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Il est le grand photographe de son pays. Né en 1954 à Midongy du Sud, Pierrot Men, vit et travaille à Madagascar. Fier de son île, de sa diversité, cet autodidacte de la photo se consacre pour l’essentiel à sa terre et à son peuple. Photojournaliste, il aime aller à la rencontre de ses photos. Chroniqueur, il aime montrer ce qu’il connaît le mieux et comprend le mieux :(...)
$72.95
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Summary:
Il est le grand photographe de son pays. Né en 1954 à Midongy du Sud, Pierrot Men, vit et travaille à Madagascar. Fier de son île, de sa diversité, cet autodidacte de la photo se consacre pour l’essentiel à sa terre et à son peuple. Photojournaliste, il aime aller à la rencontre de ses photos. Chroniqueur, il aime montrer ce qu’il connaît le mieux et comprend le mieux :(...)
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Pierrot Men: les couleurs de Madagascar
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Il est le grand photographe de son pays. Né en 1954 à Midongy du Sud, Pierrot Men, vit et travaille à Madagascar. Fier de son île, de sa diversité, cet autodidacte de la photo se consacre pour l’essentiel à sa terre et à son peuple. Photojournaliste, il aime aller à la rencontre de ses photos. Chroniqueur, il aime montrer ce qu’il connaît le mieux et comprend le mieux : personne n’a jamais traduit comme lui l’âme malgache.
Pierrot Men: les couleurs de Madagascar
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Il est le grand photographe de son pays. Né en 1954 à Midongy du Sud, Pierrot Men, vit et travaille à Madagascar. Fier de son île, de sa diversité, cet autodidacte de la photo se consacre pour l’essentiel à sa terre et à son peuple. Photojournaliste, il aime aller à la rencontre de ses photos. Chroniqueur, il aime montrer ce qu’il connaît le mieux et comprend le mieux : personne n’a jamais traduit comme lui l’âme malgache.
Form:
books
books
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June 2015
June 2015
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Photography monographs
Photography monographs
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books
books
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$65.00
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Bringing together seventeen years of work in the fashion world, this eye-catching volume features selections from Sassen's award-winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines such as The New York Times Magazine, i-D, Numero, Purple, AnOther Magazine, Dazed & Confused,(...)
$65.00
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Summary:
Bringing together seventeen years of work in the fashion world, this eye-catching volume features selections from Sassen's award-winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines such as The New York Times Magazine, i-D, Numero, Purple, AnOther Magazine, Dazed & Confused,(...)
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Viviane Sassen: in and out of fashion
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Bringing together seventeen years of work in the fashion world, this eye-catching volume features selections from Sassen's award-winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines such as The New York Times Magazine, i-D, Numero, Purple, AnOther Magazine, Dazed & Confused, Fantastic Man, and POP. Sassen's intuitive and imaginative style can be flamboyant, contemplative, erotic, and surreal, often simultaneously. This volume includes essays that offer a context for Sassen's work in the history of fashion photography as well as a bibliography of nearly all her fashion series.
Viviane Sassen: in and out of fashion
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Bringing together seventeen years of work in the fashion world, this eye-catching volume features selections from Sassen's award-winning series and campaigns for Stella McCartney, Adidas, Carven, Bergdorf Goodman, MiuMiu, and M Missoni, along with editorials for magazines such as The New York Times Magazine, i-D, Numero, Purple, AnOther Magazine, Dazed & Confused, Fantastic Man, and POP. Sassen's intuitive and imaginative style can be flamboyant, contemplative, erotic, and surreal, often simultaneously. This volume includes essays that offer a context for Sassen's work in the history of fashion photography as well as a bibliography of nearly all her fashion series.
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books
books
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June 2013
June 2013
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Photography monographs
Photography monographs
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books
books
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$55.00
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The photographs of Annette Kelm (born 1975) depict arrangements of everyday objects, portraits, architecture and landscapes or seemingly unusual narratives, to expose how our perception and our vision function. This volume documents two recent exhibitions in Germany and Canada.
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The photographs of Annette Kelm (born 1975) depict arrangements of everyday objects, portraits, architecture and landscapes or seemingly unusual narratives, to expose how our perception and our vision function. This volume documents two recent exhibitions in Germany and Canada.
