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A glimpse into the genesis of Harun Farocki’s film Images of the World and the Inscription of War (1988), which evolved from the unrealized project ''On the history of labor'' between 1985 and 1988. The booklet contains the project draft that Farocki wrote to apply for funding in the spring of 1986, a letter to Radio Free Berlin (SFB) editors Jürgen Tomm and Bernd(...)
HaFI 013 - Harun Farocki: On the history of labor
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A glimpse into the genesis of Harun Farocki’s film Images of the World and the Inscription of War (1988), which evolved from the unrealized project ''On the history of labor'' between 1985 and 1988. The booklet contains the project draft that Farocki wrote to apply for funding in the spring of 1986, a letter to Radio Free Berlin (SFB) editors Jürgen Tomm and Bernd Schauer, a list of research locations, a short report to ''Filmbüro NRW'' (Film office North Rhine-Westphalia), a newspaper article by Farocki on the ''Technology of vision'', and a research bibliography that Farocki drew on during this period. A commentary by Volker Pantenburg outlines how ''On the history of labor'' evolved into ''Images / History'', then Images-War (1987) and finally Images of the World. Stills from Images of the World and from unused footage make palpable how the focus of the project shifted and how, in the process, the 1944 aerial photographs of Auschwitz-Birkenau taken by the Allies increasingly attracted Farocki’s attention.
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'Oggetti Socievoli' is a project that investigates home objects that have been discovered, re-discovered and re-interpreted during social isolation due to the Covid-19 pandemic. Prisca Arosio and Vittoria Rossi are joined by artists, writers, designers, academics in a social study of home objects in relation to people’s lockdown experiences. The book showcases the(...)
The season of home objects / La stagione degli Oggetti di casa
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'Oggetti Socievoli' is a project that investigates home objects that have been discovered, re-discovered and re-interpreted during social isolation due to the Covid-19 pandemic. Prisca Arosio and Vittoria Rossi are joined by artists, writers, designers, academics in a social study of home objects in relation to people’s lockdown experiences. The book showcases the participatory project’s photos and texts and artisans' production process of household objects. It contains compared and inspiring ideas and design concepts to stimulate the next generation of home-made activities. The content of this book aims at creating a common ground where similarities and differences among countries as well as its contexts come together harmoniously.
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While birth often brings great joy, making babies is a knotty enterprise. The designed objects that surround us when it comes to menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This smart, image-rich, fashion-forward, and design-driven book explores more than eighty(...)
Designing motherhood: things that make and break our births
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While birth often brings great joy, making babies is a knotty enterprise. The designed objects that surround us when it comes to menstruation, birth control, conception, pregnancy, childbirth, and early motherhood vary as oddly, messily, and dramatically as the stereotypes suggest. This smart, image-rich, fashion-forward, and design-driven book explores more than eighty designs--iconic, conceptual, archaic, titillating, emotionally charged, or just plain strange--that have defined the relationships between people and babies during the past century. Each object tells a story. "Designing motherhood" unfolds the compelling design histories and real-world uses of the objects that shape our reproductive experiences. The authors investigate the baby carrier, from the Snugli to BabyBjörn, and the (re)discovery of the varied traditions of baby wearing; the tie-waist skirt, famously worn by a pregnant Lucille Ball on I Love Lucy, and essential for camouflaging and slowly normalizing a public pregnancy; the home pregnancy kit, and its threat to the authority of male gynecologists; and more. Memorable images--including historical ads, found photos, and drawings--illustrate the crucial role design and material culture plays throughout the arc of human reproduction.
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming(...)
Help your self! The rise of self design
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming your talents into a successful business, finding bliss by meeting a new love—may therefore be seen as new forms of creativity, or self-design. In ''Help your self!'' Dutch designer and director Mieke Gerritzen provides an inspirational guide for designing your ideal self, and shows you how to get started, while also scrutinizing the self-help industry with wit and intelligence.
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Daily bad news about climate change, shrinking resources, global health crises, species extinction and growing inequalities cause tremendous anxiety and insecurity, especially since the COVID pandemic. The ambition of this book is to explain in simple but precise terms, by means of concise illustrations, what ''finance'' is, and how its most innovative form, sustainable(...)
