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S'interroger sur le sens de l'architecture signifie essayer d'établir un principe de légitimation globale et intemporelle, ne se référant pas seulement au passé ou au présent. L'architecture moderne, malgré le fait qu'elle se présente sous une condition fragmentaire, aspire, pour cette même raison, à une totalité perdue. Dans ce texte, élaboré du point de vue d'un(...)
La mémoire de l'ordre : Les paradoxes du sens dans l'architecture moderne
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S'interroger sur le sens de l'architecture signifie essayer d'établir un principe de légitimation globale et intemporelle, ne se référant pas seulement au passé ou au présent. L'architecture moderne, malgré le fait qu'elle se présente sous une condition fragmentaire, aspire, pour cette même raison, à une totalité perdue. Dans ce texte, élaboré du point de vue d'un architecte et non de celui d'un critique ou d'un historien, l'objectif est de vérifier comment les récits architecturaux modernes, bien que fragmentaires, se réfèrent toujours à un Ordre qui continue à servir de référence. Il tente ainsi d'expliquer pourquoi l'architecture continue d'avoir sa propre identité à travers le temps et pourquoi elle continue d'être aussi nécessaire. Première traduction française de l'essai de l'architecte espagnol José Ignacio Linazasoro.
Architectural Theory
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In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale(...)
Rise of the spectacular: America in the 1950s
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In this book, sociologist John Hannigan travels back in time to the 1950s. Unfairly stereotyped as ‘the tranquillized decade’, America at mid-century hosted an escalating proliferation and conjunction of ‘spectacular’ events, spaces, and technologies. Spectacularization was collectively defined by five features. It reflected and legitimated a dramatic increase in scale from the local/regional to the national. It was mediated by the increasingly popular medium of television. It exploited middle-class tension between comfortable conformity and desire for safe adventure. It celebrated technological progress, boosterism and military power. It was orchestrated and marketed by a constellation, sometimes a coalition, of entrepreneurs and dream merchants. In this wide-ranging odyssey across mid-century America, Hannigan visits leisure parks, parades, mega-events, architectural styles, innovations and everyday wonders.
Architectural Theory
Nature of enclosure
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Overlapped by cultural consumption and politics, planetary imagination stimulates a useful framework for interrogating the human impact on environmental limitations over a technological foreground. The blurry lines between the engineered logic and cultural imagination are continually embedded and influenced by intuition in the cultural practices of capital enclosure.(...)
Nature of enclosure
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Overlapped by cultural consumption and politics, planetary imagination stimulates a useful framework for interrogating the human impact on environmental limitations over a technological foreground. The blurry lines between the engineered logic and cultural imagination are continually embedded and influenced by intuition in the cultural practices of capital enclosure. Theories, design practices, and the forms of imagination, including science fiction, open up critical questions on the status of our environment here on Earth. This book comprises a series of conversations to gather experts from a range of disciplines at the intersection of architecture and the environment. It continues the conversation with a collection of essays as both reflections from the provocative discussions and expanding the discourse of enclosed environments in architecture and design fields.
Architectural Theory
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This book is an optimistic manifesto that rescripts the anthropocentric narratives of Western architecture with new myths for a playfully compassionate and co-habitable future. The volume reconceptualises buildings as our friends by amplifying architecture's creaturely qualities-formal embellishments, fictional enhancements, and organisational strategies that suggest(...)
Creatures are stirring: a guide to architectural companionship
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This book is an optimistic manifesto that rescripts the anthropocentric narratives of Western architecture with new myths for a playfully compassionate and co-habitable future. The volume reconceptualises buildings as our friends by amplifying architecture's creaturely qualities-formal embellishments, fictional enhancements, and organisational strategies that suggest animal-like agency. In an unsettled world, these qualities initiate more companionable relationships between humans and the built environment, and ultimately foster greater solidarity with other human and nonhuman lifeforms.
Architectural Theory
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This publication discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry. It is published in(...)
Antonis Pittas: Jaune, Geel, Gelb, Yellow. Monochrome
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This publication discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry. It is published in conjunction with the exhibition "jaune, geel, gelb, yellow. Act on modernism with Antonis Pittas and Theo van Doesburg" at Centraal Museum, Utrecht.
Architectural Theory
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
Architectural Theory
Architecture and objects
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This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of(...)
Architecture and objects
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This first book on architecture by the founder of object-oriented ontology (OOO) deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—enables the exploration of new concepts regarding the relationship between form and function.
Architectural Theory
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Architecture of life: Soviet modernism and the human sciences
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Architectural Theory
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''The common camp'' underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel-Palestine and the dramatic changes it has experienced during the past century, this book explores the region's extensive networks of camps and their(...)
The common camp: Architecture of power and resistance in Israel-Palestine
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''The common camp'' underscores the role of the camp as a spatial instrument employed for reshaping, controlling, and struggling over specific territories and populations. Focusing on the geopolitical complexity of Israel-Palestine and the dramatic changes it has experienced during the past century, this book explores the region's extensive networks of camps and their existence as both a tool of colonial power and a makeshift space of resistance. Examining various forms of camps devised by and for Zionist settlers, Palestinian refugees, asylum seekers, and other groups, Irit Katz demonstrates how the camp serves as a common thread in shaping lands and lives of subjects from across the political spectrum. Analyzing the architectural and political evolution of the camp as a modern instrument engaged by colonial and national powers (as well as those opposing them), Katz offers a unique perspective on the dynamics of Israel-Palestine, highlighting how spatial transience has become permanent in the ongoing story of this contested territory.
Architectural Theory
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This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan's story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union's most celebrated architect after Alexei Rykov, Lenin's successor,(...)
Stalin's architect: power and survival in Moscow
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This is the first major publication on the remarkable life and career of Boris Iofan (1891–1976), state architect to Joseph Stalin. Iofan's story is an insight into the troubled relationship of all successful architects with power. A gifted designer and a committed Communist, Iofan became the Soviet Union's most celebrated architect after Alexei Rykov, Lenin's successor, persuaded him to return to Moscow from Rome with his aristocratic wife, Olga Sasso-Ruffo. Iofan was at the heart of political life in the Soviet Union and his work is key to understanding its official culture. This book is an exploration of architecture as an instrument of statecraft. It is an insight into the key moments of 20th-century politics and culture from a unique perspective, and the personal story of a remarkable individual who witnessed many of the most dramatic turning points of modern history.
Architectural Theory