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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à(...)
D'ici, ça ne paraît pas si loin
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Une enquête photographique collective sur le sentiment d’appartenance à un territoire. Que signifie « être d’ici »? Partant du constat d’une société toujours plus fragmentée socialement et territorialement, le collectif de photographes LesAssociés a mené à l’échelle de la région Nouvelle-Aquitaine, une enquête qui vise à élargir cette question identitaire. Et si, à l’heure des nouveaux ensembles – régions, Europe –, nos identités étaient multiples? « D’ici, ça ne paraît pas si loin » invite à trois voyages – géographique, temporel et affectif –, autour de trois questions : quelle ruralité à l’ère des métropoles? quel horizon pour chacun? d’où se raconte l’histoire qu’un territoire inspire? S'incarnant dans une géographie abstraite qui dépasse les frontières du Sud-Ouest, ce livre mêle textes et images en renouvelant les idées de faire culture et de faire société.
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
En construction : de Molitor à Artem
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Un ouvrage qui clôt dix ans d'atelier photographique documentaire autour du site Artem mené à l'École nationale supérieure d'art et de design de Nancy. Réalisés par plusieurs promotions d'étudiants, les clichés illustrent l'évolution des lieux depuis la destruction des anciennes casernes de Molitor jusqu'à la fin du programme de construction et d'aménagement.
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the(...)
Our true intention is all for your delight : the John Hinde Butlin's photographs
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In the late 1960s and early 1970s, the John Hinde Studio, based in Dublin, produced a series of postcards to be sold at Butlin's holiday camps throughout the British Isles. Famous for their “hi-de-hi” catchphrase, redcoat hosts and bargain packages with all entertainment included, Butlin's annually hosted over a million holidaying Britons throughout the 1970s. It was the challenging job of two German (Elmar Ludwig and Edmund Nägele) and one British photographer (David Noble) to execute the photographs to Hinde's rigorous formula and standards. With innovative use of color and elaborate staging (the trademarks of a John Hinde postcard), each photograph is painstakingly produced, with often large casts of real holidaymakers acting their allocated roles in these narrative tableaux of the Butlin's quiet lounges, ballrooms and Beachcomber bars. Shot with large-format cameras and lit like a film set, these photographs were an extraordinary undertaking in their production values, and helped John Hinde become one of the most successful postcard publishers in the world. Most of the John Hinde Butlin's photographs have only ever been published as postcards.
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Created as a visual journey, Touchless Automatic Wonder spans twenty-five years and four continents. These striking photographs capture “found text”: the sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch’s lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles(...)
Touchless automatic wonder: Found text photographs from the real world
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Created as a visual journey, Touchless Automatic Wonder spans twenty-five years and four continents. These striking photographs capture “found text”: the sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch’s lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.
Photography Collections
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
April 2012
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la(...)
Lucidité : vues de l'intérieur / Lucidity: inward views
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Dans cet ouvrage abondamment illustré, la commissaire invitée Anne-Marie Ninacs présente les vingt-cinq artistes dont les oeuvres sont exposées dans le cadre de la biennale internationale de photographie contemporaine, en plus d'essais inédits de philosophes, d'historiens de l'art et de théoriciens de la culture visuelle qui éclairent les rapports qu'entretiennent la photographie et la lucidité. Il s'agit de la publication officielle de la 12e édition du Mois de la photo à Montréal. In this lavishly illustrated book, guest curator Anne-Marie Ninacs introduces the twenty-five artists whose works are exhibited in the international biennale of contemporary photography. It is the official publication of the 12th presentation of Le Mois de la photo à Montréal.
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon,(...)
La photographie publicitaire: 50 ans de création
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon, Guy Bourdin, Jean-Paul Goude, Jean-François Jonvelle, Dominique Issermann, Peter Lindbergh, Sacha, Jeanloup Sieff, Annie Leibovitz, Sarah Moon ou encore Oliviero Toscani… Une rétrospective sur un genre à part entière qui façonne notre imaginaire collectif, qui, par sa force de diffusion influence notre perception de la société.
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A celestial bathroom
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their(...)
A celestial bathroom
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A project to approach both movie icons’ and stars’ beauty: a homage to the female form and to the rite that has celebrated its beauty from time immemorial, bathing. Through photographs that came to light in the Getty Images archives, shining stars of the cinema, women in art, poetry muses, female athletes and starlets of 20th Century enjoy their bodies, relax in their bathtubs, appear from behind a shower curtain.
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