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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
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Cutting Matta-Clark: the anarchitecture investigation
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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
Cutting Matta-Clark: the anarchitecture investigation
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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
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books
books
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June 2018
June 2018
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CCA Publications
CCA Publications
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books
books
Title:
Archaeology of the digital
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
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Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
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books
books
Publication:
May 2013
May 2013
Subject:
CCA Publications
CCA Publications
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books
books
Title:
Archéologie du numérique
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts(...)
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts(...)
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Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts aux concepteurs ? Comment s’est faite la transition entre pratiques analogiques et outils numériques, et comment le dialogue entre eux a-t-il été exploité ? Ces questions sont au coeur de la présente publication et de l’exposition qu’elle accompagne, qui se déploient autour de quatre projets choisis comme étant des moments charnières des premières étapes du développement de l’architecture numérique : la résidence Lewis (1989–1995), de Frank Gehry, le Biozentrum de Francfort (1987), de Peter Eisenman, la conception de la toiture du complexe sportif municipal d’Odawara et celle du gymnase Galaxy de Toyama (1990 –1992), de Shoei Yoh, ainsi que la sphère déployable (1991) et le dôme Iris (1994) de Chuck Hoberman. Chacun des projets a imprimé une orientation certaine à la recherche architecturale en permettant d’expérimenter les possibilités qu’offraient les nouveaux outils numériques. Le dialogue entre informatique, architecture et génie est au coeur de ces expériences, qui peuvent être considérées comme les précurseurs de méthodes encore opérationnelles aujourd’hui.
Archéologie du numérique
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L’archéologie du numérique creuse en profondeur un aspect des plus essentiels : la genèse et la mise en oeuvre, à la fin des années 1980, d’outils numériques servant à la conceptualisation, la visualisation et la fabrication dans le domaine du design. Quels ont été les défis soulevés par ces technologies novatrices et les nouveaux champs de recherche qu’elles ont ouverts aux concepteurs ? Comment s’est faite la transition entre pratiques analogiques et outils numériques, et comment le dialogue entre eux a-t-il été exploité ? Ces questions sont au coeur de la présente publication et de l’exposition qu’elle accompagne, qui se déploient autour de quatre projets choisis comme étant des moments charnières des premières étapes du développement de l’architecture numérique : la résidence Lewis (1989–1995), de Frank Gehry, le Biozentrum de Francfort (1987), de Peter Eisenman, la conception de la toiture du complexe sportif municipal d’Odawara et celle du gymnase Galaxy de Toyama (1990 –1992), de Shoei Yoh, ainsi que la sphère déployable (1991) et le dôme Iris (1994) de Chuck Hoberman. Chacun des projets a imprimé une orientation certaine à la recherche architecturale en permettant d’expérimenter les possibilités qu’offraient les nouveaux outils numériques. Le dialogue entre informatique, architecture et génie est au coeur de ces expériences, qui peuvent être considérées comme les précurseurs de méthodes encore opérationnelles aujourd’hui.
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books
books
Publication:
May 2013
May 2013
Subject:
CCA Publications
CCA Publications
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books
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved(...)
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
Title:
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
Victor Burgin : voyage to Italy
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Over a creative career of more than thirty years, Victor Burgin has established an international reputation as an artist and theoretician in the field of both moving and stationary images. Burgin became known in the late 1960s as one of the founders of Conceptual art. During the 1970s, his works consisted mainly of large-format photographic sequences that often involved text. At the beginning of the 1990s he turned to digital video art. This volume documents the many perspectives of the British artist’s reflections on Pompeii. Burgin created this series of images in 2006, while examining a nineteenth-century photograph of Pompeii from the collection of the Canadian Centre for Architecture in Montreal.
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books
books
Publication:
September 2006, Ostfildern
September 2006, Ostfildern
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books
books
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$27.00
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En 2019 nous avons publié le premier volume de « Le musée ne suffit pas », que nous avons conçue comme une plateforme de réflexion et de discussion sur certaines des des préoccupations qui définissent l’activité curatoriale du CCA (pourquoi et comment il fonctionne) et, par extension, le rôle des institutions culturelles vis-à-vis de la société. Affirmer que le musée ne(...)
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En 2019 nous avons publié le premier volume de « Le musée ne suffit pas », que nous avons conçue comme une plateforme de réflexion et de discussion sur certaines des des préoccupations qui définissent l’activité curatoriale du CCA (pourquoi et comment il fonctionne) et, par extension, le rôle des institutions culturelles vis-à-vis de la société. Affirmer que le musée ne(...)
