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Walead Beshty has long used photography as a tool to explore social conditions. In 2001, the artist began documenting the abandoned embassy of the defunct Iraqi Diplomatic Mission in the former East Berlin. This publication focuses on three related bodies of work that continue Beshty's engagement with the invisible territories of globalization.
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Walead Beshty has long used photography as a tool to explore social conditions. In 2001, the artist began documenting the abandoned embassy of the defunct Iraqi Diplomatic Mission in the former East Berlin. This publication focuses on three related bodies of work that continue Beshty's engagement with the invisible territories of globalization.
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Photography monographs
Photography monographs
Publication:
September 2010
September 2010
Title:
Walead Beshty: selected correspondences 2001-2010
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Walead Beshty has long used photography as a tool to explore social conditions. In 2001, the artist began documenting the abandoned embassy of the defunct Iraqi Diplomatic Mission in the former East Berlin. This publication focuses on three related bodies of work that continue Beshty's engagement with the invisible territories of globalization.
Walead Beshty: selected correspondences 2001-2010
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Walead Beshty has long used photography as a tool to explore social conditions. In 2001, the artist began documenting the abandoned embassy of the defunct Iraqi Diplomatic Mission in the former East Berlin. This publication focuses on three related bodies of work that continue Beshty's engagement with the invisible territories of globalization.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Leo Fabrizio: Dreamworld
Leo Fabrizio: Dreamworld
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Through such memorable images as a wooden shanty dominated by massive real estate billboards overhead, Swiss photographer Leo Fabrizio articulates the dilemma of contemporary Thailand as "native old" meets "global new." Using suburban Bangkok as his case study, Fabrizio observes the social and spatial consequences of rapidly transforming cities post-globalization.
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Through such memorable images as a wooden shanty dominated by massive real estate billboards overhead, Swiss photographer Leo Fabrizio articulates the dilemma of contemporary Thailand as "native old" meets "global new." Using suburban Bangkok as his case study, Fabrizio observes the social and spatial consequences of rapidly transforming cities post-globalization.
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Leo Fabrizio: Dreamworld
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Through such memorable images as a wooden shanty dominated by massive real estate billboards overhead, Swiss photographer Leo Fabrizio articulates the dilemma of contemporary Thailand as "native old" meets "global new." Using suburban Bangkok as his case study, Fabrizio observes the social and spatial consequences of rapidly transforming cities post-globalization.
Leo Fabrizio: Dreamworld
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Through such memorable images as a wooden shanty dominated by massive real estate billboards overhead, Swiss photographer Leo Fabrizio articulates the dilemma of contemporary Thailand as "native old" meets "global new." Using suburban Bangkok as his case study, Fabrizio observes the social and spatial consequences of rapidly transforming cities post-globalization.
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books
books
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January 2011
January 2011
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Photography monographs
Photography monographs
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books
books
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$33.95
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During the late 1920s and 1930s, as photography was establishing a firmer monopoly on the visual documentation of the built landscape, architectural photographer Samuel H. Gottscho created a now-classic portrait of New York City as the quintessential modern metropolis. Silhouetting Manhattan's new skyscrapers, celebrated buildings--such as the American Radiator Building(...)
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During the late 1920s and 1930s, as photography was establishing a firmer monopoly on the visual documentation of the built landscape, architectural photographer Samuel H. Gottscho created a now-classic portrait of New York City as the quintessential modern metropolis. Silhouetting Manhattan's new skyscrapers, celebrated buildings--such as the American Radiator Building(...)
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The mythic city: Samuel H. Gottscho
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During the late 1920s and 1930s, as photography was establishing a firmer monopoly on the visual documentation of the built landscape, architectural photographer Samuel H. Gottscho created a now-classic portrait of New York City as the quintessential modern metropolis. Silhouetting Manhattan's new skyscrapers, celebrated buildings--such as the American Radiator Building and Rockefeller Center--and signature skyline with a vision uniquely his own, Gottscho carefully embraced the tenuous line between the documentary and the artistic in photography and shaped a New York City through his lens that was distinctly Gottscho, yet unquestionably New York City.
The mythic city: Samuel H. Gottscho
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During the late 1920s and 1930s, as photography was establishing a firmer monopoly on the visual documentation of the built landscape, architectural photographer Samuel H. Gottscho created a now-classic portrait of New York City as the quintessential modern metropolis. Silhouetting Manhattan's new skyscrapers, celebrated buildings--such as the American Radiator Building and Rockefeller Center--and signature skyline with a vision uniquely his own, Gottscho carefully embraced the tenuous line between the documentary and the artistic in photography and shaped a New York City through his lens that was distinctly Gottscho, yet unquestionably New York City.
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books
books
Publication:
May 2011
May 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$29.95
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First published in 1944, Bruno Munari's Fotocronache, here translated into English, was and remains one of the finest, most amusing, and most significant lessons on the uses of photography for communication. With his charming, generous wit and inimitable perceptive abilities, Munari offers a zinging analysis of the power of the image--as a communicator of specific(...)
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First published in 1944, Bruno Munari's Fotocronache, here translated into English, was and remains one of the finest, most amusing, and most significant lessons on the uses of photography for communication. With his charming, generous wit and inimitable perceptive abilities, Munari offers a zinging analysis of the power of the image--as a communicator of specific(...)
