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À travers quatre échanges épistolaires, Thierry Chancogne et Richard Niessen abordent les principes et le enjeux du « Palais de la maçonnerie typographique », projet initié en 2014 par le graphiste néerlandais comme une architecture imaginaire entièrement consacrée à la variété, à l'abondance, aux digressions et à la poésie des expressions graphiques.
Faire – Regarder le graphisme n° 50 – Un site : Palais de la maçonnerie typographique
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À travers quatre échanges épistolaires, Thierry Chancogne et Richard Niessen abordent les principes et le enjeux du « Palais de la maçonnerie typographique », projet initié en 2014 par le graphiste néerlandais comme une architecture imaginaire entièrement consacrée à la variété, à l'abondance, aux digressions et à la poésie des expressions graphiques.
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Inter art actuel 145
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"Inter art actuel 145" s’intéresse à la dimension matérielle, mais aussi sociopolitique, de notre rapport au monde, notamment à travers les pratiques de détournement de l’usage prescrit des choses, des espaces ou des idées. Ce dossier réunira des contributions concernant des postures ou des actions, à charge artistique ou non, qui peuvent parfois paraître inconsidérées,(...)
Inter art actuel 145
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"Inter art actuel 145" s’intéresse à la dimension matérielle, mais aussi sociopolitique, de notre rapport au monde, notamment à travers les pratiques de détournement de l’usage prescrit des choses, des espaces ou des idées. Ce dossier réunira des contributions concernant des postures ou des actions, à charge artistique ou non, qui peuvent parfois paraître inconsidérées, irraisonnables, voire absurdes, ou indisciplinées, en ce qu’elles ne répondent pas aux critères de notre société, qui prône l’investissement comme mode de vie et la croissance capitalisée comme fin. Une occasion de penser et d’illustrer des pratiques – artistiques, subversives, communautaires, du quotidien, sociales ou ouvertement politiques – qui en manifestant la vie par l’usage participent à inventer et à transformer le monde, tel qu’il nous est accessible.
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AA Files 79
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Launched in 1981 by the AA's then chairman Alvin Boyarsky, the journal appears twice a year and is sent out to members of the Architectural Association and individual subscribers, and is distributed to a global network of bookshops. Currently under the editorship of Maria Shéhérazade Giudici, AA Files looks to promote original and engaging writing on architecture. It does(...)
AA Files 79
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Launched in 1981 by the AA's then chairman Alvin Boyarsky, the journal appears twice a year and is sent out to members of the Architectural Association and individual subscribers, and is distributed to a global network of bookshops. Currently under the editorship of Maria Shéhérazade Giudici, AA Files looks to promote original and engaging writing on architecture. It does this by drawing both on the AA’s own academic research, public program, exhibitions and events, as well as by a rich and eclectic mix of architectural scholarship from all over the world.
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AA Files 80
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AA Files is the Architectural Association (AA) School of Architecture’s journal of record, currently edited by Maria Shéhérazade Giudici. This issue features eleven contributions that put forward different approaches to architectural research, examining issues from land speculation and class construction to future forms of domesticities and reflections on uprootedness.(...)
AA Files 80
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AA Files is the Architectural Association (AA) School of Architecture’s journal of record, currently edited by Maria Shéhérazade Giudici. This issue features eleven contributions that put forward different approaches to architectural research, examining issues from land speculation and class construction to future forms of domesticities and reflections on uprootedness. Throughout, AA Files 80 seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible.
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Welcome to the 58th issue of The Funambulist, dedicated to Palestinian Return/Awda/??????. In its original intentions, as defined in the beginning of 2024, this issue was thought to be published long after a ceasefire in Palestine would have been reached. Anticipating a significant decrease in global mobilization for the Palestinian struggle, this issue was meant to(...)
