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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’(...)
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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’(...)
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Elspeth Diederix: When red disappears
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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’ goggles we glimpse an unspoiled underwater paradise, where life – in the form of shells, sponges, seaweeds, anemones and other organisms – shows its most colourful side.
Elspeth Diederix: When red disappears
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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’ goggles we glimpse an unspoiled underwater paradise, where life – in the form of shells, sponges, seaweeds, anemones and other organisms – shows its most colourful side.
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books
books
Publication:
October 2019
October 2019
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Daido Moriyama: Record 40
Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on(...)
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on(...)
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Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on his obsession at the time to open a private gallery, which for a variety of reasons failed to become a reality, so he ended up spending his days roaming the city’s streets instead. Picture this: a 50-year-old Japanese man with a camera, totally bewildered, who speaks no French and only some broken English.
Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on his obsession at the time to open a private gallery, which for a variety of reasons failed to become a reality, so he ended up spending his days roaming the city’s streets instead. Picture this: a 50-year-old Japanese man with a camera, totally bewildered, who speaks no French and only some broken English.
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books
books
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October 2019
October 2019
Subject:
Photography monographs
Photography monographs
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books
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$74.95
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of(...)
$74.95
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of(...)
Title:
TOO MUCH, The Himalayas. Naoki Ishikawa
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of climbing the highest peaks in the world. This new edition includes 300 of Naoki’s photographs and his most recent expeditions to Kanchenjunga and Amadablam.
TOO MUCH, The Himalayas. Naoki Ishikawa
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of climbing the highest peaks in the world. This new edition includes 300 of Naoki’s photographs and his most recent expeditions to Kanchenjunga and Amadablam.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Gaby Steiner: Public home
Gaby Steiner: Public home
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$54.00
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The work of Swiss photo, video and installation artist Gaby Steiner focuses on victims of global commodification. "Public Home" documents the life of former architect Jerzy Sulek, whose house was demolished by the city and who now lives without shelter on his land in Greenpoint, Brooklyn.
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The work of Swiss photo, video and installation artist Gaby Steiner focuses on victims of global commodification. "Public Home" documents the life of former architect Jerzy Sulek, whose house was demolished by the city and who now lives without shelter on his land in Greenpoint, Brooklyn.
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Gaby Steiner: Public home
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The work of Swiss photo, video and installation artist Gaby Steiner focuses on victims of global commodification. "Public Home" documents the life of former architect Jerzy Sulek, whose house was demolished by the city and who now lives without shelter on his land in Greenpoint, Brooklyn.
Gaby Steiner: Public home
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The work of Swiss photo, video and installation artist Gaby Steiner focuses on victims of global commodification. "Public Home" documents the life of former architect Jerzy Sulek, whose house was demolished by the city and who now lives without shelter on his land in Greenpoint, Brooklyn.
Form:
books
books
Publication:
March 2016
March 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Dora Maar (éd. fr.)
Dora Maar (éd. fr.)
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D'abord photographe professionnelle et surréaliste, puis peintre, Dora Maar jouit d'une reconnaissance incontestable. Bien loin du modèle auquel sa relation intime avec Pablo Picasso la limite trop souvent, ce catalogue d'exposition retrace le parcours d'une artiste accomplie, d'une intellectuelle libre et indépendante.
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D'abord photographe professionnelle et surréaliste, puis peintre, Dora Maar jouit d'une reconnaissance incontestable. Bien loin du modèle auquel sa relation intime avec Pablo Picasso la limite trop souvent, ce catalogue d'exposition retrace le parcours d'une artiste accomplie, d'une intellectuelle libre et indépendante.
Title:
Dora Maar (éd. fr.)
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$74.95
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D'abord photographe professionnelle et surréaliste, puis peintre, Dora Maar jouit d'une reconnaissance incontestable. Bien loin du modèle auquel sa relation intime avec Pablo Picasso la limite trop souvent, ce catalogue d'exposition retrace le parcours d'une artiste accomplie, d'une intellectuelle libre et indépendante.
Dora Maar (éd. fr.)
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D'abord photographe professionnelle et surréaliste, puis peintre, Dora Maar jouit d'une reconnaissance incontestable. Bien loin du modèle auquel sa relation intime avec Pablo Picasso la limite trop souvent, ce catalogue d'exposition retrace le parcours d'une artiste accomplie, d'une intellectuelle libre et indépendante.