Subject:
CCA Publications
CCA Publications
Publication:
May 2025
May 2025
Title:
Le musée ne suffit pas, no.10-14
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En 2019 nous avons publié le premier volume de « Le musée ne suffit pas », que nous avons conçue comme une plateforme de réflexion et de discussion sur certaines des des préoccupations qui définissent l’activité curatoriale du CCA (pourquoi et comment il fonctionne) et, par extension, le rôle des institutions culturelles vis-à-vis de la société. Affirmer que le musée ne suffit pas, c’est se demander ce qu’un musée devrait être et faire. Dans ce deuxième volume, la discussion se penche sur la manière dont l’institution élabore et traite ces questions en repensant les outils utilisés pour concevoir ses programmes et construire sa relation avec les différentes communautés et les différents publics. Cette réflexion est guidée par la conviction que l’activité du musée ne peut être construite à partir d’une position fixe. Ici, le musée sort de ses murs physiques, pour explorer sur place, pour parler avec les gens, pour connecter et activer les collaborations, pour concevoir des conditions permettant à différentes formes de dialogue de se produire sur le terrain.
Le musée ne suffit pas, no.10-14
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En 2019 nous avons publié le premier volume de « Le musée ne suffit pas », que nous avons conçue comme une plateforme de réflexion et de discussion sur certaines des des préoccupations qui définissent l’activité curatoriale du CCA (pourquoi et comment il fonctionne) et, par extension, le rôle des institutions culturelles vis-à-vis de la société. Affirmer que le musée ne suffit pas, c’est se demander ce qu’un musée devrait être et faire. Dans ce deuxième volume, la discussion se penche sur la manière dont l’institution élabore et traite ces questions en repensant les outils utilisés pour concevoir ses programmes et construire sa relation avec les différentes communautés et les différents publics. Cette réflexion est guidée par la conviction que l’activité du musée ne peut être construite à partir d’une position fixe. Ici, le musée sort de ses murs physiques, pour explorer sur place, pour parler avec les gens, pour connecter et activer les collaborations, pour concevoir des conditions permettant à différentes formes de dialogue de se produire sur le terrain.
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books
books
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May 2025
May 2025
Subject:
CCA Publications
CCA Publications
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books
books
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$65.00
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What can architecture do in the face of social crises? Today's young architects and researchers ask three of Japan's leading architects about architectural innovations from the 1970s to the 1990s. This series explore how young Japanese architects of that period attempted to redefine architecture beyond the doctrine of modernism and address the needs of society at large,(...)
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What can architecture do in the face of social crises? Today's young architects and researchers ask three of Japan's leading architects about architectural innovations from the 1970s to the 1990s. This series explore how young Japanese architects of that period attempted to redefine architecture beyond the doctrine of modernism and address the needs of society at large,(...)
Subject:
CCA Publications
CCA Publications
Publication:
April 2025
April 2025
Title:
Meanwhile in Japan boxset: Itsuko Hasegawa, Hiroshi Hara,Toyo Ito. Japanese edition
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What can architecture do in the face of social crises? Today's young architects and researchers ask three of Japan's leading architects about architectural innovations from the 1970s to the 1990s. This series explore how young Japanese architects of that period attempted to redefine architecture beyond the doctrine of modernism and address the needs of society at large, as well as question the role of the architect.
Meanwhile in Japan boxset: Itsuko Hasegawa, Hiroshi Hara,Toyo Ito. Japanese edition
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Summary:
What can architecture do in the face of social crises? Today's young architects and researchers ask three of Japan's leading architects about architectural innovations from the 1970s to the 1990s. This series explore how young Japanese architects of that period attempted to redefine architecture beyond the doctrine of modernism and address the needs of society at large, as well as question the role of the architect.
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books
books
Publication:
April 2025
April 2025
Subject:
CCA Publications
CCA Publications
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books
books
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$18.00
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Summary:
The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a(...)
$18.00
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Summary:
The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a(...)
Title:
Is there a known optimum gate size for the dual control of cattle and sheep?
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The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a bucolic family picnic area when not used for the animals, simply by removing the gates that control them. And it is precisely this question of control of the non-human that Nannini chooses to focus on. In the context of Price's interest in impermanence and the creative potential of human interaction and individual free will, Nannini exposes architecture's responsibility in perpetuating the assumed dominion of our species over others.
