musée des beaux-arts du Canada fut l’un des premiers musées du monde à reconnaître la photographie comme forme d’art. Cette collection de calibre international se classe parmi les plus étoffées au monde et possède l’une des plus importantes collections en Amérique du Nord d’œuvres du photographe français Eugène Atget. Un essai majeur sur la période est accompané par soixannte-six présentations individuelles. Parmi les dizaines d’artistes on retrouve Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, et Auguste Salzmann. Après Photographies modernistes du Musée des beaux-arts du Canada, voici la deuxième publication d'une série dédiée à la collection du Musée.
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books
books
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February 2010
February 2010
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books
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Title:
VU : the story of a magazine
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
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VU : the story of a magazine
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$94.00
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
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books
books
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December 2009
December 2009
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Photography Collections
Photography Collections
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books
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$66.00
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
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books
books
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March 2010
March 2010
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Photography Collections
Photography Collections
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
February 2010
February 2010
Title:
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
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February 2010
February 2010
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
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Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
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books
books
Publication:
April 2010
April 2010
Subject:
Photography Collections
Photography Collections
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$59.99
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques(...)
Title:
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
First photoggraphs of Amsterdam 1845-1875
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The First Photographs of Amsterdam presents a broad selection of images of the Dutch capital taken during the early years of photography. Drawn from the Amsterdam City Archives and other collections in the Netherlands and abroad, the finest surviving pictures of the city from that period are brought together. The book shows a wide range of early photographic techniques and genres, such as personal, souvenir and travel albums, cabinet cards, stereographs and news pictures.
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books
books
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May 2010
May 2010
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$96.00
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor(...)
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Photography Collections
Photography Collections
Publication:
September 2010
September 2010
Title:
Positions: photography of architecture, city and landscape in the Netherlands
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
Positions: photography of architecture, city and landscape in the Netherlands
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Positions addresses the ascent of architectural photography as a discipline, and the changing role of the architectural photographer. Once merely charged with providing a purely documentary representation of a building, the architectural photographer now offers a personal interpretation of the work of the architect, urban planner or landscape designer. The common factor that unites the photographers presented here--Theo Baart, Bas Princen, Ralph Kamena, Jannes Linders, Jeroen Musch and Hans Werlemann--is that each of them has brought a highly personal perspective to bear upon their approach to their commissions, and that each of their oeuvres has had a direct impact on contemporary architecture and urban planning. Positions examines the photographer's emancipation from documentary constraint to creative agency.
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books
books
Publication:
September 2010
September 2010
Subject:
Photography Collections
Photography Collections
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books
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Title:
A photographer on the Hajj
A photographer on the Hajj
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir(...)
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir(...)
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A photographer on the Hajj
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir al-Hajj, Ibrahim Rif'at Pasha, attached to the official Egyptian caravan. His story of these journeys combines the thoughts of a devout Muslim with fine detail on the hardships and health hazards facing pilgrims, the high-level intrigues, and the ever-present dangers of taking photographs. The authors have compressed the diaries into a readable narrative with selected quotations, illustrated with Sa'udi's photographs.
A photographer on the Hajj
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The diaries of Muhammed Ali Effendi Sa'udi, a civil servant and accomplished photographer, offer a rare glimpse of the Hajj through Egyptian eyes at the beginning of the twentieth century when the Ottoman Empire was on the wane and the advance of the Hijaz railway threatened to upset vested interests in the old pattern of pilgrimage. Sa'udi twice accompanied the Amir al-Hajj, Ibrahim Rif'at Pasha, attached to the official Egyptian caravan. His story of these journeys combines the thoughts of a devout Muslim with fine detail on the hardships and health hazards facing pilgrims, the high-level intrigues, and the ever-present dangers of taking photographs. The authors have compressed the diaries into a readable narrative with selected quotations, illustrated with Sa'udi's photographs.
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books
books
Publication:
January 2010
January 2010
Subject:
Photography Collections
Photography Collections
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books
books
Title:
The tree in photographs
The tree in photographs
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$27.95
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
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Summary:
Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many(...)
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The tree in photographs
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
The tree in photographs
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$27.95
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Through the works of artists such as Robert Adams, Eugène Atget, Anne Brigman, William Eggleston, P. H. Emerson, Gustave Le Gray, Eliot Porter, Alfred Stieglitz, Paul Strand, William Henry Fox Talbot, and Carleton Watkins, this book spans the history of photography from the mid-nineteenth to early-twenty-first century to address the image of the tree in its many connotations—as graphic form, symbolic icon, and role model for the beauty of nature.
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books
books
Publication:
January 2011
January 2011
Subject:
Photography Collections
Photography Collections
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books
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$60.00
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and(...)
Title:
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
Face to face: Portraits of artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie
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$60.00
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Summary:
This volume presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity. Published in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest.
Form:
books
books
Publication:
January 2023
January 2023
Subject:
Photography Collections
Photography Collections
