C3 436: Seung H-Sang
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''C3 436'' explores architecture shaped by place, purpose, and poetic depth. New Projects chapter features Leopold Banchini Architects who craft an off-grid house inspired by ancestral wisdom in the Moroccan desert, while a modernist library by Jakob + MacFarlane reimagines the Tree of Knowledge. Seung H-Sang’s meditative designs reflect an architecture of boundaries and(...)
C3 436: Seung H-Sang
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''C3 436'' explores architecture shaped by place, purpose, and poetic depth. New Projects chapter features Leopold Banchini Architects who craft an off-grid house inspired by ancestral wisdom in the Moroccan desert, while a modernist library by Jakob + MacFarlane reimagines the Tree of Knowledge. Seung H-Sang’s meditative designs reflect an architecture of boundaries and the afterlife, portrayed here in the Order of St. Benedict Waegwan Abbey. K-Projects illustrates layered stories: Seoul’s urban transformation, subtle civic centers, and cultural roots nurtured in agricultural settings. Featuring Terminal 7 Architects, 818 architects, Chak Chak Studio and Young-pil Kim + YuMi Hyun. Across interviews and essays, architects and critics reflect on building with memory, identity, and imagination in a rapidly shifting world.
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C3 435 : Tomoaki Uno
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Issue 435 highlights three projects: a university facility in the Netherlands by KAAN Architecten, a residential apartment in Finland by Steven Holl Architects, and a hospital in the United Kingdom by HKS + Cagni Williams Associates + Sonnemann Toon Architects. These innovative designs showcase diverse typologies, emphasizing functionality, sustainability, and(...)
C3 435 : Tomoaki Uno
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Issue 435 highlights three projects: a university facility in the Netherlands by KAAN Architecten, a residential apartment in Finland by Steven Holl Architects, and a hospital in the United Kingdom by HKS + Cagni Williams Associates + Sonnemann Toon Architects. These innovative designs showcase diverse typologies, emphasizing functionality, sustainability, and architectural creativity. Additionally, this issue explores three transformative examples of evolving factory architecture—integrating production spaces with offices and incorporating natural elements to create healthier and more inspiring work environments. Last chapter takes a deep dive into the world of Japanese architect Tomoaki Uno. Known for his philosophy of creating “the unprecedented ordinary,” Uno’s work challenges conventional thinking and raises profound questions about the essence of architecture.
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is(...)
A+U 654 25:03 Reinterpretations of Sacredness Generative AI within Architecture
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a+u’s March issue interrogates sacredness and how it manifests in architectural space. Taking examples from religious works of architecture in different parts of the globe, such as Saint Pius Church in Switzerland and Bait Ur Rouf mosque in Bangladesh, this issue endeavors to establish a language of light and shadow, materiality, and scale. The notion of "sacred space" is further complicated by the introduction of AI. Guest editor Erwin Viray, using the theme of "sacred space," introduces generative AI tools that not only illuminate the direction that architectural design may take, but also confront human sensibilities and shared ideas about architectural space. Continuing this exploration, 14 nonreligious projects, such as Luis Barragán’s Barragán House, Álvaro Siza’s Tidal Pools of Leça da Palmeira, and Anne Holtrop’s Pearl Museum, ponder how this sense of sacredness, feelings of awe and serenity, can be introduced into our everyday lives.
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''AV Proyectos 129'' explores the architectural potential of colour at different scales, and three exhibitions in Madrid – reviewed by Luis Fernández-Galiano – serve as the introductory frame for a series of projects that are examples of this versatility: the detailed domestic intervention of Beatriz Ramo and Bernd Upmeyer, the unique housing by TEST, Wiki World, and(...)
AV Proyectos 129: Escalas de color
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''AV Proyectos 129'' explores the architectural potential of colour at different scales, and three exhibitions in Madrid – reviewed by Luis Fernández-Galiano – serve as the introductory frame for a series of projects that are examples of this versatility: the detailed domestic intervention of Beatriz Ramo and Bernd Upmeyer, the unique housing by TEST, Wiki World, and selgascano, and the large-scale works by Padilla Nicás and BIG. Along this line, the architect and interior designer Javier Jiménez Iniesta, of Studio Animal, talks with ''AV Proyectos'' about his defense of chromatism as a project tool and not just an aesthetic whim.
