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Photographer Christopher Payne was granted permission by New York City's Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades,(...)
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Photographer Christopher Payne was granted permission by New York City's Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades,(...)
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Christopher Payne: North Brother island - The last unknown place in New York city
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Photographer Christopher Payne was granted permission by New York City's Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades, a forest has sprung up where once there were the streets and manicured lawns of a hospital campus. North Brother Island: The Last Unknown Place in New York City includes a history by University of Pennsylvania preservationist Randall Mason, who has studied the island extensively, and an essay by the writer Robert Sullivan (Rats, The Meadowlands), who came along on one of the rare expéditions.
Christopher Payne: North Brother island - The last unknown place in New York city
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Photographer Christopher Payne was granted permission by New York City's Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades, a forest has sprung up where once there were the streets and manicured lawns of a hospital campus. North Brother Island: The Last Unknown Place in New York City includes a history by University of Pennsylvania preservationist Randall Mason, who has studied the island extensively, and an essay by the writer Robert Sullivan (Rats, The Meadowlands), who came along on one of the rare expéditions.
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books
books
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May 2014
May 2014
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Photography monographs
Photography monographs
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Livre réalisé par la Documentation Céline Duval composé des photographies personnelles de Kandinsky Céline Duval collecte des photographies anonymes puis crée des histoires, des vies en les assemblant donnant un autre regard sur la photographie amateur, cartes postales ou encore les images de magazine.
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Livre réalisé par la Documentation Céline Duval composé des photographies personnelles de Kandinsky Céline Duval collecte des photographies anonymes puis crée des histoires, des vies en les assemblant donnant un autre regard sur la photographie amateur, cartes postales ou encore les images de magazine.
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Documentation Céline Duval: coeur, point et ligne sur plan
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Livre réalisé par la Documentation Céline Duval composé des photographies personnelles de Kandinsky Céline Duval collecte des photographies anonymes puis crée des histoires, des vies en les assemblant donnant un autre regard sur la photographie amateur, cartes postales ou encore les images de magazine.
Documentation Céline Duval: coeur, point et ligne sur plan
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Livre réalisé par la Documentation Céline Duval composé des photographies personnelles de Kandinsky Céline Duval collecte des photographies anonymes puis crée des histoires, des vies en les assemblant donnant un autre regard sur la photographie amateur, cartes postales ou encore les images de magazine.
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books
books
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March 2014
March 2014
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Photography monographs
Photography monographs
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books
books
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$62.50
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Since 2003, Canadian photographer Michel Campeau has traveled the world to photograph darkrooms. These chambers of analog photography, where icons of picture making were crafted through the use of chemicals on silver gelatin paper, today seem like allusions to a time long gone.
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Since 2003, Canadian photographer Michel Campeau has traveled the world to photograph darkrooms. These chambers of analog photography, where icons of picture making were crafted through the use of chemicals on silver gelatin paper, today seem like allusions to a time long gone.
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Michel Campeau: photogénie et obsolescence de la chambre noire argentique/ Michel Campeau: photographic darkroom, photogenic obsolescence
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Since 2003, Canadian photographer Michel Campeau has traveled the world to photograph darkrooms. These chambers of analog photography, where icons of picture making were crafted through the use of chemicals on silver gelatin paper, today seem like allusions to a time long gone.
Michel Campeau: photogénie et obsolescence de la chambre noire argentique/ Michel Campeau: photographic darkroom, photogenic obsolescence
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Since 2003, Canadian photographer Michel Campeau has traveled the world to photograph darkrooms. These chambers of analog photography, where icons of picture making were crafted through the use of chemicals on silver gelatin paper, today seem like allusions to a time long gone.
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books
books
Publication:
March 2014
March 2014
Subject:
Photography monographs
Photography monographs
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books
books
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$95.00
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel(...)
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel(...)
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Jay Maisel: New York in the 50s
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel began his career in photography in 1954. While his portfolio includes the likes of Marilyn Monroe and Miles Davis, he is perhaps best known for capturing the light, color, and gesture found in every day life. This unique vision kept him busy for over 40 years shooting annual reports, magazine covers, jazz albums, advertising and more for an array of clients worldwide. Recently, Maisel has gone back to his archive of early work, and put together a collection of black-and-white images he made as a young man in the 1950s, evidence of a lifetime’s pursuit of a craft and a special talent, one of the best-kept secrets in photographic history. “New York in the ‘50s” is a beautifully-produced monograph that will be equally appreciated by Jay Maisel’s followers, and anyone who has stepped inside his muse, New York City.
Jay Maisel: New York in the 50s
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“I have been shooting New York for over 60 years now. And though I have achieved age, I can safely say I have never made my way to maturity so I have never been jaded or bored. I think all this is due to the grittiness and hectic quality of the city, you never capture it, it captures you.” After studying painting and graphic design at Cooper Union and Yale, Jay Maisel began his career in photography in 1954. While his portfolio includes the likes of Marilyn Monroe and Miles Davis, he is perhaps best known for capturing the light, color, and gesture found in every day life. This unique vision kept him busy for over 40 years shooting annual reports, magazine covers, jazz albums, advertising and more for an array of clients worldwide. Recently, Maisel has gone back to his archive of early work, and put together a collection of black-and-white images he made as a young man in the 1950s, evidence of a lifetime’s pursuit of a craft and a special talent, one of the best-kept secrets in photographic history. “New York in the ‘50s” is a beautifully-produced monograph that will be equally appreciated by Jay Maisel’s followers, and anyone who has stepped inside his muse, New York City.
