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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric(...)
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric(...)
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Magazines
Magazines
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January 2026
January 2026
Title:
Emergence Magazine, Vol.6: Seasons
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric myths, while an unraveling climate causes them to grow increasingly unfamiliar. Reflecting a world where snow no longer arrives, annual migrations fall out of time, yet first blossoms still burst, Seasons, our sixth print edition, moves through three themes: requiem, invitation, and celebration—each a contemplation on the paradoxical ways the seasons now beckon us into intimate relationship. This collection of haiku, essays, short fiction, photography, conversations, and poetry, infused with a spectrum of color and light, listens for the turning song of the seasons—for what vanishes and what remains—attentive to these moments that call us into communion with the Earth.
Emergence Magazine, Vol.6: Seasons
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Like light passing through a prism to reveal its many colors, the myriad expressions of the Earth unfold through the seasons. We’ve long moved with their simple and sacred rhythm; they are the primary gateway through which the human engages with cycles of creation, destruction, and renewal. But today we estrange ourselves from the seasons with technology and human-centric myths, while an unraveling climate causes them to grow increasingly unfamiliar. Reflecting a world where snow no longer arrives, annual migrations fall out of time, yet first blossoms still burst, Seasons, our sixth print edition, moves through three themes: requiem, invitation, and celebration—each a contemplation on the paradoxical ways the seasons now beckon us into intimate relationship. This collection of haiku, essays, short fiction, photography, conversations, and poetry, infused with a spectrum of color and light, listens for the turning song of the seasons—for what vanishes and what remains—attentive to these moments that call us into communion with the Earth.
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journals and magazines
journals and magazines
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January 2026
January 2026
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Magazines
Magazines
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books
books
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Festina Lente n.04
Festina Lente n.04
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Le quatrième et dernier numéro de la revue qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art La Criée à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales, s'articule(...)
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Le quatrième et dernier numéro de la revue qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art La Criée à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales, s'articule(...)
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Festina Lente n.04
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Le quatrième et dernier numéro de la revue qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art La Criée à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales, s'articule autour de nos liens au passé.
Festina Lente n.04
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Le quatrième et dernier numéro de la revue qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art La Criée à Rennes, imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales, s'articule autour de nos liens au passé.
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books
books
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January 2026
January 2026
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Magazines
Magazines
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books
books
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Accattone n.09
Accattone n.09
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne(...)
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne(...)
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Accattone n.09
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne construction troglodytique, des toilettes recouvertes de plumes d'oie, des voitures enfouies sous l'asphalte, des faux ongles, des murs en gabions, des trucs poilus, de la boue, une recette pour des murs et des dalles en béton, une façade en sacs de sable, une théorie nourrie aux vers, une fontaine qui fuit, des fatbergs théoriques et le oui du non.
Accattone n.09
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Accattone 9 rassemble une réflexion sur les fluctuations entre affirmation et déni ainsi que sur les opérations matérielles et conceptuelles liées à la saleté. Ce numéro présente une résidence artistique réassemblée, des meubles fabriqués à partir de matériaux de récupération (et de boulons neufs), de la marqueterie sur cloison sèche, une ferme punk, la plus ancienne construction troglodytique, des toilettes recouvertes de plumes d'oie, des voitures enfouies sous l'asphalte, des faux ongles, des murs en gabions, des trucs poilus, de la boue, une recette pour des murs et des dalles en béton, une façade en sacs de sable, une théorie nourrie aux vers, une fontaine qui fuit, des fatbergs théoriques et le oui du non.
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books
books
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February 2026
February 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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Au cours de l’été 2025, neuf États occidentaux ont officiellement reconnu l’État de Palestine. Cette reconnaissance par les États et la résurrection de la « solution à deux États » moribonde, s’accompagnent d’une criminalisation des appels à la libération de la Palestine « du Jourdain à la Mer ». Ce numéro pose la question suivante : la libération peut-elle prendre la(...)
