2959 Results
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Text and interview by Alison Harley. The CCA Bookstore does now carry all available recent and future issues of 'Werk' magazine.
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Text and interview by Alison Harley. The CCA Bookstore does now carry all available recent and future issues of 'Werk' magazine.
Title:
Werk no. 16 Joe Magee special
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Text and interview by Alison Harley. The CCA Bookstore does now carry all available recent and future issues of 'Werk' magazine.
Werk no. 16 Joe Magee special
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Text and interview by Alison Harley. The CCA Bookstore does now carry all available recent and future issues of 'Werk' magazine.
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journals and magazines
journals and magazines
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October 2008, Singapore
October 2008, Singapore
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Magazines
Magazines
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journals and magazines
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui(...)
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui(...)
Title:
The Funambulist 66 : Au-delà du sud global
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui caractérisent ce regroupement. Il incarne également souvent une entité qui n’existe qu’en dépendance de son alter ego, le Nord global. À ce titre, il nie toute forme d’agentivité aux peuples désignés comme « le Sud » indépendamment de leur relation au « Nord », comme nous l’examinons dans le cas de la guerre dans l’est du Congo (Josaphat Musamba). Le binarisme Sud/Nord désigne également les frontières comme des lignes (plutôt que comme des régimes opérant de part et d’autre de ces lignes) et essentialise la différence entre les deux côtés. Peut-on appréhender la noirceur et l’autochtonie en Abya Yala sans une scission fondamentale au niveau de la ligne coloniale qui sépare l’Amérique du Nord de l’Amérique centrale et du Sud (Ashley Ngozi Agbasoga) ? L’histoire de la Corée du 20e siècle peut-elle nous montrer que la ligne qui sépare actuellement le Nord (généralement présenté comme faisant partie du Sud global) et le Sud (généralement présenté comme faisant partie du Nord global) illustre particulièrement le manque de complexité du cadre Nord/Sud (Lina Eunji Chang et Andrei-Sergei Kim) ? Quel type de violence coloniale le Mouvement des pays non alignés rend-il invisible en Papouasie occidentale (Quito Swan), au Cachemire (Choakkeladd) ou au Sahara occidental (Buhari Lehbib) et, à l’inverse, quel type de solidarités a-t-il permis depuis la Yougoslavie (Dubravka Sekulic et Sanja Horvatincic) ? Et, surtout, comment pouvons-nous rendre justice à la complexité de nos politiques en étant capables de concilier deux vérités contradictoires, comme nous le rappelle Micol Meghnagi dans le contexte de la Libye de Kadhafi et du panarabisme ? Quant à l’illustration de couverture, il s’agit d’une peinture de l’artiste parisienne guyanaise Johanna Mirabel.
The Funambulist 66 : Au-delà du sud global
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui caractérisent ce regroupement. Il incarne également souvent une entité qui n’existe qu’en dépendance de son alter ego, le Nord global. À ce titre, il nie toute forme d’agentivité aux peuples désignés comme « le Sud » indépendamment de leur relation au « Nord », comme nous l’examinons dans le cas de la guerre dans l’est du Congo (Josaphat Musamba). Le binarisme Sud/Nord désigne également les frontières comme des lignes (plutôt que comme des régimes opérant de part et d’autre de ces lignes) et essentialise la différence entre les deux côtés. Peut-on appréhender la noirceur et l’autochtonie en Abya Yala sans une scission fondamentale au niveau de la ligne coloniale qui sépare l’Amérique du Nord de l’Amérique centrale et du Sud (Ashley Ngozi Agbasoga) ? L’histoire de la Corée du 20e siècle peut-elle nous montrer que la ligne qui sépare actuellement le Nord (généralement présenté comme faisant partie du Sud global) et le Sud (généralement présenté comme faisant partie du Nord global) illustre particulièrement le manque de complexité du cadre Nord/Sud (Lina Eunji Chang et Andrei-Sergei Kim) ? Quel type de violence coloniale le Mouvement des pays non alignés rend-il invisible en Papouasie occidentale (Quito Swan), au Cachemire (Choakkeladd) ou au Sahara occidental (Buhari Lehbib) et, à l’inverse, quel type de solidarités a-t-il permis depuis la Yougoslavie (Dubravka Sekulic et Sanja Horvatincic) ? Et, surtout, comment pouvons-nous rendre justice à la complexité de nos politiques en étant capables de concilier deux vérités contradictoires, comme nous le rappelle Micol Meghnagi dans le contexte de la Libye de Kadhafi et du panarabisme ? Quant à l’illustration de couverture, il s’agit d’une peinture de l’artiste parisienne guyanaise Johanna Mirabel.