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Le plan moderne s’est voulu neutre, rationnel, reproductible. Avec le typical plan1, Rem Koolhaas a exposé la logique impérieuse de la standardisation qui organise l’espace tertiaire selon des modules sans qualités, des séquences sans histoires, des grilles où le sujet s’efface. Ce plan, produit de la modernité capitaliste, prétendait l’universalité : à chaque fonction,(...)
Plan L***** 211 : Troubler le plan
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Le plan moderne s’est voulu neutre, rationnel, reproductible. Avec le typical plan1, Rem Koolhaas a exposé la logique impérieuse de la standardisation qui organise l’espace tertiaire selon des modules sans qualités, des séquences sans histoires, des grilles où le sujet s’efface. Ce plan, produit de la modernité capitaliste, prétendait l’universalité : à chaque fonction, son espace?; à chaque corps, sa case. Mais ce plan, typique, est aussi un plan normatif. En effaçant les singularités, il impose des modèles d’usage, de comportement, de relation. Étendons ce constat à la manière dont le logement collectif se produit avec ses granulométries, ses types – T1-T1bis-T2-T3-T4-T5 – qui répondent plus aux attentes des familles nucléaires qu’à la diversité des formes de vie actuelles.
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Le «vivre ensemble» est désormais galvaudé dans le champ de l’architecture. Maîtres d’ouvrage, élu·es et architectes l’emploient, sans nuance critique, comme des mots magiques. Iels simulent une bienveillance démagogique comme critère pour une existence meilleure. Ce « vivre ensemble » dissimule une prétention universaliste pour la masse informe et floue de celles et ceux(...)
Plan L**** 212 : Vivre à plusieurs
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Le «vivre ensemble» est désormais galvaudé dans le champ de l’architecture. Maîtres d’ouvrage, élu·es et architectes l’emploient, sans nuance critique, comme des mots magiques. Iels simulent une bienveillance démagogique comme critère pour une existence meilleure. Ce « vivre ensemble » dissimule une prétention universaliste pour la masse informe et floue de celles et ceux qu’iels nomment « les gens ». Sous une prétendue intégration, l’universel exclut les différences. Plutôt que de vivre noyé·es dans un universalisme impossible, il s’agit déjà de cohabiter avec quelques autres. Les architectes et habitant·es ont la capacité à trouver ce juste équilibre entre le collectif et le personnel, tout en évitant l’impersonnel.
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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly(...)
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August 2025
DOMa 12: LAN, Zeller & Moye, Onsitestudio, Jean-Benoît Vétillard architecture
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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly invented tradition” of a sports facility: the ‘'Sassuolo Training Centre'’. Jean-Benoît Vétillard Architecture presents six design iterations before arriving at the final scheme for ‘Maison Nana’. Andreas Angelidakis shares an extensive archive of concrete façade studies and other architectural objects for a ‘'House in Evia'’.
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Nouveau projet 30
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Le nouveau numéro est maintenant disponible à la librairie.
Nouveau projet 30
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Le nouveau numéro est maintenant disponible à la librairie.
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NYRA 46/47 MAY-AUG 2025
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael(...)
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May 2025
NYRA 46/47 MAY-AUG 2025
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael Friedrich, AJ Artemel, Travis Diehl, Moze Halperin, Mark Krotov, Marianela D’Aprile, Michael Casper, Jessica Fletcher, Owen Hatherley, Christopher Hawthorne, Nolan Kelly, Phil Coldiron, Allison Hewitt Ward, Jake Romm, Huw Lemmey, Charlie Dulik, Nicolas Kemper, Clare Fentress, Lari Rutschmann, Ian Volner, Sue Park, & Willa Glickman
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering(...)
AV Monographs 275: Christ & Gantenbein
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering expansion of the Swiss National Museum to recent proposals for art museums in Barcelona and Antwerp. Accompanied by a text by Reto Geiser, it offers reflections on the intellectual intensity and geometric perseverance with which the architects approach their interventions, regardless of scale, function, or material.
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