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Au cours de l’été 2025, neuf États occidentaux ont officiellement reconnu l’État de Palestine. Cette reconnaissance par les États et la résurrection de la « solution à deux États » moribonde, s’accompagnent d’une criminalisation des appels à la libération de la Palestine « du Jourdain à la Mer ». Ce numéro pose la question suivante : la libération peut-elle prendre la(...)
Title:
The Funambulist No. 64 FR : La solution sans état
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Au cours de l’été 2025, neuf États occidentaux ont officiellement reconnu l’État de Palestine. Cette reconnaissance par les États et la résurrection de la « solution à deux États » moribonde, s’accompagnent d’une criminalisation des appels à la libération de la Palestine « du Jourdain à la Mer ». Ce numéro pose la question suivante : la libération peut-elle prendre la forme d’un État ? Reprenant une expression que Sophia Azeb a utilisée à plusieurs reprises dans l’histoire du Funambulist (depuis notre première conversation en 2014), « La Solution Sans État » entend revisiter ce concept dans le contexte palestinien en remettant en question l’idée même de « solution » (Sophia Azeb & Rebecca Gross), mais aussi dans d’autres luttes de libération telles que celles des peuples kurdes (Havin Guneser) et des Zapatista (Linda Quiquivix). Il nous met en garde contre les rêves étatiques, tels que ceux mis en œuvre en Sierra Leone et au Liberia (ce que William C. Anderson appelle le « sionisme noir » dans sa contribution), et s’interroge sur les différences entre les formes de gouvernance étatiques et celles communautaires, en particulier en matière de santé, comme le montrent les exemples de Cuba et du Venezuela (Lisbeth Moya González). Enfin, il envisage ce à quoi pourrait ressembler des futurs sans frontières et sans États à Aotearoa-Nouvelle Zélande (Kai-rui Cheng) et en Kanaky (Florenda Nirikani). Quant à l’illustration de la couverture, il s’agit d’une création originale de Samir Harb.
The Funambulist No. 64 FR : La solution sans état
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Au cours de l’été 2025, neuf États occidentaux ont officiellement reconnu l’État de Palestine. Cette reconnaissance par les États et la résurrection de la « solution à deux États » moribonde, s’accompagnent d’une criminalisation des appels à la libération de la Palestine « du Jourdain à la Mer ». Ce numéro pose la question suivante : la libération peut-elle prendre la forme d’un État ? Reprenant une expression que Sophia Azeb a utilisée à plusieurs reprises dans l’histoire du Funambulist (depuis notre première conversation en 2014), « La Solution Sans État » entend revisiter ce concept dans le contexte palestinien en remettant en question l’idée même de « solution » (Sophia Azeb & Rebecca Gross), mais aussi dans d’autres luttes de libération telles que celles des peuples kurdes (Havin Guneser) et des Zapatista (Linda Quiquivix). Il nous met en garde contre les rêves étatiques, tels que ceux mis en œuvre en Sierra Leone et au Liberia (ce que William C. Anderson appelle le « sionisme noir » dans sa contribution), et s’interroge sur les différences entre les formes de gouvernance étatiques et celles communautaires, en particulier en matière de santé, comme le montrent les exemples de Cuba et du Venezuela (Lisbeth Moya González). Enfin, il envisage ce à quoi pourrait ressembler des futurs sans frontières et sans États à Aotearoa-Nouvelle Zélande (Kai-rui Cheng) et en Kanaky (Florenda Nirikani). Quant à l’illustration de la couverture, il s’agit d’une création originale de Samir Harb.
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journals and magazines
journals and magazines
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February 2026
February 2026
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Magazines
Magazines
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books
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
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Summary:
In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used(...)