Financing our common future, in the time of COVID-19
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Daily bad news about climate change, shrinking resources, global health crises, species extinction and growing inequalities cause tremendous anxiety and insecurity, especially since the COVID pandemic. The ambition of this book is to explain in simple but precise terms, by means of concise illustrations, what ''finance'' is, and how its most innovative form, sustainable finance, can reconcile the well-being of mankind with the capacities of our planet. Is there a way to convince society that a fundamental transition is necessary—or even more, that it is possible? Can sustainable finance help? ''Financing our common future'' offers encouraging perspectives by showing how little-known groups of financial stakeholders, such as development banks, are actively working to make sustainable finance happen. The book invites you to enjoy a journey through a multitude of situations, to question our preconceptions and to open our mindset so we can envision better ways of moving forward.
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Shame! and masculinity
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Multigenre perspectives on shame and male self-esteem post-MeToo. Since the ascent of the MeToo movement, male sexual abuse and abuse of power has come under necessary scrutiny, thereby impacting perceptions of male sexuality and the self-esteem of many men. While plenty of male abusers seem to experience no shame, some do, as do men who have not transgressed, but who(...)
Shame! and masculinity
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Multigenre perspectives on shame and male self-esteem post-MeToo. Since the ascent of the MeToo movement, male sexual abuse and abuse of power has come under necessary scrutiny, thereby impacting perceptions of male sexuality and the self-esteem of many men. While plenty of male abusers seem to experience no shame, some do, as do men who have not transgressed, but who may now be negotiating shame in relation to their gender and sexuality. Hybrid in genre, combining scholarly essays with short stories, personal testimonies and provocative and intimate artist’s contributions, ''Shame! and masculinity'' looks at the representation of male sexuality, fatherhood, violence, rape, fascism and virility, men and war. It shows works of art that deal with the intricacies and contradictions of these socio-cultural constructs and realities, and stimulates reflection on shame in collusion with masculinity, from male as well as female perspectives, with visual contributions by Jeanette Christensen, Marlene Dumas, Arnoud Holleman, Hans Hovy, Natasja Kensmil, Nalini Malani, Lotte Schröder, Artur Žmijjewski and Ina van Zyl.
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The Extreme self
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If you’re wondering why the inside of your head feels so strange these days, this book has the answers. The Extreme Self is a new kind of graphic novel that shows how you’ve been morphing into something else. It’s about the remaking of your interior world as the exterior world becomes more unfamiliar and uncertain. Over 14 timely chapters, 'The Extreme Self' tours through(...)
The Extreme self
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If you’re wondering why the inside of your head feels so strange these days, this book has the answers. The Extreme Self is a new kind of graphic novel that shows how you’ve been morphing into something else. It’s about the remaking of your interior world as the exterior world becomes more unfamiliar and uncertain. Over 14 timely chapters, 'The Extreme Self' tours through fame and intimacy, post-work and new crowds, identity crisis and eternity.
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell(...)
Cultish: the language of fanaticism
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What makes 'cults' so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join — and more importantly, stay in — extreme groups. In 'Cultish', Amanda Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear —and are influenced by — every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities 'cultish,' revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds.
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Complaint!
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and(...)
Complaint!
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In ''Complaint!'' Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.
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What does diversity do? What are we doing when we use the language of diversity? Sara Ahmed offers an account of the diversity world based on interviews with diversity practitioners in higher education, as well as her own experience of doing diversity work. 'On Being Included' explores the gap between symbolic commitments to diversity and the experience of those who(...)
On being included: racism and diversity in institutional life
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What does diversity do? What are we doing when we use the language of diversity? Sara Ahmed offers an account of the diversity world based on interviews with diversity practitioners in higher education, as well as her own experience of doing diversity work. 'On Being Included' explores the gap between symbolic commitments to diversity and the experience of those who embody diversity. The book provides an account of institutional whiteness and shows how racism can be obscured by the institutionalization of diversity. Diversity is used as evidence that institutions do not have a problem with racism. 'On Being Included' offers a critique of what happens when diversity is offered as a solution. It also shows how diversity workers generate knowledge of institutions in attempting to transform them.
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