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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
$55.00
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
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Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
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books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Bertrabd Fleuret: the cliffs
Bertrabd Fleuret: the cliffs
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
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Bertrabd Fleuret: the cliffs
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
Bertrabd Fleuret: the cliffs
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French photographer Bertrand Fleuret (born 1969) had an unusually intense dream that began with him standing by a wall of dark cliffs. When he awoke, he found that the details of the dream remained oddly vivid, and he decided to reconstruct it in photographs. This volume reproduces the sequence of color photographs along with Fleuret’s account of the dream.
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books
books
Publication:
September 2012
September 2012
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Robert Adams : Skogen
Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous(...)
$54.95
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous(...)
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Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous light that is unique to the Pacific Northwest. Skogen features forty-six previously unpublished images. Also included are an introduction by the artist and a poem by Denise Levertov.
Robert Adams : Skogen
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Skogen is the Swedish word for forest, and while the dense woods featured in Robert Adams's most recent series of photographs grow near his home in Oregon, the pictures evoke a wild utopia, and convey a hushed, primeval awe. In this volume, the latest to document Adams's ongoing quest to find form amid the chaos of nature, shadows predominate, tempered by an ambiguous light that is unique to the Pacific Northwest. Skogen features forty-six previously unpublished images. Also included are an introduction by the artist and a poem by Denise Levertov.
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books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Ezra Stoller, photographer
Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
$69.95
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and(...)
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Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
Ezra Stoller, photographer
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Ezra Stoller's iconic photographs of 20th-century architectural masterpieces, such as Frank Lloyd Wright's Fallingwater and Mies van der Rohe's Seagram Building, are often cited in aiding the rise of modernism in America. Stoller (1915–2004) elevated architectural photography to an art form, capturing the mood of numerous buildings in their best light. Living and working in New York from the early 1940s to the mid-1970s, Stoller photographed buildings by such architects as Alvar Aalto, Eero Saarinen, Marcel Breuer, Paul Rudolph, and Louis I. Kahn. His striking images earned him the admiration of critics and contemporaries, but few people are aware of the stunning breadth of his oeuvre, which also included domestic and industrial spaces and important editorial depictions of American labor in the 1950s and 1960s. Ezra Stoller, Photographer, a survey of Stoller's artistic accomplishments, examines the photographer's full range with a fresh eye and unprecedented scope, offering a unique commentary on postwar America's changing landscape.
Form:
books
books
Publication:
November 2012
November 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Daido Moriyama
Daido Moriyama
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$14.95
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a(...)
$14.95
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Summary:
This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a(...)
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Daido Moriyama
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$14.95
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This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a travelling insurance salesman. Moriyama studied graphic design and, in the 1960s, moved to Tokyo to work with the VIVO group of photographers, which included Eikoh Hosoe and Shomei Tomatsu. Accompanied by a surge in Japanese economic growth and mass culture, Moriyama was published in several magazines and journals, earning him the accolade of Most Promising Photographer by the Japan Photography Critics Association. Moriyama was a member of PROVOKE Magazine at the time of international youth movements and unrest in 1968. The magazine, and Moriyama's photography, sought to assert an independence over the classically held notion of photography as purely a visual sign. He was aware that the camera can not offer a complete record and it is in this very partialness that the real excitement and enigma in his work arises. Exploring themes of self-expression, the disfiguration of urban landscapes, eroticism and fading Japanese traditions, Moriyama remarked that one of photography's essential qualities is its amateurism, and another its anonymity. These have numbered among his preoccupations from the beginning and most of Moriyama's images follow a snapshot aesthetic, often taken while running or from a moving car, without the use of a viewfinder.
Daido Moriyama
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$14.95
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Summary:
This monograph on Moriyama follows a chronological order, identifying major themes and examining key works; a beautifully produced, affordable introduction to one of the most influential figures in photography today. Born in 1938 and brought up for a short while in Osaka, Japan, Daido Moriyama spent much of his childhood on the move, due to his father's profession as a travelling insurance salesman. Moriyama studied graphic design and, in the 1960s, moved to Tokyo to work with the VIVO group of photographers, which included Eikoh Hosoe and Shomei Tomatsu. Accompanied by a surge in Japanese economic growth and mass culture, Moriyama was published in several magazines and journals, earning him the accolade of Most Promising Photographer by the Japan Photography Critics Association. Moriyama was a member of PROVOKE Magazine at the time of international youth movements and unrest in 1968. The magazine, and Moriyama's photography, sought to assert an independence over the classically held notion of photography as purely a visual sign. He was aware that the camera can not offer a complete record and it is in this very partialness that the real excitement and enigma in his work arises. Exploring themes of self-expression, the disfiguration of urban landscapes, eroticism and fading Japanese traditions, Moriyama remarked that one of photography's essential qualities is its amateurism, and another its anonymity. These have numbered among his preoccupations from the beginning and most of Moriyama's images follow a snapshot aesthetic, often taken while running or from a moving car, without the use of a viewfinder.