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journals and magazines
journals and magazines
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July 2026
July 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only(...)
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only(...)
Title:
The Funambulist 66: Beyond the global South
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only exists dependent on its alter ego, the Global North. As such, it denies any form of agency to the peoples designated as “the South” independently from their relationship to the “North,” as we examine in the case of the war in the eastern Congo (Josaphat Musamba). The South/North binary also designates borders as lines (rather than as regimes operating on both sides of these lines) and essentializes the difference between sides. Can Blackness and Indigeneity in Abya Yala be read without a fundamental split at the settler colonial line that separates North and Central-South Americas (Ashley Ngozi Agbasoga)? Can 20th century Korea’s history show us that the line that currently separates the north (usually presented as part of the Global South) and the south (usually presented as part of the Global North) particularly illustrates the North/South framework’s lack of complexity (Lina Eunji Chang and Andrei-Sergei Kim)? What kind of colonial violence the Non-Aligned Movement invisibilizes in West Papua (Quito Swan), in Kashmir (Choakkeladd) or Western Sahara (Buhari Lehbib) and, in contrast, what kind of solidarities it allowed from Yugoslavia (Dubravka Sekulic and Sanja Horvatincic)? And, crucially, how can we honor the complexity of politics by being able to hold two contradictory truths together as Micol Meghnagi reminds us in the context of Gaddafi’s Libya and Pan-Arabism.
The Funambulist 66: Beyond the global South
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With this issue, the funambulist offers a critique of their own framework of knowledge production. The concept of “Global South” has been turned into a handy word to lazily designate two-thirds of the world’s earthly area and 90% of its population, thus flattening the millions of specificities that characterize this grouping. It also often embodies an entity that only exists dependent on its alter ego, the Global North. As such, it denies any form of agency to the peoples designated as “the South” independently from their relationship to the “North,” as we examine in the case of the war in the eastern Congo (Josaphat Musamba). The South/North binary also designates borders as lines (rather than as regimes operating on both sides of these lines) and essentializes the difference between sides. Can Blackness and Indigeneity in Abya Yala be read without a fundamental split at the settler colonial line that separates North and Central-South Americas (Ashley Ngozi Agbasoga)? Can 20th century Korea’s history show us that the line that currently separates the north (usually presented as part of the Global South) and the south (usually presented as part of the Global North) particularly illustrates the North/South framework’s lack of complexity (Lina Eunji Chang and Andrei-Sergei Kim)? What kind of colonial violence the Non-Aligned Movement invisibilizes in West Papua (Quito Swan), in Kashmir (Choakkeladd) or Western Sahara (Buhari Lehbib) and, in contrast, what kind of solidarities it allowed from Yugoslavia (Dubravka Sekulic and Sanja Horvatincic)? And, crucially, how can we honor the complexity of politics by being able to hold two contradictory truths together as Micol Meghnagi reminds us in the context of Gaddafi’s Libya and Pan-Arabism.
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
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books
books
Title:
Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en(...)
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en(...)
Title:
Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en circulation, proposant une double référence : « Medium is the message », « Style is the message ». La citation chez Lineto est une forme qui permet de diffuser le catalogue typographique en empruntant à divers champs culturels : « Ignorance of your own culture is not considered cool ! ».
Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en circulation, proposant une double référence : « Medium is the message », « Style is the message ». La citation chez Lineto est une forme qui permet de diffuser le catalogue typographique en empruntant à divers champs culturels : « Ignorance of your own culture is not considered cool ! ».
Form:
books
books
Publication:
June 2026
June 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit,(...)
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit,(...)