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books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
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books
books
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$44.95
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The medieval city of Braunschweig, in Germany s picturesque Hanz Mountains, received a utopian redesign during the new city movement of the 1930s. This abrupt change in the city s organization proved a starting point for photographer Bettina Lockemann's newest project. Lockemann's photographic images reveal streets too broad, disrupting the flow of space for any use other(...)
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The medieval city of Braunschweig, in Germany s picturesque Hanz Mountains, received a utopian redesign during the new city movement of the 1930s. This abrupt change in the city s organization proved a starting point for photographer Bettina Lockemann's newest project. Lockemann's photographic images reveal streets too broad, disrupting the flow of space for any use other(...)
Title:
Bettina Lockemann: from the periphery
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The medieval city of Braunschweig, in Germany s picturesque Hanz Mountains, received a utopian redesign during the new city movement of the 1930s. This abrupt change in the city s organization proved a starting point for photographer Bettina Lockemann's newest project. Lockemann's photographic images reveal streets too broad, disrupting the flow of space for any use other than driving, restricting the natural interaction of foot traffic and public contact. From the Periphery is a challenging body of work that explores architectural norms and stimulates the rethinking of our urban environments.
Bettina Lockemann: from the periphery
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Summary:
The medieval city of Braunschweig, in Germany s picturesque Hanz Mountains, received a utopian redesign during the new city movement of the 1930s. This abrupt change in the city s organization proved a starting point for photographer Bettina Lockemann's newest project. Lockemann's photographic images reveal streets too broad, disrupting the flow of space for any use other than driving, restricting the natural interaction of foot traffic and public contact. From the Periphery is a challenging body of work that explores architectural norms and stimulates the rethinking of our urban environments.
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books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Zoe Leonard: available light
Zoe Leonard: available light
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
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Zoe Leonard: available light
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$49.95
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
Zoe Leonard: available light
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
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books
books
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$40.00
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the(...)
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the(...)
Title:
Luke Stephenson: an incomplete dictionary of show birds
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the treasurer of the UK Budgie Society, who deemed his portraits "crap" because he had omitted the legs and tails. He subsequently developed an eye for the nuances of bird photography, and, making a specialty of photographing show birds of all kinds, developed the body of work gathered in this volume. While Stephenson’s photographs depict these birds with apparent neutrality (against a variety of colored backgrounds), Michael Smith observes in his foreword to this volume that "they live in an overlap between the natural and manmade worlds, and say as much about the culture that created them as they do about nature."
Luke Stephenson: an incomplete dictionary of show birds
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the treasurer of the UK Budgie Society, who deemed his portraits "crap" because he had omitted the legs and tails. He subsequently developed an eye for the nuances of bird photography, and, making a specialty of photographing show birds of all kinds, developed the body of work gathered in this volume. While Stephenson’s photographs depict these birds with apparent neutrality (against a variety of colored backgrounds), Michael Smith observes in his foreword to this volume that "they live in an overlap between the natural and manmade worlds, and say as much about the culture that created them as they do about nature."
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books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Candida Höfer : Düsseldorf
Candida Höfer : Düsseldorf
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels,(...)
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels,(...)
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Candida Höfer : Düsseldorf
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels, whether single objects, architectural spaces or people. Her photographs of public spaces almost devoid of people--interiors, libraries, museums and entrance halls--are characterized by a cool objectivity and the precise rendering of detail. This publication gathers old and new work from the past four decades, with a special emphasis on the works produced in Düsseldorf since her time at the Arts Academy, and on works made since 2011.
Candida Höfer : Düsseldorf
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels, whether single objects, architectural spaces or people. Her photographs of public spaces almost devoid of people--interiors, libraries, museums and entrance halls--are characterized by a cool objectivity and the precise rendering of detail. This publication gathers old and new work from the past four decades, with a special emphasis on the works produced in Düsseldorf since her time at the Arts Academy, and on works made since 2011.
Form:
books
books
Publication:
March 2014
March 2014
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Jochen Lempert: phenotype
Jochen Lempert: phenotype
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$69.95
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Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his(...)
$69.95
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Summary:
Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his(...)
Title:
Jochen Lempert: phenotype
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Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his photographs exude a simple pleasure in fleeting tranquility. Jochen Lembert: Phenotype reproduces 450 of his works, most of them arranged in groups and sequences, from more than 20 years of artistic production.
Jochen Lempert: phenotype
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Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his photographs exude a simple pleasure in fleeting tranquility. Jochen Lembert: Phenotype reproduces 450 of his works, most of them arranged in groups and sequences, from more than 20 years of artistic production.
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books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
Form:
books
books
Title:
Christoph Gielen: ciphers
Christoph Gielen: ciphers
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed(...)
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed(...)
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Christoph Gielen: ciphers
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed community and the ramifications of contemporary building trends. These pictures invoke an era of carefree risk-taking, of "bigger is better," when investing in home ownership and commercial real estate were still standard practices and neither distance from workplace nor gasoline prices much mattered in determining the locations of new construction.
Christoph Gielen: ciphers
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed community and the ramifications of contemporary building trends. These pictures invoke an era of carefree risk-taking, of "bigger is better," when investing in home ownership and commercial real estate were still standard practices and neither distance from workplace nor gasoline prices much mattered in determining the locations of new construction.
Form:
books
books
Publication:
April 2014
April 2014
Subject:
Photography monographs
Photography monographs