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Annette Kelm: subjects and objects
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The photographs of Annette Kelm (born 1975) depict arrangements of everyday objects, portraits, architecture and landscapes or seemingly unusual narratives, to expose how our perception and our vision function. This volume documents two recent exhibitions in Germany and Canada.
Annette Kelm: subjects and objects
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The photographs of Annette Kelm (born 1975) depict arrangements of everyday objects, portraits, architecture and landscapes or seemingly unusual narratives, to expose how our perception and our vision function. This volume documents two recent exhibitions in Germany and Canada.
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books
books
Publication:
June 2015
June 2015
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Andrew Moore: Dirt Meridian
Andrew Moore: Dirt Meridian
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In Dirt Meridian, Andrew Moore takes to the air to document the High Plains of North Dakota, South Dakota and Nebraska in a series of large-format photographs. The "meridian" of the title refers to the 100th meridian, the longitude that neatly bisects the US and has long been considered the dividing line between the East and West. Much of the meridian traverses America's(...)
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In Dirt Meridian, Andrew Moore takes to the air to document the High Plains of North Dakota, South Dakota and Nebraska in a series of large-format photographs. The "meridian" of the title refers to the 100th meridian, the longitude that neatly bisects the US and has long been considered the dividing line between the East and West. Much of the meridian traverses America's(...)
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Andrew Moore: Dirt Meridian
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In Dirt Meridian, Andrew Moore takes to the air to document the High Plains of North Dakota, South Dakota and Nebraska in a series of large-format photographs. The "meridian" of the title refers to the 100th meridian, the longitude that neatly bisects the US and has long been considered the dividing line between the East and West. Much of the meridian traverses America's so-called flyover country, those sparsely populated landscapes between the urban centers on either coast. Other parts of the meridian cross contentious zones such as the heavily fracked Bakken formation in North Dakota. Dirt Meridian interweaves two stories: the myths and history of the vast, severe American High Plains alongside portraits of the people who live there today.
Andrew Moore: Dirt Meridian
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Summary:
In Dirt Meridian, Andrew Moore takes to the air to document the High Plains of North Dakota, South Dakota and Nebraska in a series of large-format photographs. The "meridian" of the title refers to the 100th meridian, the longitude that neatly bisects the US and has long been considered the dividing line between the East and West. Much of the meridian traverses America's so-called flyover country, those sparsely populated landscapes between the urban centers on either coast. Other parts of the meridian cross contentious zones such as the heavily fracked Bakken formation in North Dakota. Dirt Meridian interweaves two stories: the myths and history of the vast, severe American High Plains alongside portraits of the people who live there today.
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books
books
Publication:
September 2015
September 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Shirana Shahbazi : monstera
Shirana Shahbazi : monstera
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The works of Iranian-born, Swiss-based artist Shirana Shahbazi (born 1974) reflects her ongoing interest in the relationship between images and their surfaces, as well as the relationship between various artistic media and their iconic qualities. The artist's book Monstera presents Shahbazi's recent abstract work, which features richly hued colors, objects and geometric(...)
$50.00
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The works of Iranian-born, Swiss-based artist Shirana Shahbazi (born 1974) reflects her ongoing interest in the relationship between images and their surfaces, as well as the relationship between various artistic media and their iconic qualities. The artist's book Monstera presents Shahbazi's recent abstract work, which features richly hued colors, objects and geometric(...)
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Shirana Shahbazi : monstera
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The works of Iranian-born, Swiss-based artist Shirana Shahbazi (born 1974) reflects her ongoing interest in the relationship between images and their surfaces, as well as the relationship between various artistic media and their iconic qualities. The artist's book Monstera presents Shahbazi's recent abstract work, which features richly hued colors, objects and geometric forms. For these photographs, Shahbazi arranged real forms and bodies in her studio as if staging a still life and then photographed them from different vantage points. The light and color effects of the images suggest the kind of decorative abstraction—so easily produced digitally—that appears in screensavers and desktop wallpapers, but these are digital effects achieved through laborious analogue means.
Shirana Shahbazi : monstera
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Summary:
The works of Iranian-born, Swiss-based artist Shirana Shahbazi (born 1974) reflects her ongoing interest in the relationship between images and their surfaces, as well as the relationship between various artistic media and their iconic qualities. The artist's book Monstera presents Shahbazi's recent abstract work, which features richly hued colors, objects and geometric forms. For these photographs, Shahbazi arranged real forms and bodies in her studio as if staging a still life and then photographed them from different vantage points. The light and color effects of the images suggest the kind of decorative abstraction—so easily produced digitally—that appears in screensavers and desktop wallpapers, but these are digital effects achieved through laborious analogue means.