Form:
books
books
Publication:
June 2019
June 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Candida Höfer in Mexico
Candida Höfer in Mexico
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In 2014, Candida Höfer (b. Eberswalde, Germany, 1944; lives and works in Cologne) traveled to Mexico, visiting the eight cities Ciudad de México, Guadalajara, Guanajuato, Oaxaca, Puebla, Tepotzotlán, Tlacochahuaya, and Tonantzintla, where she photographed old and new libraries, theaters and opera houses, churches and museums, poorhouses and palaces. Most of the pictures(...)
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In 2014, Candida Höfer (b. Eberswalde, Germany, 1944; lives and works in Cologne) traveled to Mexico, visiting the eight cities Ciudad de México, Guadalajara, Guanajuato, Oaxaca, Puebla, Tepotzotlán, Tlacochahuaya, and Tonantzintla, where she photographed old and new libraries, theaters and opera houses, churches and museums, poorhouses and palaces. Most of the pictures(...)
Title:
Candida Höfer in Mexico
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In 2014, Candida Höfer (b. Eberswalde, Germany, 1944; lives and works in Cologne) traveled to Mexico, visiting the eight cities Ciudad de México, Guadalajara, Guanajuato, Oaxaca, Puebla, Tepotzotlán, Tlacochahuaya, and Tonantzintla, where she photographed old and new libraries, theaters and opera houses, churches and museums, poorhouses and palaces. Most of the pictures are organized by symmetry along a central axis, a characteristic feature of her art. If these works suggest her training with Hilla and Bernd Becher, who taught photography in Düsseldorf- she is now the best known of their students- others show a "new" Candida Höfer: oldfashioned offices, weatherbeaten walls, and simple stores as well as a few expertly captured details of façades, floors, and interiors.
Candida Höfer in Mexico
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Summary:
In 2014, Candida Höfer (b. Eberswalde, Germany, 1944; lives and works in Cologne) traveled to Mexico, visiting the eight cities Ciudad de México, Guadalajara, Guanajuato, Oaxaca, Puebla, Tepotzotlán, Tlacochahuaya, and Tonantzintla, where she photographed old and new libraries, theaters and opera houses, churches and museums, poorhouses and palaces. Most of the pictures are organized by symmetry along a central axis, a characteristic feature of her art. If these works suggest her training with Hilla and Bernd Becher, who taught photography in Düsseldorf- she is now the best known of their students- others show a "new" Candida Höfer: oldfashioned offices, weatherbeaten walls, and simple stores as well as a few expertly captured details of façades, floors, and interiors.
Form:
books
books
Publication:
December 2016
December 2016
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$88.95
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« Le formalisme, c’est l’essentiel. » La déclaration de Jan Groover résume à elle seule l’ambition plastique de son œuvre, qui incarne aujourd’hui l’un des moments phares de l’histoire de la photographie et du genre de la nature morte. Menée au gré d’une expérimentation constante et variée, la recherche de Jan Groover s’est concentrée sur les formes et leur capacité à(...)
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« Le formalisme, c’est l’essentiel. » La déclaration de Jan Groover résume à elle seule l’ambition plastique de son œuvre, qui incarne aujourd’hui l’un des moments phares de l’histoire de la photographie et du genre de la nature morte. Menée au gré d’une expérimentation constante et variée, la recherche de Jan Groover s’est concentrée sur les formes et leur capacité à(...)
Title:
Jan Groover photographe : le laboratoire des formes
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« Le formalisme, c’est l’essentiel. » La déclaration de Jan Groover résume à elle seule l’ambition plastique de son œuvre, qui incarne aujourd’hui l’un des moments phares de l’histoire de la photographie et du genre de la nature morte. Menée au gré d’une expérimentation constante et variée, la recherche de Jan Groover s’est concentrée sur les formes et leur capacité à transformer la perception de l’image.
Jan Groover photographe : le laboratoire des formes
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« Le formalisme, c’est l’essentiel. » La déclaration de Jan Groover résume à elle seule l’ambition plastique de son œuvre, qui incarne aujourd’hui l’un des moments phares de l’histoire de la photographie et du genre de la nature morte. Menée au gré d’une expérimentation constante et variée, la recherche de Jan Groover s’est concentrée sur les formes et leur capacité à transformer la perception de l’image.
