Des jardins et des hommes
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« Le jardin nous rassemble tous, quels que soient notre culture, nos croyances ou nos métiers, c'est le lieu de la paix active, où tous ceux qui le peuplent vivent en dialogue. » Un espace où contempler la nature et en récolter ses bienfaits, où défendre la biodiversité... voilà ce que racontent dans cet ouvrage quatre personnalités très différentes en évoquant leur amour(...)
Des jardins et des hommes
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« Le jardin nous rassemble tous, quels que soient notre culture, nos croyances ou nos métiers, c'est le lieu de la paix active, où tous ceux qui le peuplent vivent en dialogue. » Un espace où contempler la nature et en récolter ses bienfaits, où défendre la biodiversité... voilà ce que racontent dans cet ouvrage quatre personnalités très différentes en évoquant leur amour des jardins.
Landscape Theory
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and(...)
Topographical stories: studies in landscape and architecture
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David Leatherbarrow offers an entirely new way of thinking of architecture and landscape architecture. Moving beyond partisan arguments, he shows how the two disciplines rely upon one another to form a single framework of cultural meaning. Leatherbarrow redefines landscape architecture and architecture as topographical arts, the shared task of which is to accommodate and express the patterns of our lives. Topography, in his view, incorporates terrain, built and unbuilt, but also traces of practical affairs, by means of which culture preserves and renews its typical situations and institutions.
Landscape Theory
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This book presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an(...)
Site, sight, insight: essays on landscape architecture
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This book presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space.
Landscape Theory
Of gardens: selected essays
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Paula Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled(...)
Of gardens: selected essays
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Paula Deitz covers individual landscape architects and designers, including André Le Nôtre, Frederick Law Olmsted, Beatrix Farrand, Russell Page, and Michael Van Valkenburgh. She then features an array of parks, public places, and gardens before turning her attention to the burgeoning business of flower shows. The volume concludes with a memorable poetic epilogue entitled "A Winter Garden of Yellow."
Landscape Theory
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Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader(...)
The monster in the garden: the grotesque and the gigantic in Renaissance landscape design
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Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens.
Landscape Theory
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Une étude de la représentation et de la signification des jardins dans les oeuvres de romanciers tels que J.-J. Rousseau, M. Duras, Colette, P. Modiano, M. Proust, etc.
Jardins de papier : de Rousseau à Modiano
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Une étude de la représentation et de la signification des jardins dans les oeuvres de romanciers tels que J.-J. Rousseau, M. Duras, Colette, P. Modiano, M. Proust, etc.
Landscape Theory
Thirtyfour campgrounds
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Camping can make us feel a powerful connection to nature and our rugged backwoods forebears. Campers once confronted the elemental facts of life, but now, the millions of Americans taking to the road on camping trips are more likely to drive to a campground, hook up service conduits, connect to WiFi, drop their awnings, and set out patio chairs. It is as if, Martin Hogue(...)
Thirtyfour campgrounds
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Camping can make us feel a powerful connection to nature and our rugged backwoods forebears. Campers once confronted the elemental facts of life, but now, the millions of Americans taking to the road on camping trips are more likely to drive to a campground, hook up service conduits, connect to WiFi, drop their awnings, and set out patio chairs. It is as if, Martin Hogue observes, each campsite functions as a stage upon which campers perform a series of ritualized activities (pitching the tent, building a fire, cooking over flames). In Thirtyfour Campgrounds, Hogue investigates these sites, individually and in multiples, offering a photographic and typological survey of nearly 6,500 American campsites, mapping subtle differences within the apparently identical. The central part of the book consists of color photographs of individual campsites, downloaded from such online reservation websites as reserveamerica.com and recreation.gov, organized by zip code, and arranged in grids across the pages. Hogue nods to artist Ed Ruscha's Thirtyfour Parking Lots for his title and its attitude, and to the work of Bernd and Hilla Becher for the serial arrangement of images in grids. The campsite pictures seem at first endlessly repetitious; but then the repetition makes way for difference. Time reveals itself in fading light and passing clouds, the weather changes between photographs of neighboring sites, leaves turn color and fall, in an unexpected kind of time-lapse photography. This is a book that was made so seriously that it must (not) be taken too seriously. More scientific than any campground literature, Thirtyfour Campgrounds calls the very nature of scientific survey, research, and publication into question.
Landscape Theory
The long, long life of trees
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Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or(...)
The long, long life of trees
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Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols.
Landscape Theory
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Examining our shifting perceptions of nature and place in the context of environmental challenges and how these affect urbanism and architecture, the seventeen essayists in "Thinking the contemporary landscape" argue for an all-encompassing view of landscape that integrates the scientific, intellectual, aesthetic, and mythic into a new multidisciplinary understanding of(...)
Thinking the contemporary landscape
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Examining our shifting perceptions of nature and place in the context of environmental challenges and how these affect urbanism and architecture, the seventeen essayists in "Thinking the contemporary landscape" argue for an all-encompassing view of landscape that integrates the scientific, intellectual, aesthetic, and mythic into a new multidisciplinary understanding of the contemporary landscape. A must-read for anyone concerned about the changing nature of our landscape in a time of climate crisis.
Landscape Theory
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Le terrier est un objet de fantasme car on n’en connaît généralement que la silhouette ou le seuil ; le reste est laissé à l’imagination. Sur un plan symbolique, il en va de même pour la ligne Maginot : tout le monde en a entendu parler mais peu sont capables de la décrire. Son nom résonne comme un réceptacle à fantasmes. Les formes de ses bunkers répondent à cette(...)
La ligne
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Le terrier est un objet de fantasme car on n’en connaît généralement que la silhouette ou le seuil ; le reste est laissé à l’imagination. Sur un plan symbolique, il en va de même pour la ligne Maginot : tout le monde en a entendu parler mais peu sont capables de la décrire. Son nom résonne comme un réceptacle à fantasmes. Les formes de ses bunkers répondent à cette dimension symbolique. À travers ses images, Alexandre Guirkinger a voulu partager sa fascination pour cette extraordinaire relique d’une modernité déjà ancienne. Les bunkers choisis et photographiés sont ceux dont la forme, la situation ou la silhouette entraînent l’image vers autre chose que l’enregistrement matériel d’une frontière : une sorte de décor de science-fiction, une trace de land art, une architecture moderniste, un géoglyphe contemporain. L’écart entre l’abondance des reliques de la ligne et le peu de représentations contemporaines dont elle fait l’objet offre un terrain de jeu excitant pour interroger notre rapport au paysage, à la frontière, à la limite. C’est là le point de départ de la nouvelle de Tristan Gracia.
Landscape Theory