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This book reconstructs the series of exercises that led Kostellow's students from the manipulation of simple forms to the creation of complex solutions to difficult design problems. It includes her exercises and commentary along with selected student solutions, and concludes with examples of work from former students who became leaders in the field, including such(...)
Elements of design : Rowena Reed Kostellow and the structure of visual relationships
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This book reconstructs the series of exercises that led Kostellow's students from the manipulation of simple forms to the creation of complex solutions to difficult design problems. It includes her exercises and commentary along with selected student solutions, and concludes with examples of work from former students who became leaders in the field, including such well-known figures as Tucker Viemeisater, Ralph Applebaum, Ted Muehling, and many others.
Design Theory
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
Obey the giant : life in the image world
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Design Theory
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As our everyday social and cultural experiences are increasingly mediated by electronic products--from "intelligent" toasters to iPods--it is the design of these products that shapes our experience of the "electrosphere" in which we live. Designers of electronic products, writes Anthony Dunne in "Hertzian tales", must begin to think more broadly about the aesthetic role(...)
Hertzian tales : electronic products, aesthetic experience, and critical design
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As our everyday social and cultural experiences are increasingly mediated by electronic products--from "intelligent" toasters to iPods--it is the design of these products that shapes our experience of the "electrosphere" in which we live. Designers of electronic products, writes Anthony Dunne in "Hertzian tales", must begin to think more broadly about the aesthetic role of electronic products in everyday life. Industrial design has the potential to enrich our daily lives--to improve the quality of our relationship to the artificial environment of technology, and even, argues Dunne, to be subverted for socially beneficial ends. The cultural speculations and conceptual design proposals in "Hertzian tales" are not utopian visions or blueprints; instead, they embody a critique of present-day practices, "mixing criticism with optimism." Six essays explore design approaches for developing the aesthetic potential of electronic products outside a commercial context--considering such topics as the post-optimal object and the aesthetics of user-unfriendliness--and five proposals offer commentary in the form of objects, videos, and images. Very little has changed in the world of design since "Hertzian tales" was first published by the Royal College of Art in 1999, writes Dunne in his preface to this MIT Press edition : "Design is not engaging with the social, cultural, and ethical implications of the technologies it makes so sexy and consumable." His project and proposals challenge it to do so.
Design Theory
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Remember those 3-D movies, the ones that you had to wear the cardboard glasses to see? This definitive book brings it all back, but from the standpoint of serious artists, designers and anyone else interested in the origins of visual phenomena. With his figure and stereo experiments, author Jurg Nänni guides the reader through the mysterious cosmos of visual perception.(...)
Visual perception: an interactive journey of discovery through our visual system
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Remember those 3-D movies, the ones that you had to wear the cardboard glasses to see? This definitive book brings it all back, but from the standpoint of serious artists, designers and anyone else interested in the origins of visual phenomena. With his figure and stereo experiments, author Jurg Nänni guides the reader through the mysterious cosmos of visual perception. The included eyeglasses allow exceptional optical experiences, complemented by interactive experiments on the included CD-ROM. Texts, visual examples and CD-experiments allow readers to acquire the background information for their own creative work, and to answer the questions: How do optical illusions emerge? And how can our eyes be fooled at all?
Design Theory
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This book presents a broad introduction to design theory and practice. Historical, contextual, philosophical, technical, visual and practical approaches to Design are often presented separately. But each approach impacts on others and together they are critical to a rounded understanding of design.
Beautiful Thing : An Introduction to Design
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This book presents a broad introduction to design theory and practice. Historical, contextual, philosophical, technical, visual and practical approaches to Design are often presented separately. But each approach impacts on others and together they are critical to a rounded understanding of design.
Design Theory
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The links between contemporary design, history and the imagination form the background for this beautiful and unprecedented exploration of Design Art. Addressing works by designers including Jurgen Bey, Tord Boontje, Dunne + Raby and Studio Job, Gareth Williams explores how overtly functional objects - 'designed' objects - can be made to carry meanings and associations,(...)
Telling tales: fantasy and fear in contemporary design
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The links between contemporary design, history and the imagination form the background for this beautiful and unprecedented exploration of Design Art. Addressing works by designers including Jurgen Bey, Tord Boontje, Dunne + Raby and Studio Job, Gareth Williams explores how overtly functional objects - 'designed' objects - can be made to carry meanings and associations, or tell tales. As contemporary design practice, the art market and art itself become more and more integrated, reflecting the merging of art, craft and design, this exciting book offers a valuable and perceptive assessment of our ability to read Design Art objects with the critical tools traditionally associated with painting, sculpture and literary theory.
Design Theory
Hidden forms
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The book Hidden Forms uses examples from Franco Clivio’s collection of objects to reveal clearly and yet poetically the hidden qualities that require a practiced gaze. Working with ordinary, everyday, practical, seemingly design(er)less objects has been Franco Clivio’s obsession both as a university lecturer and as a practicing designer. Each object in the collection(...)
Design Theory
February 2009, Basel, Boston, Berlin
Hidden forms
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The book Hidden Forms uses examples from Franco Clivio’s collection of objects to reveal clearly and yet poetically the hidden qualities that require a practiced gaze. Working with ordinary, everyday, practical, seemingly design(er)less objects has been Franco Clivio’s obsession both as a university lecturer and as a practicing designer. Each object in the collection stands for an unconventional, unconstrained, and sometimes unique solution to a problem that is often simple but always fundamental; fundamental in the sense of a design that places less emphasis on good form than on perfect function.
Design Theory
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics(...)
Fresh dialogue nine: In/visible: graphic data revealed
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Each year, the New York chapter of the AIGA invites a group of emerging designers to participate in the Fresh Dialogue forum. In/Visible: Graphic Data Revealed brings together a diverse group of information graphics designers for a lively discussion about the challenges they face visualizing information. Steve Duenes manages the New York Times print and online graphics department; Andrew Kuo attempts to categorize unmeasurable human emotions through meticulous charts and diagrams; Fernanda Viégas of IBM’s Visual Communication Lab is the cocreator of the Many Eyes social website that encourages members to upload, interpret, and revisualize one another’s data. Their discussion, moderated by Rhode Island School of Design president John Maeda, covers a range of current and anticipated trends in visual journalism, including issues such as data integrity and visual ethics, judicious simplicity versus seductive complexity, and the everincreasing demand for dynamic information.
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January 2009
Design Theory
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By winning the 2008 Winterhouse Award for Design Writing, David Barringer firmly established himself as the freshest and most interesting writer on the subject. His articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about(...)
There's nothing funny about design
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By winning the 2008 Winterhouse Award for Design Writing, David Barringer firmly established himself as the freshest and most interesting writer on the subject. His articles, which have appeared in publications from Print to Emigre, are notable for his strong personal point of view, literary style, and even humor, not always attributes associated with writing about design. In this collection of essays, Barringer’s first, he wonders why drug names have so many X’s in them, ponders the rise of gory DVD covers, and ruminates on his father’s business card collection, pythons, and the human skull – proving again and again that design is everywhere you look for it, (but may not have seen) without the powerful magnifying lens of this talented and exciting observer and writer.
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January 2009
Design Theory
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Throughout this long-term study the three authors have collected a wealth of material. Using numerous examples this book examines the motives and the potential of "non-intentional design" and makes these aspects available for further design research.
Design Theory
November 2008, Basel, Boston, Berlin
Design by use: the everyday metamorphosis of things
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Throughout this long-term study the three authors have collected a wealth of material. Using numerous examples this book examines the motives and the potential of "non-intentional design" and makes these aspects available for further design research.
Design Theory