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books
books
Publication:
September 2012
September 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Price:
$59.95
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Summary:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
$59.95
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
Title:
Ian Wallace : at the intersection of painting and photography
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Ian Wallace : at the intersection of painting and photography
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$59.95
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Form:
books
books
Publication:
October 2012
October 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Eric Pillot : in situ
Eric Pillot : in situ
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$33.50
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Pour nous faire accepter un point de vue aussi original, Éric Pillot construit ses images à mi-chemin entre la photographie d'architecture et les estampes japonaises. De la première il garde la préoccupation des formes, des ombres et des lumières, et de sens de la construction. Quant aux secondes, elles semblent lui inspirer la manière de disposer son animal dans le(...)
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Pour nous faire accepter un point de vue aussi original, Éric Pillot construit ses images à mi-chemin entre la photographie d'architecture et les estampes japonaises. De la première il garde la préoccupation des formes, des ombres et des lumières, et de sens de la construction. Quant aux secondes, elles semblent lui inspirer la manière de disposer son animal dans le(...)
Title:
Eric Pillot : in situ
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Pour nous faire accepter un point de vue aussi original, Éric Pillot construit ses images à mi-chemin entre la photographie d'architecture et les estampes japonaises. De la première il garde la préoccupation des formes, des ombres et des lumières, et de sens de la construction. Quant aux secondes, elles semblent lui inspirer la manière de disposer son animal dans le décor à la façon d'un accessoire, comme une broche sur un vêtement ou une mouche sur un visage. À-t-il eu recours aux immenses possibilités du numérique pour modifier la taille et la distance juste? Peu importe. Le numérique a tendance à tout traiter de la même manière, et Éric Pillot transforme cette caractéristique en esthétique. Il écrase les reliefs, traite les ombres comme des dessins à part entière et transforme objets, êtres et lumières en autant de lignes et de surfaces diversement colorées. -Serge Tisseron
Eric Pillot : in situ
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Pour nous faire accepter un point de vue aussi original, Éric Pillot construit ses images à mi-chemin entre la photographie d'architecture et les estampes japonaises. De la première il garde la préoccupation des formes, des ombres et des lumières, et de sens de la construction. Quant aux secondes, elles semblent lui inspirer la manière de disposer son animal dans le décor à la façon d'un accessoire, comme une broche sur un vêtement ou une mouche sur un visage. À-t-il eu recours aux immenses possibilités du numérique pour modifier la taille et la distance juste? Peu importe. Le numérique a tendance à tout traiter de la même manière, et Éric Pillot transforme cette caractéristique en esthétique. Il écrase les reliefs, traite les ombres comme des dessins à part entière et transforme objets, êtres et lumières en autant de lignes et de surfaces diversement colorées. -Serge Tisseron
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$98.00
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Summary:
When, in 1909, the color photography pioneer Sergei Mikhailovich Prokudin-Gorskii began his journey to capture all of Russia in color images on behalf of the czar, the scope and importance of his undertaking were clear. Since 1905 he had planned to systematically document the empire with the color photography technique he had developed in order to give all Russians,(...)
$98.00
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Summary:
When, in 1909, the color photography pioneer Sergei Mikhailovich Prokudin-Gorskii began his journey to capture all of Russia in color images on behalf of the czar, the scope and importance of his undertaking were clear. Since 1905 he had planned to systematically document the empire with the color photography technique he had developed in order to give all Russians,(...)
Subject:
Photography monographs
Photography monographs
Publication:
September 2012
September 2012
Title:
Nostalgia : the Russian empire of Czar Nicholas II captured in color photographs by Sergei Mikhailovich Prokudin-Gorskii
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When, in 1909, the color photography pioneer Sergei Mikhailovich Prokudin-Gorskii began his journey to capture all of Russia in color images on behalf of the czar, the scope and importance of his undertaking were clear. Since 1905 he had planned to systematically document the empire with the color photography technique he had developed in order to give all Russians, particularly schoolchildren, a deeper connection to their country. His color images were not only meant to document the diverse citizens, ethnicities, settlements, folklore, and landscapes of a vast empire, but to create nothing less than a common identity for its populace. The subjects of Prokudin-Gorskii's landscape photography range from the medieval churches and monasteries of old Russia to the railroads and factories of an emerging industrial power. The United States Library of Congress purchased his work in 1948, but it was only recently laboriously restored. Nostalgia showcases these restored masterpieces of early color photography that are a milestone in Russia's cultural history.