The Funambulist n.58 : Return
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Welcome to the 58th issue of The Funambulist, dedicated to Palestinian Return/Awda/??????. In its original intentions, as defined in the beginning of 2024, this issue was thought to be published long after a ceasefire in Palestine would have been reached. Anticipating a significant decrease in global mobilization for the Palestinian struggle, this issue was meant to contribute to an effort of re-intensifying of this mobilization. In the end, the genocidal siege on Gaza and its echoes in the West Bank, Lebanon, and Syria have lasted much longer than any of us could have imagined and this issue was produced in a context of duress and despair for many of its contributors. In our context, this issue attempts to re-open our imaginaries of liberation of Palestine, through essays
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AV Proyectos 125 dedicates its cover to social heritage, a concept that includes the conversion of industrial buildings into civic spaces. As Ricardo Flores and Eva Prats point out in the article that accompanies the section, such interventions aim to give new life to the traces – material or immaterial –, that are identified after a careful observation of the existing.(...)
AV Proyectos 125: Social heritage
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AV Proyectos 125 dedicates its cover to social heritage, a concept that includes the conversion of industrial buildings into civic spaces. As Ricardo Flores and Eva Prats point out in the article that accompanies the section, such interventions aim to give new life to the traces – material or immaterial –, that are identified after a careful observation of the existing. And in its further analysis of this theme, the magazine conducts an interview with BURR, the young Madrilenian studio that focusses its practice on the reactivation of unused industrial facilities.
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With issue 126, AV Proyectos closes the first year of its new phase, during which its covers have highlighted the most pertinent technical, social, and symbolic themes in the present moment of architecture. This new issue gathers projects that can be associated with abstraction, accompanied by the review of the latest essay by Pier Vittorio Aureli and an interview with(...)
AV Proyectos 126: Ultima abstracci
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With issue 126, AV Proyectos closes the first year of its new phase, during which its covers have highlighted the most pertinent technical, social, and symbolic themes in the present moment of architecture. This new issue gathers projects that can be associated with abstraction, accompanied by the review of the latest essay by Pier Vittorio Aureli and an interview with professor Marina Otero, in which she discusses the abstract revolution of data from the perspective of architecture.
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Founded in 1994, the Barcelona-based studio Miralles Tagliabue EMBT – directed by Benedetta Tagliabue since the premature death of Enric Miralles in 2000 – stands out for a creative process that is characterized by its poetic approach and the attention to the context, history, and culture of each place, and which produces an architecture strongly attached to the genius(...)
AV Monographs 267: Miralles Tagliabue EMBT 1994-2024
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Founded in 1994, the Barcelona-based studio Miralles Tagliabue EMBT – directed by Benedetta Tagliabue since the premature death of Enric Miralles in 2000 – stands out for a creative process that is characterized by its poetic approach and the attention to the context, history, and culture of each place, and which produces an architecture strongly attached to the genius loci and formally inspired by nature. To mark the firm’s thirtieth anniversary, the magazine AV Monographs gathers a selection of eighteen works spanning from the beginnings in Barcelona and its metropolitan area.
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Upon completing forty years of existence, AV Monographs publishes the second issue of its international Portfolio, which features the most prominent buildings finished abroad, complementing the already classic Spain Yearbook. This time the twelve works are grouped under the intelligible Vitruvian order, where firmitas highlights the structural nakedness of the projects by(...)
AV Monographs 270: Portfolio 2024
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Upon completing forty years of existence, AV Monographs publishes the second issue of its international Portfolio, which features the most prominent buildings finished abroad, complementing the already classic Spain Yearbook. This time the twelve works are grouped under the intelligible Vitruvian order, where firmitas highlights the structural nakedness of the projects by Christian Kerez in Muharraq, NP2F in Bordeaux, Gustav Düsing+Max Hacke in Brunswick, and Junya Ishigami in Rizhao.
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing(...)
AV Monographs 271-272 : Spain yearbbook 2025
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing recognition Spanish architecture enjoys beyond our borders. Thus, prominent projects like the new stadium of the Real Madrid, by L35 with gmp and Ribas & Ribas, the refurbishment of the Atarazanas in Seville by Guillermo Vázquez Consuegra, the university building in Pozuelo de Alarcón (Madrid) by Emilio Tuñón, and the Financial Center in Almería by Ayala Arquitectos are published with others like the station by Benedetta Tagliabue in Naples, the museum by Juan Herreros near Buenos Aires, the exhibition center in Liège by Francisco Mangado, the hotel by Nieto Sobejano in Munich, and the building by Barozzi Veiga in Kiefersfelden.
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