Form:
books
books
Publication:
June 2015
June 2015
Subject:
Photography monographs
Photography monographs
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books
books
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$65.00
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Over the course of a 40-year career, Conceptual artist and photographer Sarah Charlesworth deconstructed the conventions of photography and gave emphasis to the medium's importance in mediating our perception of the world. Part of a group of artists working in New York in the 1980s that included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman and Laurie(...)
$65.00
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Summary:
Over the course of a 40-year career, Conceptual artist and photographer Sarah Charlesworth deconstructed the conventions of photography and gave emphasis to the medium's importance in mediating our perception of the world. Part of a group of artists working in New York in the 1980s that included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman and Laurie(...)
Title:
Sarah Charlesworth: doubleworld
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Over the course of a 40-year career, Conceptual artist and photographer Sarah Charlesworth deconstructed the conventions of photography and gave emphasis to the medium's importance in mediating our perception of the world. Part of a group of artists working in New York in the 1980s that included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman and Laurie Simmons, Charlesworth straddled 1970s Conceptual art and the Pictures Generation, creating work that probed the visual language of mass media and illuminated the impact of ubiquitous imagery on our everyday lives.
Sarah Charlesworth: doubleworld
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Over the course of a 40-year career, Conceptual artist and photographer Sarah Charlesworth deconstructed the conventions of photography and gave emphasis to the medium's importance in mediating our perception of the world. Part of a group of artists working in New York in the 1980s that included Jack Goldstein, Sherrie Levine, Richard Prince, Cindy Sherman and Laurie Simmons, Charlesworth straddled 1970s Conceptual art and the Pictures Generation, creating work that probed the visual language of mass media and illuminated the impact of ubiquitous imagery on our everyday lives.
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books
books
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June 2015
June 2015
Subject:
Photography monographs
Photography monographs
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books
books
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$35.00
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'Cheap Rents … and de Kooning' revisits the New York downtown art scene between 1957 and 1963, when the Tenth Street galleries were the center of the art world and inexpensive lofts were still available. John Cohen was there, and portraying the artists' haunts--among them the Cedar Tavern, the Club and the Tanager Gallery--and creating a definitive photographic impression(...)
$35.00
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Summary:
'Cheap Rents … and de Kooning' revisits the New York downtown art scene between 1957 and 1963, when the Tenth Street galleries were the center of the art world and inexpensive lofts were still available. John Cohen was there, and portraying the artists' haunts--among them the Cedar Tavern, the Club and the Tanager Gallery--and creating a definitive photographic impression(...)
Title:
John Cohen : cheap rents...and de Kooning
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$35.00
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'Cheap Rents … and de Kooning' revisits the New York downtown art scene between 1957 and 1963, when the Tenth Street galleries were the center of the art world and inexpensive lofts were still available. John Cohen was there, and portraying the artists' haunts--among them the Cedar Tavern, the Club and the Tanager Gallery--and creating a definitive photographic impression of a lively, hedonistic, highly sociable scene. Abstract Expressionists, Pop artists and Beat writers could be found at these bars and galleries; Willem de Kooning's studio was in the middle of the block, and is also documented here. This volume, by one of the leading chroniclers of the era, provides its richest and most intimate portrait.
John Cohen : cheap rents...and de Kooning
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Summary:
'Cheap Rents … and de Kooning' revisits the New York downtown art scene between 1957 and 1963, when the Tenth Street galleries were the center of the art world and inexpensive lofts were still available. John Cohen was there, and portraying the artists' haunts--among them the Cedar Tavern, the Club and the Tanager Gallery--and creating a definitive photographic impression of a lively, hedonistic, highly sociable scene. Abstract Expressionists, Pop artists and Beat writers could be found at these bars and galleries; Willem de Kooning's studio was in the middle of the block, and is also documented here. This volume, by one of the leading chroniclers of the era, provides its richest and most intimate portrait.
Form:
books
books
Publication:
November 2015
November 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Philippe Halsman's jump book
Philippe Halsman's jump book
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$55.00
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With nearly 200 photographs of Halsman’s famous subjects in midair, these uniquely witty and energetic images of airborne movie stars, politicians, royalty, artists, and authors have become an important part of Halsman’s photographic legacy. For six years in the mid-1950s, he ended his portrait sessions by asking his sitters to jump. Grace Kelly hikes her skirt with(...)