Title:
Photo-Reportage: fotocronache
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First published in 1944, Bruno Munari's Fotocronache, here translated into English, was and remains one of the finest, most amusing, and most significant lessons on the uses of photography for communication. With his charming, generous wit and inimitable perceptive abilities, Munari offers a zinging analysis of the power of the image--as a communicator of specific knowledge and a site into which completely other knowledge can be read.
Photo-Reportage: fotocronache
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First published in 1944, Bruno Munari's Fotocronache, here translated into English, was and remains one of the finest, most amusing, and most significant lessons on the uses of photography for communication. With his charming, generous wit and inimitable perceptive abilities, Munari offers a zinging analysis of the power of the image--as a communicator of specific knowledge and a site into which completely other knowledge can be read.
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books
books
Publication:
February 2008
February 2008
Subject:
Photography monographs
Photography monographs
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books
books
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$12.95
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During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear(...)
$12.95
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Summary:
During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2010
February 2010
Title:
Un Sedicesimo 18 : Toni Meneguzzo
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During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear and direct photographs against a neutral background.
Un Sedicesimo 18 : Toni Meneguzzo
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During a passage to India, the author was struck by the sacred cows that crossed his path. An assortment of paint, vegetable wreaths and varying sizes of cloth decoration, the way they are adorned is often confined to a very limited area or a particular village and can change radically only a short distance away. This striking custom is illustrated in a series of clear and direct photographs against a neutral background.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
James Welling : glass house
James Welling : glass house
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in(...)
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in(...)
Title:
James Welling : glass house
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Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with swells of glowing color. As Welling described it in an interview with Artforum, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color." The 45 images presented here, which invite the viewer to draw associations between the camera's lens and the glass surfaces of the house itself, oscillate before our very eyes between photographic abstraction - a recurrent preoccupation for Welling - and depictions of architecture. With this body of work, Welling has located a wholly new approach to, and blend of, both genres.
James Welling : glass house
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$55.00
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Summary:
Over the course of three years, from 2006 to 2009, James Welling (born 1951) photographed the Glass House, the architectural landmark estate that Philip Johnson built in New Canaan, Connecticut, in 1949. Welling's photos offer a decided departure from the familiar views of the house and grounds: using digital cameras set on a tripod and holding a variety of filters in front of the lens, he created tinted veils and distortions that transformed the image at the moment of exposure, endowing it with swells of glowing color. As Welling described it in an interview with Artforum, the use of filters enabled his project to become "a laboratory for ideas about transparency, reflectivity and color." The 45 images presented here, which invite the viewer to draw associations between the camera's lens and the glass surfaces of the house itself, oscillate before our very eyes between photographic abstraction - a recurrent preoccupation for Welling - and depictions of architecture. With this body of work, Welling has located a wholly new approach to, and blend of, both genres.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$83.00
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his(...)
$83.00
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Summary:
Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his(...)
Title:
Robert Rauschenberg: Photographs 1949-1962
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.
Robert Rauschenberg: Photographs 1949-1962
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Robert Rauschenberg's engagement with photography began in the late 1940s under the tutelage of Hazel Larsen Archer at Black Mountain College in North Carolina. This exposure (or experience) was so great that for a time Rauschenberg was unsure whether to pursue painting or photography as a career. Instead, he chose both, and found ways to fold photography into his Combines, maintained a practice of photographing friends and family, documented the evolution of artworks and occasionally dramatized them by inserting himself into the picture frame. This volume gathers and surveys for the first time Rauschenberg's numerous uses of photography. This publication includes portraits of friends such as Cy Twombly, Jasper Johns, Merce Cunningham and John Cage, studio shots, photographs used in the Combines and Silkscreen paintings, photographs of lost artworks and works in process. This allows us to re-imagine almost the entirety of the artist's output in light of his always inventive uses of photography, while also supplying previously unseen glimpses into his social milieu of the 1950s and early 60s.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Laszlo Moholy-Nagy: 60 fotos
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
Title:
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Alexey Brodovitch: Ballet
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on(...)
$44.00
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Summary:
Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2011
February 2011
Title:
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about the artist.
Alexey Brodovitch: Ballet
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Published in 1945, Alexey Brodovitch's Ballet is easily among the most legendary photobooks of the twentieth century: the first and only book he authored as photographer, it was printed in a small run of a few hundred copies, and quickly became a rarity. This edition contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about the artist.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$44.00
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original(...)
$44.00
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Summary:
First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original(...)
Subject:
Photography monographs
Photography monographs
Publication:
February 2011
February 2011
Title:
Zdenek Tmej: The alphabets of spiritual emptiness
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First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original texts by Alexandra Urbanova, translated for the first time into English, and a contemporary essay by Czech photo historian Vladimir Birgus.
Zdenek Tmej: The alphabets of spiritual emptiness
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$44.00
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Summary:
First published in 1946, The Alphabet of Spiritual Emptiness offers an extraordinary look inside a German forced labor camp in Breslau, Poland, during 1941-1943. Tmej portrays the experience of captivity through images loaded with furtiveness and despair. Errata's edition reproduces every page spread from this extremely rare and fragile document, including the original texts by Alexandra Urbanova, translated for the first time into English, and a contemporary essay by Czech photo historian Vladimir Birgus.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Photography monographs
Photography monographs