Title:
Mousse 96, 2006-2026: A visual record
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit, flower, and vegetable paintings of Giuseppe Arcimboldo (who features in 2666 as a character). It suggested an act of reading as collective practice: "Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach," Bolan~o says.
Mousse 96, 2006-2026: A visual record
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit, flower, and vegetable paintings of Giuseppe Arcimboldo (who features in 2666 as a character). It suggested an act of reading as collective practice: "Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach," Bolan~o says.
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
The Plant issue 24
The Plant issue 24
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la(...)
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la(...)
Title:
The Plant issue 24
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la Iglesia, Annelie Brujin, Gemma Janes, Takuhito Kawashima, Deo Suveera and Pamela Dimitrov, AiHeMei, TIWA Select, Stella Berkofsky, Matthew McLean, Rosy Head, Alex McIntosh, Frederik Bille Brahe, François Gravel... and many more!
The Plant issue 24
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la Iglesia, Annelie Brujin, Gemma Janes, Takuhito Kawashima, Deo Suveera and Pamela Dimitrov, AiHeMei, TIWA Select, Stella Berkofsky, Matthew McLean, Rosy Head, Alex McIntosh, Frederik Bille Brahe, François Gravel... and many more!
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
The Plant issue 25
The Plant issue 25
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you(...)
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you(...)
Title:
The Plant issue 25
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you to take unexplored paths.'’ More pictorial than ever, flowers abound in this issue: Federico Torra documents flowers emerging against moody '‘just-after winter'’ skies while Peter Jordanov captures the vibrant florals of Tuscany accompanied by a Botanical glossary. Elsewhere, readers are invited on a walk through the grounds of Fondation Beyeler with their Botanical Curator Rahel Kesselring.
The Plant issue 25
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you to take unexplored paths.'’ More pictorial than ever, flowers abound in this issue: Federico Torra documents flowers emerging against moody '‘just-after winter'’ skies while Peter Jordanov captures the vibrant florals of Tuscany accompanied by a Botanical glossary. Elsewhere, readers are invited on a walk through the grounds of Fondation Beyeler with their Botanical Curator Rahel Kesselring.
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journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
Form:
books
books
Title:
Real Review 18 spring 2026
Real Review 18 spring 2026
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are(...)
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are(...)
Title:
Real Review 18 spring 2026
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are inextricably bound—both in the exercise of political authority, and the mobilisation of the masses: '‘To pretend means to ‘lay claim’—to stretch forward and take hold of what we want, as if it already existed, or were already ours. To pretend is thus to call forth another reality and create truth through the power of conviction alone. It is fashionable to ridicule performative gestures as ineffective posturing. Yet this is literally the only way new societies come into being.’'
Real Review 18 spring 2026
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are inextricably bound—both in the exercise of political authority, and the mobilisation of the masses: '‘To pretend means to ‘lay claim’—to stretch forward and take hold of what we want, as if it already existed, or were already ours. To pretend is thus to call forth another reality and create truth through the power of conviction alone. It is fashionable to ridicule performative gestures as ineffective posturing. Yet this is literally the only way new societies come into being.’'
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books
books
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Pica 17p0 : Déconstruction
Pica 17p0 : Déconstruction
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
Title:
Pica 17p0 : Déconstruction
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
Pica 17p0 : Déconstruction
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
Form:
journals and magazines
journals and magazines
Publication:
July 2026
July 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private(...)
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private(...)
Title:
A+U 666 26:03: Living in London
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private development. Guest-edited by Andrew Clancy and Marwa el Mubark, the projects presented here revisit typical architectural programmes. Through diverse approaches and ranging from terrace house and warehouse renovations to adaptive reuse, all contribute to the complexity and enduring fascination of this city.
A+U 666 26:03: Living in London
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private development. Guest-edited by Andrew Clancy and Marwa el Mubark, the projects presented here revisit typical architectural programmes. Through diverse approaches and ranging from terrace house and warehouse renovations to adaptive reuse, all contribute to the complexity and enduring fascination of this city.
Form:
journals and magazines
journals and magazines
Publication:
March 2026
March 2026
Subject:
Magazines
Magazines