$55.00
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Summary:
With nearly 200 photographs of Halsman’s famous subjects in midair, these uniquely witty and energetic images of airborne movie stars, politicians, royalty, artists, and authors have become an important part of Halsman’s photographic legacy. For six years in the mid-1950s, he ended his portrait sessions by asking his sitters to jump. Grace Kelly hikes her skirt with(...)
Title:
Philippe Halsman's jump book
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$55.00
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With nearly 200 photographs of Halsman’s famous subjects in midair, these uniquely witty and energetic images of airborne movie stars, politicians, royalty, artists, and authors have become an important part of Halsman’s photographic legacy. For six years in the mid-1950s, he ended his portrait sessions by asking his sitters to jump. Grace Kelly hikes her skirt with surprising moxie. Marilyn Monroe, Edward Steichen, Audrey Hepburn, Robert Oppenheimer, John Steinbeck, Weegee, Aldous Huxley, Marc Chagall, Salvador Dali, Brigitte Bardot, and Groucho Marx all take the leap of faith – ensuring that we see something about them that we hadn’t quite seen before...
Philippe Halsman's jump book
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With nearly 200 photographs of Halsman’s famous subjects in midair, these uniquely witty and energetic images of airborne movie stars, politicians, royalty, artists, and authors have become an important part of Halsman’s photographic legacy. For six years in the mid-1950s, he ended his portrait sessions by asking his sitters to jump. Grace Kelly hikes her skirt with surprising moxie. Marilyn Monroe, Edward Steichen, Audrey Hepburn, Robert Oppenheimer, John Steinbeck, Weegee, Aldous Huxley, Marc Chagall, Salvador Dali, Brigitte Bardot, and Groucho Marx all take the leap of faith – ensuring that we see something about them that we hadn’t quite seen before...
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Soviet bus stops
Soviet bus stops
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$42.50
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Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than(...)
$42.50
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Summary:
Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than(...)
Title:
Soviet bus stops
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Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than 18,000 miles in 14 countries of the former Soviet Union, traveling by car, bike, bus and taxi to hunt down and document these bus stops. The local bus stop proved to be fertile ground for local artistic experimentation in the Soviet period, and was built seemingly without design restrictions or budgetary concerns. The result is an astonishing variety of styles and types across the region, from the strictest Brutalism to exuberant whimsy.
Soviet bus stops
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$42.50
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Summary:
Photographer Christopher Herwig first noticed the unusual architecture of Soviet-era bus stops during a 2002 long-distance bike ride from London to St. Petersburg. Challenging himself to take one good photograph every hour, Herwig began to notice surprisingly designed bus stops on otherwise deserted stretches of road. Twelve years later, Herwig had covered more than 18,000 miles in 14 countries of the former Soviet Union, traveling by car, bike, bus and taxi to hunt down and document these bus stops. The local bus stop proved to be fertile ground for local artistic experimentation in the Soviet period, and was built seemingly without design restrictions or budgetary concerns. The result is an astonishing variety of styles and types across the region, from the strictest Brutalism to exuberant whimsy.
Form:
books
books
Publication:
September 2015
September 2015
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$58.95
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
$58.95
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Summary:
In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the(...)
Publication:
November 2015
November 2015
Title:
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.
Aunties: the seven summers of Alevtina and Ludmila
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In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived chopping wood to heat the house, bringing water from the well, planting potatoes, and making their own clothes. Sablin's lyrical and evocative photographs, taken over seven summers, capture the small details and daily rituals of her aunts surprisingly colorful and dreamlike days, taking us not only to another country but to another time. Alevtina and Ludmila, now in their seventies, seem both old and young, as if time itself was as seamless and cyclical as their routines working on puzzles, sewing curtains, tatting lace, picking berries, repairing fences and as full of the same subtle mysteries. Sablin collaborated with her aunts to recreate scenes she remembered from her childhood and to make new images of the patterns of their days. In these photographs, Sablin combines observation and invention, biography and autobiography, to tell the stories of her aunts life together, and in the process, quilts together a thoughtful meditation on memory, aging, and belonging.
Form:
books
books
Publication:
November 2015
November 2015