Form:
books
books
Publication:
September 2019
September 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Arrière-Pays
Arrière-Pays
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$56.95
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Karim Kal met en place depuis une quinzaine d’années, un travail dans une perspective documentaire. La nature descriptive de la photographie est nuancée par le travail autour de la lumière et de la composition. Ses photographies proposent une appréhension indicielle du territoire, et recherche un équilibre entre les éléments permettant une lecture sociale, politique du(...)
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Summary:
Karim Kal met en place depuis une quinzaine d’années, un travail dans une perspective documentaire. La nature descriptive de la photographie est nuancée par le travail autour de la lumière et de la composition. Ses photographies proposent une appréhension indicielle du territoire, et recherche un équilibre entre les éléments permettant une lecture sociale, politique du(...)
Title:
Arrière-Pays
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$56.95
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Karim Kal met en place depuis une quinzaine d’années, un travail dans une perspective documentaire. La nature descriptive de la photographie est nuancée par le travail autour de la lumière et de la composition. Ses photographies proposent une appréhension indicielle du territoire, et recherche un équilibre entre les éléments permettant une lecture sociale, politique du sujet, et une économie formelle puisant dans le vocabulaire des abstractions.
Arrière-Pays
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$56.95
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Karim Kal met en place depuis une quinzaine d’années, un travail dans une perspective documentaire. La nature descriptive de la photographie est nuancée par le travail autour de la lumière et de la composition. Ses photographies proposent une appréhension indicielle du territoire, et recherche un équilibre entre les éléments permettant une lecture sociale, politique du sujet, et une économie formelle puisant dans le vocabulaire des abstractions.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$56.95
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains(...)
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains(...)
Title:
L'oiseau noir perché à droite dans ma tête
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains (Madagascar, Chine, Japon, Nicaragua…), reflets de vie intérieure (rêves, sentiments, fantasmes), regards sur la société américaine dans laquelle il vit, et scènes de vie familiale – tantôt sombre et douloureux, tantôt lumineux et doux –, le livre témoigne de l’évolution de l’auteur dans une période de transition. En transposant ainsi sa propre vie, il suggère la possibilité d'explorer de nouveaux territoires de l'expérience humaine.
L'oiseau noir perché à droite dans ma tête
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains (Madagascar, Chine, Japon, Nicaragua…), reflets de vie intérieure (rêves, sentiments, fantasmes), regards sur la société américaine dans laquelle il vit, et scènes de vie familiale – tantôt sombre et douloureux, tantôt lumineux et doux –, le livre témoigne de l’évolution de l’auteur dans une période de transition. En transposant ainsi sa propre vie, il suggère la possibilité d'explorer de nouveaux territoires de l'expérience humaine.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Future history
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed(...)
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed(...)
Title:
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed in approximately the same period, during which the fascist state engaged in a significant infrastructural and institutional building programme. Countless school, hospital, road, rail, housing, government building and redevelopment projects were realised, several of which are viewed today as noteworthy examples of Razionalismo. These projects put architecture at the service of a state equally intent on improving health and housing, making its might conspicuous domestically and colonising in Africa.The photographs in ''Future history'' are interleaved with extracts from a series of papers first published in 1926 and 1927 by Gruppo 7.
Future history
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The buildings in ''Future history'' are examples of ‘Razionalismo’, the Italian version of International Style Modernism built in the 1930s. Emerging during Mussolini’s dictatorship, Razionalismo architecture was contemporaneous and frequently indivisible in design from official fascist building, now referred to as Stile Littorio. Italian fascism and Modernism blossomed in approximately the same period, during which the fascist state engaged in a significant infrastructural and institutional building programme. Countless school, hospital, road, rail, housing, government building and redevelopment projects were realised, several of which are viewed today as noteworthy examples of Razionalismo. These projects put architecture at the service of a state equally intent on improving health and housing, making its might conspicuous domestically and colonising in Africa.The photographs in ''Future history'' are interleaved with extracts from a series of papers first published in 1926 and 1927 by Gruppo 7.
Form:
books
books
Publication:
January 2013
January 2013
Subject:
Photography monographs
Photography monographs
