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Photo objects
Photo objects
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'Photo Objects' reflects on the history of the photograph from the 19th century to the internet age, bringing together photographs from four archives in Berlin and Florence, supplemented by the perspectives of artists and photographers Johannes Braun & Toby Cornish, Ola Kolehmainen, Joachim Schmid, Elisabeth Tonnard and Akram Zaatari.
$90.00
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'Photo Objects' reflects on the history of the photograph from the 19th century to the internet age, bringing together photographs from four archives in Berlin and Florence, supplemented by the perspectives of artists and photographers Johannes Braun & Toby Cornish, Ola Kolehmainen, Joachim Schmid, Elisabeth Tonnard and Akram Zaatari.
Title:
Photo objects
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$90.00
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'Photo Objects' reflects on the history of the photograph from the 19th century to the internet age, bringing together photographs from four archives in Berlin and Florence, supplemented by the perspectives of artists and photographers Johannes Braun & Toby Cornish, Ola Kolehmainen, Joachim Schmid, Elisabeth Tonnard and Akram Zaatari.
Photo objects
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$90.00
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'Photo Objects' reflects on the history of the photograph from the 19th century to the internet age, bringing together photographs from four archives in Berlin and Florence, supplemented by the perspectives of artists and photographers Johannes Braun & Toby Cornish, Ola Kolehmainen, Joachim Schmid, Elisabeth Tonnard and Akram Zaatari.
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books
books
Publication:
September 2021
September 2021
Subject:
Photography Collections
Photography Collections
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books
books
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$44.95
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work(...)
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work(...)
Title:
Ilf and Petrov's American road trip
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in ''Ogonek,'' the Soviet equivalent of ''Time'' magazine, and later in the book ''Odnoetazhnaia Amerika'' (''Single-Storied America''). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in ''Ilf and Petrov's American Road Trip,'' the first English translation.
Ilf and Petrov's American road trip
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In 1935, well into the era of Soviet communism, Russian satirical writers Ilya Ilf and Evgeny Petrov came to the U.S as special correspondents for the Russian newspaper ''Pravda.'' They drove cross-country and back on a ten-week trip, recording images of American life through humerous texts and the lens of a Leica camera. When they returned home, they published their work in ''Ogonek,'' the Soviet equivalent of ''Time'' magazine, and later in the book ''Odnoetazhnaia Amerika'' (''Single-Storied America''). This wonderful lost workfilled with wry observations, biting opinions, and telling photographsis now collected in ''Ilf and Petrov's American Road Trip,'' the first English translation.
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books
books
Publication:
August 2013
August 2013
Subject:
Photography Collections
Photography Collections
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books
books
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$45.95
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V(...)
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V(...)
Title:
Autofocus: the car in photography
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V Photography Library. "Autofocus" explores the deep cultural significance of the car in the history of photography, playing a role both as subject matter and as a genuine creative vehicle- the means by which photographers have accomplished many of their great works. Showcased is work by Henri Cartier-Bresson, Walker Evans, Robert Frank, Edward Weston, and Weegee.
Autofocus: the car in photography
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$45.95
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Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object, the car has a long and enduring appeal in modern and contemporary photography as revealed in this latest addition to the V Photography Library. "Autofocus" explores the deep cultural significance of the car in the history of photography, playing a role both as subject matter and as a genuine creative vehicle- the means by which photographers have accomplished many of their great works. Showcased is work by Henri Cartier-Bresson, Walker Evans, Robert Frank, Edward Weston, and Weegee.
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books
books
Publication:
December 2019
December 2019
Subject:
Photography Collections
Photography Collections
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books
books
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$45.95
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Wild or cultivated, rural or urban, solitary or within a forest, trees have long provided a compelling source of inspiration for artists and photographers alike. Both as stand-alone aesthetic objects and as symbols of broader cultural significance, trees have an understated, sometimes underappreciated, ability to evoke a deep, primal sense of wonder. Whether captured as(...)
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Wild or cultivated, rural or urban, solitary or within a forest, trees have long provided a compelling source of inspiration for artists and photographers alike. Both as stand-alone aesthetic objects and as symbols of broader cultural significance, trees have an understated, sometimes underappreciated, ability to evoke a deep, primal sense of wonder. Whether captured as(...)
Title:
Into the woods: trees and photography
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Wild or cultivated, rural or urban, solitary or within a forest, trees have long provided a compelling source of inspiration for artists and photographers alike. Both as stand-alone aesthetic objects and as symbols of broader cultural significance, trees have an understated, sometimes underappreciated, ability to evoke a deep, primal sense of wonder. Whether captured as functional botanical records or as a means of creative expression, "Into the Woods" is an introduction to the ways in which distinctive patterns of branch, bark, leaf, and root have continued to offer arresting subjects for photographers across the centuries.
Into the woods: trees and photography
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Wild or cultivated, rural or urban, solitary or within a forest, trees have long provided a compelling source of inspiration for artists and photographers alike. Both as stand-alone aesthetic objects and as symbols of broader cultural significance, trees have an understated, sometimes underappreciated, ability to evoke a deep, primal sense of wonder. Whether captured as functional botanical records or as a means of creative expression, "Into the Woods" is an introduction to the ways in which distinctive patterns of branch, bark, leaf, and root have continued to offer arresting subjects for photographers across the centuries.
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books
books
Publication:
December 2019
December 2019
Subject:
Photography Collections
Photography Collections
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books
books
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et(...)
$45.00
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et(...)
