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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly(...)
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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly(...)
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August 2025
August 2025
Title:
DOMa 12: LAN, Zeller & Moye, Onsitestudio, Jean-Benoît Vétillard architecture
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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly invented tradition” of a sports facility: the ‘'Sassuolo Training Centre'’. Jean-Benoît Vétillard Architecture presents six design iterations before arriving at the final scheme for ‘Maison Nana’. Andreas Angelidakis shares an extensive archive of concrete façade studies and other architectural objects for a ‘'House in Evia'’.
DOMa 12: LAN, Zeller & Moye, Onsitestudio, Jean-Benoît Vétillard architecture
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LAN (Local Architecture Network) rethinks the economy of sustainability beyond its technical aspects in the ‘'PARIS XVIII’ housing project. Zeller & Moye explore the row house layout in ‘'La Ribera'’, drawing inspiration from the traditional Mexican vecindad, centered around a shared courtyard. Onsitestudio analyzes the formal and functional contradictions in the “newly invented tradition” of a sports facility: the ‘'Sassuolo Training Centre'’. Jean-Benoît Vétillard Architecture presents six design iterations before arriving at the final scheme for ‘Maison Nana’. Andreas Angelidakis shares an extensive archive of concrete façade studies and other architectural objects for a ‘'House in Evia'’.
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journals and magazines
journals and magazines
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August 2025
August 2025
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Magazines
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books
books
Title:
Nouveau projet 30
Nouveau projet 30
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Le nouveau numéro est maintenant disponible à la librairie.
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Le nouveau numéro est maintenant disponible à la librairie.
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Nouveau projet 30
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Le nouveau numéro est maintenant disponible à la librairie.
Nouveau projet 30
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Le nouveau numéro est maintenant disponible à la librairie.
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August 2025
August 2025
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Title:
A+U 665 26:02 Thomas Phifer
A+U 665 26:02 Thomas Phifer
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Thomas Phifer is an award-winning American architect based in New York City. As seen in the ten houses and twelve cultural buildings featured in this monographic issue, the architect’s work engages with the landscape in a manner that is deeply respectful. Whether in the operable sunshades in Taghkanic House, the thick concrete eaves overhanging the ephemeral walls of(...)
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Thomas Phifer is an award-winning American architect based in New York City. As seen in the ten houses and twelve cultural buildings featured in this monographic issue, the architect’s work engages with the landscape in a manner that is deeply respectful. Whether in the operable sunshades in Taghkanic House, the thick concrete eaves overhanging the ephemeral walls of(...)
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A+U 665 26:02 Thomas Phifer
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Thomas Phifer is an award-winning American architect based in New York City. As seen in the ten houses and twelve cultural buildings featured in this monographic issue, the architect’s work engages with the landscape in a manner that is deeply respectful. Whether in the operable sunshades in Taghkanic House, the thick concrete eaves overhanging the ephemeral walls of Hudson Valley House III, or the complexly multilayered canopy of Moody Amphitheater, the quiet, contemplative quality of Phifer’s approach emerges from a scientific understanding of site, climate, and light. Insightful essays by Susana Ventura and the architect himself complete this engrossing profile.
A+U 665 26:02 Thomas Phifer
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Thomas Phifer is an award-winning American architect based in New York City. As seen in the ten houses and twelve cultural buildings featured in this monographic issue, the architect’s work engages with the landscape in a manner that is deeply respectful. Whether in the operable sunshades in Taghkanic House, the thick concrete eaves overhanging the ephemeral walls of Hudson Valley House III, or the complexly multilayered canopy of Moody Amphitheater, the quiet, contemplative quality of Phifer’s approach emerges from a scientific understanding of site, climate, and light. Insightful essays by Susana Ventura and the architect himself complete this engrossing profile.
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books
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February 2026
February 2026
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Magazines
Magazines
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael(...)
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael(...)