Is there a known optimum gate size for the dual control of cattle and sheep?
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Summary:
The Cedric Price fonds at the CCA is an inexhaustible source of provocations about what architecture is and the questions it should ask. Sofia Nannini looks here at a small but representative collection of files within this vast archive: a proposal for a light and reconfigurable livestock pen to clean and weigh cattle and sheep, which Price suggests can also become a bucolic family picnic area when not used for the animals, simply by removing the gates that control them. And it is precisely this question of control of the non-human that Nannini chooses to focus on. In the context of Price's interest in impermanence and the creative potential of human interaction and individual free will, Nannini exposes architecture's responsibility in perpetuating the assumed dominion of our species over others.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
CCA Publications
CCA Publications
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books
books
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$45.00
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
Title:
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
How Modern: Biographies of Architecture in China 1949–1979
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Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
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books
books
Publication:
December 2025
December 2025
Subject:
CCA Publications
CCA Publications
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books
books
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$54.95
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The Ben Ezra Synagogue in Cairo is best known as the synogogue in which the "Cairo Geniza" was found--an astonishingly rich store of ancient books, manuscripts, correspondences, and records dating back to the tenth century. Copiously illustrated with plans, engravings, and photographs, "Fortifications and the Synagogue" describes the recent restoration of this ancient(...)
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The Ben Ezra Synagogue in Cairo is best known as the synogogue in which the "Cairo Geniza" was found--an astonishingly rich store of ancient books, manuscripts, correspondences, and records dating back to the tenth century. Copiously illustrated with plans, engravings, and photographs, "Fortifications and the Synagogue" describes the recent restoration of this ancient(...)
Title:
Fortifications and the synagogue : the Fortress of Babylon and the Ben Ezra Synagogue, Cairo
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The Ben Ezra Synagogue in Cairo is best known as the synogogue in which the "Cairo Geniza" was found--an astonishingly rich store of ancient books, manuscripts, correspondences, and records dating back to the tenth century. Copiously illustrated with plans, engravings, and photographs, "Fortifications and the Synagogue" describes the recent restoration of this ancient synagogue, as well as the historical and archaeological research essential to its preservation and to an understanding of the religious communities that founded modern Cairo. The work is unprecedented in its comprehensive examination of the subject, presenting the first measured survey and photographic study of the fortress and synagogue, the first thorough study of the Geniza manuscripts, and a complete history of the synagogue from the Geniza period to the present.
Fortifications and the synagogue : the Fortress of Babylon and the Ben Ezra Synagogue, Cairo
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The Ben Ezra Synagogue in Cairo is best known as the synogogue in which the "Cairo Geniza" was found--an astonishingly rich store of ancient books, manuscripts, correspondences, and records dating back to the tenth century. Copiously illustrated with plans, engravings, and photographs, "Fortifications and the Synagogue" describes the recent restoration of this ancient synagogue, as well as the historical and archaeological research essential to its preservation and to an understanding of the religious communities that founded modern Cairo. The work is unprecedented in its comprehensive examination of the subject, presenting the first measured survey and photographic study of the fortress and synagogue, the first thorough study of the Geniza manuscripts, and a complete history of the synagogue from the Geniza period to the present.
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books
books
Publication:
January 2001, Montréal
January 2001, Montréal
Subject:
CCA Publications
CCA Publications
Form:
books
books
Title:
Architecture and cubism
Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray,(...)
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Summary:
This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray,(...)
Subject:
CCA Publications
CCA Publications
Publication:
April 2002, Montréal/Cambridge, Mass.
April 2002, Montréal/Cambridge, Mass.
Title:
Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray, Paul Overy, and Bruno Reichlin. Paperbound edition of the orginal 1997 publication.
Architecture and cubism
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This collection of essays commissioned by the Canadian Centre for Architecture examines the relationship of avant-garde practices in early twentieth century painting to architecture. Contributions by Jay Bochner, Yve-Alain Bois, Beatriz Colomina, David Cottington, Robert L. Herbert, Dorothée Imbert, Detlef Mertins, Kevin D. Murphy, Irena Zantovska Murrray, Paul Overy, and Bruno Reichlin. Paperbound edition of the orginal 1997 publication.
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books
books
Publication:
April 2002, Montréal/Cambridge, Mass.
April 2002, Montréal/Cambridge, Mass.
Subject:
CCA Publications
CCA Publications
