Mark no 57: Italian bling
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Dernier numéro en librairie! The new issue is now available at the bookstore!
Mark no 57: Italian bling
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Dernier numéro en librairie! The new issue is now available at the bookstore!
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Dernier numéro disponible en librairie!
Contre-jour no 36, été 2015: se reposer à l'ombre avec Tanizaki
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Dernier numéro disponible en librairie!
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October 153
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Dernier numéro en librairie! New issue available at the bookstore!
October 153
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Dernier numéro en librairie! New issue available at the bookstore!
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Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Texte zur Kunst 99: photography
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
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Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history(...)
Bracket 3, At Extremes
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"Bracket [at Extremes]" includes critical articles and unpublished design projects that investigate architecture, infrastructure and technology as they operate in conditions of imbalance, negotiate tipping points and test limit states. We are conditioned, as designers of the built environment, towards the organization of people, programs and movement. Indeed the history of modern urbanism, architecture and building science has been predicated on an anti-entropic notion of programmatic and social order. But are there scenarios in which a state of extremity or imbalance is productive? Bracket [at Extremes] seeks to understand what new spatial orders emerge in this liminal space. How might it be leveraged as an opportunity for invention? What are the limits of wilderness and control, of the natural and artificial, the real and the virtual? What new landscapes, networks, and urban models might emerge in the wake of destabilized economic, social and environmental conditions?
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Useful photography 011
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What scares a nation – gunmen who hold children ransom or infamous terrorists? Useful Photography 011 rifles through the history of human targets culled from US shooting ranges. In this age of high impact gun crime, are the participants seeking protection or accelerating the violence?
Useful photography 011
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What scares a nation – gunmen who hold children ransom or infamous terrorists? Useful Photography 011 rifles through the history of human targets culled from US shooting ranges. In this age of high impact gun crime, are the participants seeking protection or accelerating the violence?
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Dans ce numéro, il est question de la création architecturale et paysagère et de sa place dans le projet même d'intervention sur le monument. Ce thématique aborde un sujet qui est au coeur des problématiques patrimoniales, tant dans l'approche de la conservation et de la restauration que dans celle, plus délicate, de la greffe d'un projet sur "l'existant", de la(...)
Monumental, semestriel 1, 2013: création architecturale et monuments historiques
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Dans ce numéro, il est question de la création architecturale et paysagère et de sa place dans le projet même d'intervention sur le monument. Ce thématique aborde un sujet qui est au coeur des problématiques patrimoniales, tant dans l'approche de la conservation et de la restauration que dans celle, plus délicate, de la greffe d'un projet sur "l'existant", de la transformation ou de l'adaptation du monument à de nouveaux usages avec des aménagements contemporains.
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San Rocco 07: Indifference
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Indifference is editing. In architecture - as in any other activity - good work does not mean caring about everything. Indifference is a strategic judgement. In this issue: among others, essays on Richard Meier, Lacaton & Vassal, Deleuze, fake Gothic, and primitive huts.
San Rocco 07: Indifference
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Indifference is editing. In architecture - as in any other activity - good work does not mean caring about everything. Indifference is a strategic judgement. In this issue: among others, essays on Richard Meier, Lacaton & Vassal, Deleuze, fake Gothic, and primitive huts.
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Picnic magazine #5
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Picnic Magazine is a 100% image based magazine edited printed and published in tel aviv. Each volume is different in shape ,format, content and design, and presenting various wondrous visions and views from new uprising and carefully selected creators from around the universe.Issue number 5 features work from a variety of artists around the world.
Picnic magazine #5
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Picnic Magazine is a 100% image based magazine edited printed and published in tel aviv. Each volume is different in shape ,format, content and design, and presenting various wondrous visions and views from new uprising and carefully selected creators from around the universe.Issue number 5 features work from a variety of artists around the world.
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