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Magazines
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May 2025
May 2025
Title:
NYRA 46-47: New York Review of Architecture issue #46-47
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael Friedrich, AJ Artemel, Travis Diehl, Moze Halperin, Mark Krotov, Marianela D’Aprile, Michael Casper, Jessica Fletcher, Owen Hatherley, Christopher Hawthorne, Nolan Kelly, Phil Coldiron, Allison Hewitt Ward, Jake Romm, Huw Lemmey, Charlie Dulik, Nicolas Kemper, Clare Fentress, Lari Rutschmann, Ian Volner, Sue Park, & Willa Glickman
NYRA 46-47: New York Review of Architecture issue #46-47
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The latest issue of NYRA, with contributions by: Max Rivlin-Nadler, Ellie Glass, Aaron Timms, Thomas de Monchaux, Timothy Rohan, Samuel Stein, Cea Weaver, Jonathan Tarleton, Danielle Jackson, Moses Gates, Whitney Mallett, Olivia Oldham, Eric Schwartau, Sophie van Well Groeneveld, Justin Beal, Andreas Petrossiants, Elvia Wilk, Greta Rainbow, Francis Northwood, Michael Friedrich, AJ Artemel, Travis Diehl, Moze Halperin, Mark Krotov, Marianela D’Aprile, Michael Casper, Jessica Fletcher, Owen Hatherley, Christopher Hawthorne, Nolan Kelly, Phil Coldiron, Allison Hewitt Ward, Jake Romm, Huw Lemmey, Charlie Dulik, Nicolas Kemper, Clare Fentress, Lari Rutschmann, Ian Volner, Sue Park, & Willa Glickman
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books
books
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May 2025
May 2025
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Magazines
Magazines
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering(...)
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering(...)
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AV Monographs 275: Christ & Gantenbein
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering expansion of the Swiss National Museum to recent proposals for art museums in Barcelona and Antwerp. Accompanied by a text by Reto Geiser, it offers reflections on the intellectual intensity and geometric perseverance with which the architects approach their interventions, regardless of scale, function, or material.
AV Monographs 275: Christ & Gantenbein
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This edition is dedicated to the work of the Swiss firm Christ & Gantenbein, and in particular the material aspects of their architecture. Emanuel Christ and Christoph Gantenbein opened their office in Basel in 1998, immediately after completing their studies at ETH Zurich. A chronological overview of their fundamental works since is provided, from the pioneering expansion of the Swiss National Museum to recent proposals for art museums in Barcelona and Antwerp. Accompanied by a text by Reto Geiser, it offers reflections on the intellectual intensity and geometric perseverance with which the architects approach their interventions, regardless of scale, function, or material.
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books
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September 2025
September 2025
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Magazines
Magazines
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined,(...)
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined,(...)
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AV Monographs 276: Houses of the Year 2025
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined, expand the expressive and constructive possibilities of each one of them. From the vernacular to the experimental, from the Alpine cabin to the urban dwelling, these houses show how material becomes an expressive tool, capable of linking up with the context, the climate, and the landscape.
AV Monographs 276: Houses of the Year 2025
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The house is a fertile ground for architectural experimentation: a space for innovation where technical solutions, aesthetic alternatives, and new ways of dwelling are tried out. AV Monographs 276 gathers sixteen projects built in diverse geographical and cultural contexts, organized around for key materials – wood, earth, concrete, and metal – which, when combined, expand the expressive and constructive possibilities of each one of them. From the vernacular to the experimental, from the Alpine cabin to the urban dwelling, these houses show how material becomes an expressive tool, capable of linking up with the context, the climate, and the landscape.
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books
books
Publication:
September 2025
September 2025
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Title:
Texte zur kunst #139: Sports
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte(...)
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Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
Texte zur kunst #139: Sports
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Johan Huizinga’s phrase "magic circle" circumscribes cultural fields whose logic manifests itself in rules and rituals that mark a distance from normative societal orders. At the same time, the economic and political realities surrounding the "magic circle" act upon it, are renegotiated within it, and sometimes result in rule changes of the sort that this issue of Texte zur kunst scrutinizes by comparing two of the practices Huizing approaches with his concept: art and sports. The contributions examine a variety of historical moments and cultural phenomena, including Impressionism’s revolt against the academic disciplining of art; physical-performance-focused artistic practices that dismantle misogynistic traditions; platform capitalism’s effects on the politics of the body supported by digital technology; and the use of technically generated imagery to enforce fairness in sports competition.
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books
books
Publication:
September 2025
September 2025
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Magazines
Magazines
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books
books
Title:
Log 64: summer 2025
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the(...)
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the(...)
