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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first(...)
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first(...)
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Emergence Magazine vol. 5: Time
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first hardcover edition, journeys through the many landscapes of Time: deep time, geological time, kinship time, ancestral time, sacramental time. If we can recognize a different kind of Time, can we come to dwell within it?
Emergence Magazine vol. 5: Time
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In an unraveling world we must begin to reimagine our most foundational ways of being. And what is more foundational than Time? Separated from the fabric of the cosmos, the vast mystery of Time has been distilled into a tool of control. But what kind of Time listens and moves in tune with the Earth; travels not in a straight line, but in a circle? Time, our first hardcover edition, journeys through the many landscapes of Time: deep time, geological time, kinship time, ancestral time, sacramental time. If we can recognize a different kind of Time, can we come to dwell within it?
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journals and magazines
journals and magazines
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October 2024
October 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los(...)
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los(...)
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Kolaj #40
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los Angeles artist Wendy Tigerman‘s collaborative book of dog collages.
Kolaj #40
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Kolaj Magazine exists to report on the International Collage Community. In this issue’s round-up of collage news, we report on Australian collagist Steve Tierney‘s new large scale collages that draw inspiration from photojournalism of the 1950s and 60s; Finnish collagist Riikka Fransila‘s large, 3D collage on the walls of Akateeminen Kirjakauppa in Helsinki; and Los Angeles artist Wendy Tigerman‘s collaborative book of dog collages.
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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books
books
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et(...)
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et(...)
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A'A' 462 : L'eau, bien commun / Water, Common Good
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et politique, l’eau se dérobe à la propriété : on la pensait anéantie par les gestes de l’anthropocène, elle revient toujours à la surface. Invité·es par AA, les paysagistes, architectes, mais aussi artistes, philosophes et scientifiques disent leur amour pour cet élément qu’on aurait tort d’enterrer.
A'A' 462 : L'eau, bien commun / Water, Common Good
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C’est prenant en compte l’eau d’abord comme une ressource limitée que ce nouveau numéro de ''L’Architecture d’Aujourd’hui'' entend traiter la question du précieux liquide. Peut-on construire sans eau ? Doit-on encore dompter son parcours ? Comment l’architecture, l’urbanisme et le paysage peuvent-ils participer à rendre l’eau à la communauté ? Sujet poétique et politique, l’eau se dérobe à la propriété : on la pensait anéantie par les gestes de l’anthropocène, elle revient toujours à la surface. Invité·es par AA, les paysagistes, architectes, mais aussi artistes, philosophes et scientifiques disent leur amour pour cet élément qu’on aurait tort d’enterrer.
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books
books
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December 2024
December 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
Title:
E-flux index #4
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines(...)
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E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
E-flux index #4
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68 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024. e-flux Index is a bimonthly print compendium of today’s most vital writing on art, culture, and theory from across e-flux’s publishing platforms. It combines long-form essays from e-flux Journal and Architecture, reviews of exhibitions, books, and films from e-flux Criticism, articles and interviews by students and teachers from e-flux Education, and opinion pieces from e-flux Notes, organizing them thematically to “index the arts” and archive the present.
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
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books
books
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued:(...)
Title:
A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
A+U 646 : Post-Digitality in Architecture
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Recent years have seen significant changes in architectural practice, where digital technology is widespread and commonplace – a condition referred to as “post-digital”. Technological and ecological disruptions are forcing architects to adapt and re-strategize. This issue features research and education institutions where such explorations are being actively pursued: Southern California Institute of Architecture in Los Angeles, Bartlett School of Architecture at University College London, and the Swiss Federal Institute of Technology Zurich. It introduces pioneering projects that push the boundaries in their respective fields, redefining architecture within the post-digital context.
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books
books
Publication:
December 2024
December 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
e-flux index #3
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
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e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
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journals and magazines
journals and magazines
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December 2024
December 2024
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Magazines
Magazines
Form:
books
books
Title:
AV Proyectos 124
AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano,(...)
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano,(...)
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AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano, of SUMA Arquitectura, which we have interviewed here on their pioneering experience using structural timber in Spain. The issue continues with the competition porposals for the remodelling of the Municipal Museum of Contemporary Art (SMAK) in Ghent, by David Kohn and noAarchitecten, and the work in process for the new Benin National Assembly in Porto Novo, by Francis Kéré, closing with Luis Fernández-Galiano’s review of Fischer von Erlach’s Project of a Historical Architecture, recently re-edited.
AV Proyectos 124
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Though during the last century concrete and brick have played the leading role in construction, AV Proyectos 124 takes a stand for wood as a powerful alternative. This view is supported by architects and professors like Óscar Linares, who comments on the seven international projects contained in the dossier; or the Madrid-based team of Elena Orte and Guillermo Sevillano, of SUMA Arquitectura, which we have interviewed here on their pioneering experience using structural timber in Spain. The issue continues with the competition porposals for the remodelling of the Municipal Museum of Contemporary Art (SMAK) in Ghent, by David Kohn and noAarchitecten, and the work in process for the new Benin National Assembly in Porto Novo, by Francis Kéré, closing with Luis Fernández-Galiano’s review of Fischer von Erlach’s Project of a Historical Architecture, recently re-edited.
Form:
books
books
Publication:
September 2024
September 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Log 62 : fall 2024
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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Summary:
The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also(...)
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Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
Log 62 : fall 2024
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The 184 pages of Log 62 present all new authors, including 15 South Americans in a special section guest edited by Brazilian architect and critic Jaime Solares Carmona. Called Far South, the section observes contemporary architecture and criticism in South America by a generation that Solares calls "equidistant from the modernist ethos of previous generations while also distancing itself from a more radical critical approach that leans toward an ‘anthropologization’ of architecture."
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journals and magazines
journals and magazines
Publication:
October 2024
October 2024
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Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Festina Lente n.02
Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
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Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
Festina Lente n.02
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Le deuxième numéro de la revue semestrielle qui prolonge et élargit les questionnements soulevés par le programme thématique du centre d'art « La Criée à Rennes », imaginant avec des artistes, des penseuses et des penseurs, des formes d'adaptations, d'alternatives et de résistances aux diverses crises actuelles, écologiques, postcoloniales, politiques et sociales.
Form:
journals and magazines
journals and magazines
Publication:
December 2024
December 2024
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Price:
$36.95
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Summary:
Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des(...)
Title:
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
EKES (EarthKeeping EarthShaking) n° 02 : Sonder les droits de la Terre
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Il ne s'agit pas seulement de proposer un regard critique du statut juridique de la nature, mais aussi d'offrir une variété de perspectives ontologiques qui animent diverses actions artistiques, scientifiques et philosophiques pour défendre la Terre et trouver les alternatives afin de faire autrement dans le contexte actuel d'extrême urgence climatique. La richesse des projets et des propos présentés dans l'ouvrage trouve son reflet dans la variété textuelle et iconographique qui constitue Sonder les droits de la Terre. La mise en regard d'entretiens, d'essais, de conférences avec plus de 130 images donne à voir les formes par lesquelles la création contemporaine s'exprime pour, par et avec la nature.
Form:
journals and magazines
journals and magazines
Publication:
November 2024
November 2024
Subject:
Magazines
Magazines