Title:
The Funambulist 64: The no-state solution
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In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
The Funambulist 64: The no-state solution
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Summary:
In the summer of 2025, nine Western States formally recognized the State of Palestine. This State recognition and the resurrection of the moribund so-called “two-State solution” is combined with a criminalization of calls to liberate Palestine “from the river to the sea.” This issue asks: can liberation ever take the form of a state? Borrowing a phrase Sophia Azeb used multiple times in the history of The Funambulist (since our first conversation in 2014), The No-State Solution intends to revisit this concept in the context of Palestine in challenging the very idea of “solution” (Sophia Azeb & Rebecca Gross), but also in other liberation struggles such as the Kurdish (Havin Guneser) and Zapatista (Linda Quiquivix) ones. It warns us against state dreams, such as the ones implemented in Sierra Leone and Liberia (what William C. Anderson calls “Black Zionism” in his contribution), and questions the differences between State and community forms of governance, in particular when it comes to healthcare, as made evident in Cuba and Venezuela (Lisbeth Moya González). Finally, it envisions borderless, stateless futures in Aotearoa (Kai-rui Cheng) and Kanaky (Florenda Nirikani). As for the artwork on the cover, it is an original creation by Samir Harb.
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books
books
Publication:
March 2026
March 2026
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Magazines
Magazines
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books
books
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$55.95
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Summary:
radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new(...)
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new(...)
Title:
AD 03:95 Reimagining architectural drawing: Print and process
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new works by contemporary architects. Collectively exhibited at A83 under the title ''The Sixth Somewhat Annual Meeting'', these drawings explore ways archival artifacts can be newly activated, how intricate material objects invite non-normative readings, and how shifts in media forms produce complex differential effects. The contributors address these concerns through close engagement with specific works, expanding the conversation between drawing, archive, and publication.
AD 03:95 Reimagining architectural drawing: Print and process
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radition and precedent inspire invention, architectural drawing, and media practice. This issue of AD presents a series of encounters with printed drawings, leading to their transformation and reimagination. Archival media from the John Nichols Printmakers & Publishers Collection, located at the A83 gallery in New York City, becomes the foundation for a series of new works by contemporary architects. Collectively exhibited at A83 under the title ''The Sixth Somewhat Annual Meeting'', these drawings explore ways archival artifacts can be newly activated, how intricate material objects invite non-normative readings, and how shifts in media forms produce complex differential effects. The contributors address these concerns through close engagement with specific works, expanding the conversation between drawing, archive, and publication.
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books
books
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March 2025
March 2025
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Magazines
Magazines
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journals and magazines
journals and magazines
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a+u’s October issue features the recent works of the highly acclaimed Portuguese architect Álvaro Siza Vieira. Active since the late 1960s, Alvaro Siza continues to build across different regions of the world, and each work of architecture reflects consciousness of the collective values of a place. This sensitivity is evident in different scales and material used, such as(...)
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a+u’s October issue features the recent works of the highly acclaimed Portuguese architect Álvaro Siza Vieira. Active since the late 1960s, Alvaro Siza continues to build across different regions of the world, and each work of architecture reflects consciousness of the collective values of a place. This sensitivity is evident in different scales and material used, such as(...)
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October 2025
October 2025
Title:
A + U 661 25:10: Álvaro Siza Vieira
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a+u’s October issue features the recent works of the highly acclaimed Portuguese architect Álvaro Siza Vieira. Active since the late 1960s, Alvaro Siza continues to build across different regions of the world, and each work of architecture reflects consciousness of the collective values of a place. This sensitivity is evident in different scales and material used, such as Clay Pavilion in Mexico, which recalls traditional construction techniques, and Renovation of the Manor Dos Magalhães, which sculpturally integrates new landscaped terraces with the critical function of the building, yet makes no unnecessary changes to the façade of the ruin. In addition to 16 recent works, architect and writer Nuno Grande composes a “poem to Porto,” which highlights 5 of the most influential projects by Alvaro Siza in his beloved city.
A + U 661 25:10: Álvaro Siza Vieira
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a+u’s October issue features the recent works of the highly acclaimed Portuguese architect Álvaro Siza Vieira. Active since the late 1960s, Alvaro Siza continues to build across different regions of the world, and each work of architecture reflects consciousness of the collective values of a place. This sensitivity is evident in different scales and material used, such as Clay Pavilion in Mexico, which recalls traditional construction techniques, and Renovation of the Manor Dos Magalhães, which sculpturally integrates new landscaped terraces with the critical function of the building, yet makes no unnecessary changes to the façade of the ruin. In addition to 16 recent works, architect and writer Nuno Grande composes a “poem to Porto,” which highlights 5 of the most influential projects by Alvaro Siza in his beloved city.