Nostalgia : the Russian empire of Czar Nicholas II captured in color photographs by Sergei Mikhailovich Prokudin-Gorskii
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$98.00
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Summary:
When, in 1909, the color photography pioneer Sergei Mikhailovich Prokudin-Gorskii began his journey to capture all of Russia in color images on behalf of the czar, the scope and importance of his undertaking were clear. Since 1905 he had planned to systematically document the empire with the color photography technique he had developed in order to give all Russians, particularly schoolchildren, a deeper connection to their country. His color images were not only meant to document the diverse citizens, ethnicities, settlements, folklore, and landscapes of a vast empire, but to create nothing less than a common identity for its populace. The subjects of Prokudin-Gorskii's landscape photography range from the medieval churches and monasteries of old Russia to the railroads and factories of an emerging industrial power. The United States Library of Congress purchased his work in 1948, but it was only recently laboriously restored. Nostalgia showcases these restored masterpieces of early color photography that are a milestone in Russia's cultural history.
Form:
books
books
Publication:
September 2012
September 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$45.00
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Summary:
Balthazar Korab’s photographs for modernist architects immortalized their work, while leaving his own indelible impact on twentieth-century visual culture. John Comazzi traces Korab's circuitous path to a career in photography. He paints a vivid picture of a young man forced to flee his native Hungary, who goes on to study architecture at the famed École des Beaux-Arts in(...)
$45.00
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Summary:
Balthazar Korab’s photographs for modernist architects immortalized their work, while leaving his own indelible impact on twentieth-century visual culture. John Comazzi traces Korab's circuitous path to a career in photography. He paints a vivid picture of a young man forced to flee his native Hungary, who goes on to study architecture at the famed École des Beaux-Arts in(...)
Title:
Balthazar Korab: architect of photography
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Balthazar Korab’s photographs for modernist architects immortalized their work, while leaving his own indelible impact on twentieth-century visual culture. John Comazzi traces Korab's circuitous path to a career in photography. He paints a vivid picture of a young man forced to flee his native Hungary, who goes on to study architecture at the famed École des Beaux-Arts in Paris before emigrating to the United States and launching his career as Eero Saarinen's on-staff photographer. The book includes a portfolio of more than one hundred images from Korab's professionally commissioned architecture photography as well as close examinations of Saarinen's TWA Terminal and the Miller House in Columbus, Indiana.
Balthazar Korab: architect of photography
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Balthazar Korab’s photographs for modernist architects immortalized their work, while leaving his own indelible impact on twentieth-century visual culture. John Comazzi traces Korab's circuitous path to a career in photography. He paints a vivid picture of a young man forced to flee his native Hungary, who goes on to study architecture at the famed École des Beaux-Arts in Paris before emigrating to the United States and launching his career as Eero Saarinen's on-staff photographer. The book includes a portfolio of more than one hundred images from Korab's professionally commissioned architecture photography as well as close examinations of Saarinen's TWA Terminal and the Miller House in Columbus, Indiana.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$22.95
(available to order)
Summary:
D'une brève incursion dans la friche industrielle de l'Ardoise, Geneviève Rabier a rapporté un témoignage peu ordinaire. Celui d'une trajectoire à travers les...› Lire la suite imposantes structures métalliques dont elle a su mettre en évidence l'étrange beauté et où l'ombre le dispute à la lumière. Une approche esthétique, certes, mais qui sait toujours s'effacer devant(...)
$22.95
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D'une brève incursion dans la friche industrielle de l'Ardoise, Geneviève Rabier a rapporté un témoignage peu ordinaire. Celui d'une trajectoire à travers les...› Lire la suite imposantes structures métalliques dont elle a su mettre en évidence l'étrange beauté et où l'ombre le dispute à la lumière. Une approche esthétique, certes, mais qui sait toujours s'effacer devant(...)
Title:
Geneviève Rabier: de larmes et d'acier. Ugine à l'Ardoise, une épopée industrielle gardoise
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D'une brève incursion dans la friche industrielle de l'Ardoise, Geneviève Rabier a rapporté un témoignage peu ordinaire. Celui d'une trajectoire à travers les...› Lire la suite imposantes structures métalliques dont elle a su mettre en évidence l'étrange beauté et où l'ombre le dispute à la lumière. Une approche esthétique, certes, mais qui sait toujours s'effacer devant l'émotion. De ces lieux hantés par les hommes, imprégnés de leur sueur et de leurs larmes, Geneviève nous traduit l'éphémère et dérisoire grandeur.
Geneviève Rabier: de larmes et d'acier. Ugine à l'Ardoise, une épopée industrielle gardoise
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$22.95
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D'une brève incursion dans la friche industrielle de l'Ardoise, Geneviève Rabier a rapporté un témoignage peu ordinaire. Celui d'une trajectoire à travers les...› Lire la suite imposantes structures métalliques dont elle a su mettre en évidence l'étrange beauté et où l'ombre le dispute à la lumière. Une approche esthétique, certes, mais qui sait toujours s'effacer devant l'émotion. De ces lieux hantés par les hommes, imprégnés de leur sueur et de leurs larmes, Geneviève nous traduit l'éphémère et dérisoire grandeur.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Photography monographs
Photography monographs
