trans magazin 46: Spolia
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"Spolia" absorb energy from an external force and deform elastically. As archeological tools at (de)construction sites, they form hidden testaments to political dependencies, ecosystem clashes, art in galleries, even office tower elevators. Input: strange simultaneity of icons that are immediate, available, and ready to be transformed. Output: remnants reorganized to(...)
trans magazin 46: Spolia
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"Spolia" absorb energy from an external force and deform elastically. As archeological tools at (de)construction sites, they form hidden testaments to political dependencies, ecosystem clashes, art in galleries, even office tower elevators. Input: strange simultaneity of icons that are immediate, available, and ready to be transformed. Output: remnants reorganized to serve architecture and its demands. We look back to the future and ahead to the past. We persist in building, digging, finding, collecting, assembling to produce meaning.
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C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
Azure 310
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
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The April issue looks at projects—and processes—that foreground public purpose: The cover story is the new home of the Canadian Canoe Museum, in Peterborough, Ontario, designed by Unity Design Studio. The second project covered is the modernization of Montreal’s City Hall, by Beaupré Michaud et Associés, Architectes in collaboration with MU Architecture. In Winnipeg,(...)
Canadian Architect, April 2025. v.70 n.02
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The April issue looks at projects—and processes—that foreground public purpose: The cover story is the new home of the Canadian Canoe Museum, in Peterborough, Ontario, designed by Unity Design Studio. The second project covered is the modernization of Montreal’s City Hall, by Beaupré Michaud et Associés, Architectes in collaboration with MU Architecture. In Winnipeg, Lawrence Bird visits the University of Manitoba’s Desautels Concert Hall, designed by Temple Architects with Cibinel Architecture. We also travel to Niagara Falls to visit The Exchange, a small-but-mighty community hub designed by DTAH that includes a farmer’s market, artists’ studios, and a multipurpose hall that’s been used for everything from roller skating parties to drag shows.
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Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton,(...)
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton, Susan Howe, D. A. Powell, Nasser Rabah, Edward Salem, and Nanna Storr-Hansen. Art by Em Kettner, Agosto Machado, and Lady Shalamar Montague; cover by Anna Weyant.
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Faire – Regarder le graphisme n° 51 – « Criez dehors » : International Library of Fashion Research
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A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.
Faire – Regarder le graphisme n° 51 – « Criez dehors » : International Library of Fashion Research
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A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita(...)
The Funambulist 59: Black indigeneities
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita Wailutu Kama) and beyond, in Aotearoa New Zealand (Nathan Rew and Makanaka Tuwe)—in several regions of the African Continent—South Africa (Zoé Samudzi and Mpho Matheolane/Nolan Oswald Dennis), Nubia (Menna Agha), Eritrea (Semhar Haile), and the Gabonese forests (Maya Mihindou)—in the Caribbean—Guiana (Karl Joseph and Marc-Alexandre Tareau) and Haiti (Tessa Mars)—as well as in the diaspora. The cover artwork by Tessa Mars.
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Vie des arts 277
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« Vie des arts » s’épanouit de l’hiver et glisse vers le printemps avec un numéro thématique tout frais abordant la manière dont se sont liées, et se lient toujours, les disciplines de la musique et des arts dits « visuels » dans l’histoire de l’art. Électroacoustique et résonances, concerts vivants, déambulations sonores et symphonies performatives figurent dans notre(...)
Vie des arts 277
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« Vie des arts » s’épanouit de l’hiver et glisse vers le printemps avec un numéro thématique tout frais abordant la manière dont se sont liées, et se lient toujours, les disciplines de la musique et des arts dits « visuels » dans l’histoire de l’art. Électroacoustique et résonances, concerts vivants, déambulations sonores et symphonies performatives figurent dans notre dossier intitulé « Graphier le sonore » — car comment parler des sons sans aborder la façon dont ils s’écrivent dans nos têtes, sur papier, dans l’espace ou même dans l’air de nos environnements?
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Roven n.18 2025
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Au sommaire de Roven n° 18, numéro spécial rêve et sommeil : ponctuation de Julie Redon ; essai sur la notation des rêves, par Guitemie Maldonado ; entretiens avec Marisa Cornejo par Julie Enckell, avec Jim Shaw par Camille Viéville, avec Drawing Now Paris ; David B. par Arnaud Fourrier ; approche historique par Leïla Jarbouai (Redon, Millet, Courbet, Granville, Salomon)(...)
Roven n.18 2025
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Au sommaire de Roven n° 18, numéro spécial rêve et sommeil : ponctuation de Julie Redon ; essai sur la notation des rêves, par Guitemie Maldonado ; entretiens avec Marisa Cornejo par Julie Enckell, avec Jim Shaw par Camille Viéville, avec Drawing Now Paris ; David B. par Arnaud Fourrier ; approche historique par Leïla Jarbouai (Redon, Millet, Courbet, Granville, Salomon) ; portfolios de Chloé Vanderstraeten (et entretien par Alexandre Leger), Kathy Acker, Martine Atrax, Federico Fellini, Stella Geppert, Lina Jabbour, Christine Rebet, Jean-Jacques Rullier, Sandra Vásquez de la Horra ; collection Frac Picardie.
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Apartamento 35 Spring 2025
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Featuring: Camille Henrot, Darius Khondji, Leïla Slimani, Raul Lopez, Wendy Whiteley, Huong Dodinh, Robert Plunket, Catherine Schroeder, Zhou Yilun, Vivian Suter, Deaton Chris Anthony, Erna Aaltonen & Howard Smith, Chilly Gonzales, Dan Friedman, and Steve Bailey. Plus: ‘The Divine Art of Living’, a story by Robert Plunket, ‘14 Stout Men’, a screenplay by Efthimis(...)
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May 2025
Apartamento 35 Spring 2025
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Featuring: Camille Henrot, Darius Khondji, Leïla Slimani, Raul Lopez, Wendy Whiteley, Huong Dodinh, Robert Plunket, Catherine Schroeder, Zhou Yilun, Vivian Suter, Deaton Chris Anthony, Erna Aaltonen & Howard Smith, Chilly Gonzales, Dan Friedman, and Steve Bailey. Plus: ‘The Divine Art of Living’, a story by Robert Plunket, ‘14 Stout Men’, a screenplay by Efthimis Filippou, and texts by Durga Chew-Bose, Nacho Alegre, Charlie Porter, Silvina Ocampo (tr. Suzanne Jill Levine), Lina Soualem, Yilin Wang, Nate Lippens, and Hiroko Oyamada (tr. David Boyd)
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