Title:
La vie des choses : Momenta biennale de l'image
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et auteurs du présent ouvrage s’intéressent ainsi aux univers qui se construisent entre les individus et leur environnement matériel, mettant en relief les rapports de réciprocité qui s’opèrent entre sujet et objet.
La vie des choses : Momenta biennale de l'image
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La production massive d’objets tend aujourd’hui à redéfinir la frontière entre les choses matérielles, prétendument inertes et passives, et l’être humain, considéré comme l’unique sujet doté d’agentivité. Loin d’être imperméable à cette redéfinition, l’image s’épand désormais hors de l’espace bidimensionnel : elle devient un objet en soi. Les artistes, auteures et auteurs du présent ouvrage s’intéressent ainsi aux univers qui se construisent entre les individus et leur environnement matériel, mettant en relief les rapports de réciprocité qui s’opèrent entre sujet et objet.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$75.00
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Summary:
'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This(...)
$75.00
(available to order)
Summary:
'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This(...)
Subject:
Photography Collections
Photography Collections
Publication:
July 2019
July 2019
Title:
The Soviet century: Russian Photography in the Archivo Lafuente, 1917–1972
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$75.00
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'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.
The Soviet century: Russian Photography in the Archivo Lafuente, 1917–1972
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$75.00
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Summary:
'The Soviet Century' is a comprehensive new assessment of Soviet photography from the years 1917 to 1972. Over 500 photographs from the collection of Spain’s Archivo Lafuente present a deep survey of Soviet life through depictions of political meetings, factories, demonstrations and farms, as well as portraits of political leaders, artists, peasants and workers. This 600-page volume includes three historical essays that examine the complex artistic and ideological status of photography throughout the period, caught between state-led imperatives to achieve political ends and formal, artistic experimentation, especially with the 1920s avant-garde.
Form:
books
books
Publication:
July 2019
July 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
Price:
$56.95
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
$56.95
(available in store)
Summary:
Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu(...)
Title:
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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$56.95
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Architecture exquise : Eric Tabuchi, Patrick Tourneboeuf, Cyrille Weiner
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$56.95
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Entre les lignes de « Architecture exquise », la dernière publication de la Maison de l’Architecture Occitanie-Pyrénées, coéditée par la jeune maison d’édition Building Books accompagnant l’exposition éponyme, on explore un récit épistolaire et une dérive photographique entre trois photographes Eric Tabuchi, Patrick Tourneboeuf et Cyrille Weiner qui se sont prêtés au jeu proposé par un architecte, Jean-Baptiste Friot, endossant pour l’occasion le costume du commissaire. L’exercice est simple : les photographes sont invités à chercher dans leur collection personnelle l’image qui répondra à une autre image, à tour de rôle, dans une version photographique du célèbre cadavre exquis, pour embarquer le visiteur-lecteur en voyage dans un paysage imaginaire et sans limites. Une seule règle régit la commission : l’équité du temps de « parole » et une séquence.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$55.00
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Summary:
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal(...)
$55.00
(available in store)
Summary:
In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal(...)
Title:
Thought Pieces: 1970s photographs by Lew Thomas, Hal Fischer and Donna-Lee Philips
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976. This book is published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 – August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
Thought Pieces: 1970s photographs by Lew Thomas, Hal Fischer and Donna-Lee Philips
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$55.00
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In the early 1970s, Lew Thomas set out to disrupt photography in San Francisco. Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976. This book is published in conjunction with an exhibition featuring photographs by these three artists that will be on view at the San Francisco Museum of Modern Art January 4 – August 9, 2020, this volume assesses their work, their relationship to one another and their place in the history of photography in the 1970s.
Form:
books
books
Publication:
June 2020
June 2020
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring(...)
Title:
Making strange: the modernist photobook in France
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$86.95
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France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
Making strange: the modernist photobook in France
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$86.95
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Summary:
France experienced a golden age of photobook production from the late 1920s through the 1950s. Avant-garde experiments in photography, text, design, and printing, within the context of a growing modernist publishing scene, contributed to an outpouring of brilliantly designed books. Making Strange offers a detailed examination of photobook innovation in France, exploring seminal publications by Brassaï, Henri Cartier-Bresson, Robert Frank, Pierre Jahan, William Klein, and Germaine Krull. Kim Sichel argues that these books both held a mirror to their time and created an unprecedented modernist visual language. Sichel provides an engaging analysis through the lens of materiality, emphasizing the photobook as an object with which the viewer interacts haptically as well as visually. Rich in historical context and beautifully illustrated, 'Making Strange' reasserts the role of French photobooks in the history of modern art.
Form:
books
books
Publication:
May 2020
May 2020
Subject:
Photography Collections
Photography Collections
Form:
books
books
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$92.00
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
$92.00
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Summary:
An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized(...)
Title:
The Book of Images: A dictionary of visual experiences
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$92.00
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An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
The Book of Images: A dictionary of visual experiences
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$92.00
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Summary:
An alphabetical glossary of contemporary photographic experience from the author of In Almost Every Picture Dutch collector and photographer Erik Kessels (born 1966) is well-known for his image anthology series In Almost Every Picture. In the Book of Images, he organizes an overview of international contemporary photography, following the Vevey arts biennial. Organized in alphabetical order, it boasts 299 contemporary artists and photographers; 310 stories and legends; 957 color and black-and-white pictures; and 1,215 ideas and concepts. As Kessels writes: “Learn how to look differently and see more, and get inspired by this book on how to SHOW photography.”
Form:
books
books
Publication:
June 2020
June 2020
Subject:
Photography Collections
Photography Collections