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journals and magazines
journals and magazines
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October 2025
October 2025
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books
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$182.00
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and(...)
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and(...)
Title:
El Croquis 233 : Manuel Cervantes 2018 - 2026
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and infrastructure, its projects balance innovation with restraint, seeking synthesis through structural clarity and environmental responsibility. Founded by Manuel Cervantes Céspedes, the practice bridges design, research, and teaching, and is recognised as a leading voice in contemporary Mexican architecture.
El Croquis 233 : Manuel Cervantes 2018 - 2026
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Since 2004, Manuel Cervantes Estudio has approached architecture as a dialogue with territory, culture, and time. Driven by exploration, the studio develops processes rooted in research, observation, and the distillation of local conditions – climate, materials, craft, and everyday life – into clear and essential forms. Ranging from social housing to pavilions and infrastructure, its projects balance innovation with restraint, seeking synthesis through structural clarity and environmental responsibility. Founded by Manuel Cervantes Céspedes, the practice bridges design, research, and teaching, and is recognised as a leading voice in contemporary Mexican architecture.
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books
books
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January 2026
January 2026
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Magazines
Magazines
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books
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les(...)
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les(...)
Title:
Liberté n. 350 : Brèches antifascistes II
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les solidarités, nous avons découpé ce souhait en deux gestes, deux numéros. Mais ils ne sont pas que compatibles: ils ne fonctionnent pas l’un sans l’autre. La colère, le dégoût, la joie, la honte sont nécessaires à tout élan de survie. L’entraide aussi. Nous n’arrivons pas à imaginer d’où pourrait venir l’insurrection, parce que les espaces pour l’organiser manquent. Comment les (re) créer et avec celleux qui sont seul·es, abandonné·es ou encore marginalisé·es? Qui inviterez-vous pour élargir le cercle?
Liberté n. 350 : Brèches antifascistes II
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Si dans le dossier du numéro précédent nous cherchions des voies d’accès vers tous les affects susceptibles de nous sortir de la torpeur, dans celui-ci, nous abordons la réflexion d’un point de vue plus stratégique, intéressé·es par le refus d’être divisibles. Puisque nous étions tendu·es entre la nécessité forte de riposter et le désir poignant de construire les solidarités, nous avons découpé ce souhait en deux gestes, deux numéros. Mais ils ne sont pas que compatibles: ils ne fonctionnent pas l’un sans l’autre. La colère, le dégoût, la joie, la honte sont nécessaires à tout élan de survie. L’entraide aussi. Nous n’arrivons pas à imaginer d’où pourrait venir l’insurrection, parce que les espaces pour l’organiser manquent. Comment les (re) créer et avec celleux qui sont seul·es, abandonné·es ou encore marginalisé·es? Qui inviterez-vous pour élargir le cercle?
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books
books
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March 2026
March 2026
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Magazines
Magazines
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books
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a(...)
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a(...)
Title:
Texte zur kunst #141 : misogyny
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a deep-seated, albeit often unconscious, derogatory attitude toward women. In doing so, the focus is on how this attitude is manifested in literature, art, and pop culture, as well in prevailing media and sociopolitical conditions.
Texte zur kunst #141 : misogyny
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The current boom in misogynistic dynamics and topoi builds on a long tradition of gender discrimination against women while also – as this issue argues – exploiting recent technological and political developments. Rather than examining individual sexist practices or remarks in isolation, our current issue addresses misogyny as a cross-cultural phenomenon that expresses a deep-seated, albeit often unconscious, derogatory attitude toward women. In doing so, the focus is on how this attitude is manifested in literature, art, and pop culture, as well in prevailing media and sociopolitical conditions.
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books
books
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