Title:
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the concern of Dan Spiegel and Megumi Aihara. Clark Thenhaus manipulates 3D printed concrete, Zak Garone Leazer and Fernando Garrido Carreras interrogate stone, Salmaan Craig addresses the properties of heat, and Andrea Machado Romero and Eric Kyle Cheung pose maintenance as a design question. The envelopes of heating and cooling plants are analyzed by Daniel Jacobs and Brittany Utting; Mohamed Sharif heralds SO – IL’s rejection of the double-loaded apartment building corridor; and Anna Neimark celebrates Gehry Associates return to a Brutalist architecture in homes for veterans in West Los Angeles.
Log 64: summer 2025
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As guest editor Emmett Zeifman wrote in his prompt for Toward a Newer Brutalism, or the Undecorated Shed, “Log 64 appropriates New Brutalism as a found theory of architecture that looks like exactly what it is made of.” To wit, Matthew Au, David Eskenazi, Mira Henry, Mireia Luzárraga and Débora Mesa discuss the assembly of materials, while material flammability is the concern of Dan Spiegel and Megumi Aihara. Clark Thenhaus manipulates 3D printed concrete, Zak Garone Leazer and Fernando Garrido Carreras interrogate stone, Salmaan Craig addresses the properties of heat, and Andrea Machado Romero and Eric Kyle Cheung pose maintenance as a design question. The envelopes of heating and cooling plants are analyzed by Daniel Jacobs and Brittany Utting; Mohamed Sharif heralds SO – IL’s rejection of the double-loaded apartment building corridor; and Anna Neimark celebrates Gehry Associates return to a Brutalist architecture in homes for veterans in West Los Angeles.
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books
books
Publication:
July 2025
July 2025
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Magazines
Magazines
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books
books
Title:
Vie des arts, no 278
Vie des arts, no 278
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs(...)
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs(...)
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Vie des arts, no 278
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs œuvres, en apparence déroutantes ou trompeuses, recèlent des vérités sensibles. À ces explorations visuelles s’ajoutent les contributions essentielles de chercheur·se·s et d’auteur·rice·s — Catherine Barnabé, Raphaël Ouellet, Lynn Bannon et Celina Van Dembroucke — dont les textes, rigoureux et incarnés, enrichissent les lectures possibles du simulacre en puisant dans des corpus variés, des études de cas, des contextes historiques ou contemporains.
Vie des arts, no 278
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Les artistes présenté·e·s dans ce numéro — Valérie Blass, Natascha Niederstrass, Dominic Lafontaine et Michel Huneault — explorent, chacun·e à leur manière, les contours et les tensions du simulacre. Par leurs gestes, leurs choix formels, leurs engagements, ils et elles nous placent face à l’artifice, à l’ambiguïté, à la fracture entre le réel et sa représentation. Leurs œuvres, en apparence déroutantes ou trompeuses, recèlent des vérités sensibles. À ces explorations visuelles s’ajoutent les contributions essentielles de chercheur·se·s et d’auteur·rice·s — Catherine Barnabé, Raphaël Ouellet, Lynn Bannon et Celina Van Dembroucke — dont les textes, rigoureux et incarnés, enrichissent les lectures possibles du simulacre en puisant dans des corpus variés, des études de cas, des contextes historiques ou contemporains.
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books
books
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September 2025
September 2025
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Magazines
Magazines
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books
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause(...)
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause(...)
Title:
The Funambulist no.61: Ten years of the Funambulist
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause to reflect on our trajectory. Rather than engaging in a self-congratulatory exercise, this September-October 2025 issue favors an introspective one, insisting on what we could have done better this past decade. This is how we asked ten loyal readers (some of whom are also contributors to the magazine) to play the role of editors in this issue, and commission a piece on a topic they feel has been remarkably missing from our first 60 issues’ editorial line.
The Funambulist no.61: Ten years of the Funambulist
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On August 13, 2015, in the e-flux headquarters in New York’s Lower East Side, Léopold, alongside contributors and friends Sadia Shirazi, geunsaeng ahn, and Minh-Ha T. Pham, launched The Funambulist magazine, after five years of existence of The Funambulist as a blog (and later, a podcast). Ten years later, we propose an issue to celebrate this anniversary and take a pause to reflect on our trajectory. Rather than engaging in a self-congratulatory exercise, this September-October 2025 issue favors an introspective one, insisting on what we could have done better this past decade. This is how we asked ten loyal readers (some of whom are also contributors to the magazine) to play the role of editors in this issue, and commission a piece on a topic they feel has been remarkably missing from our first 60 issues’ editorial line.
Form:
books
books
Publication:
September 2025
September 2025
Subject:
Magazines
Magazines
