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De déambulations en souvenirs, la narratrice traverse des villes immenses qui se mélangent à des villages, à la recherche des traces de leurs histoires entremêlées. Brighton, New Brighton. Lisbonne, New Lisbon. Berlin, New Berlin. Paris, New Paris. Carlisle, New Carlisle. York, New York. La Rochelle, New Rochelle. L’auteure nous propose un récit hybride, textuel et(...)
Seven sisters ou les villes jumelles
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De déambulations en souvenirs, la narratrice traverse des villes immenses qui se mélangent à des villages, à la recherche des traces de leurs histoires entremêlées. Brighton, New Brighton. Lisbonne, New Lisbon. Berlin, New Berlin. Paris, New Paris. Carlisle, New Carlisle. York, New York. La Rochelle, New Rochelle. L’auteure nous propose un récit hybride, textuel et photographique au travers de sept portraits croisés. Au fil d’un itinéraire allant de Minneapolis aux rives de l’Atlantique. Comme un lent retour vers l’Est.
Landscape Theory
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Trees have been deliberately connected with houses since they were introduced as a prominent part of architectural design. The relationships of contiguity between houses and trees have existed since ancient times. However, at the end of the 19th century those links became explicit in the design process, as the house emerged as one of the fundamental architectural(...)
Outdoor domesticity: Houses and trees
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Trees have been deliberately connected with houses since they were introduced as a prominent part of architectural design. The relationships of contiguity between houses and trees have existed since ancient times. However, at the end of the 19th century those links became explicit in the design process, as the house emerged as one of the fundamental architectural programs, and as the result of an increasing sensibility towards environmental aspects and the landscape. The first part of this publication is to present a collection of exemplary five houses that evinced explicit relationships with pre-existing trees. The five twentieth century projects are: La Casa (B. Rudofsky, 1969), Cottage Caesar (M. Breuer, 1951), Ville La Roche (Le Corbusier & P. Jeanneret, 1923), Villa Pepa (J. Navarro Baldeweg, 1994) and Hexenhaus (A. & P. Smithson, 1984-2002). The second part of the book contributes three theoretical concerns for the contemporary project, those ones which are established in the process, with respect to time, place and outdoor domesticity in modern western housing.
Landscape Theory
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The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of(...)
Landscape analogue: About material culture and idealism. landscript #6
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The difficulty of reconciling our basic needs with the long history of cultural landscapes, in all their inherent beauty and sufficiency, has become clear. With our deep trust in modern technology, in progress and in a demanding global lifestyle we have become a real threat to our world. Yet, today the existential and elementary nature of landscapes remains the bearer of a successful metaphor for “balance”. Why not draw—amidst a truly global crisis—conclusions out of our long history of designed nature, of places shaped by skilled labor and a quest for pleasure? This publication seeks to stimulate the “Analogue” dimension as a substantial concept for everyday landscape thinking. In an anthology of interdisciplinary essays, this volume stresses the necessity for a fundamental shift, within the likely framework of a future of restricted resources, a radically different mobility or “hot” cities.
Landscape Theory
Tout est paysage, n.é.
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"Comment replacer l'architecture contemporaine dans l'évolution générale des mentalités et des tendances politiques vivantes ? Je ne veux pas qu'on la limite à des objets plus ou moins jolis, économiques ou photogéniques : mes propositions s'inscrivent dans un courant culturel (ou politique) visant tranquillement l'écologie. Elles contiennent mon refus fondamental de(...)
Tout est paysage, n.é.
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"Comment replacer l'architecture contemporaine dans l'évolution générale des mentalités et des tendances politiques vivantes ? Je ne veux pas qu'on la limite à des objets plus ou moins jolis, économiques ou photogéniques : mes propositions s'inscrivent dans un courant culturel (ou politique) visant tranquillement l'écologie. Elles contiennent mon refus fondamental de l'agressivité industrielle, ma culpabilité devant l'irrespect pour les autres cultures et pour les économies spontanées ou locales et mon ambition d'aider une société à démontrer ses complexités à travers son paysage urbain", Lucien Kroll.
Landscape Theory
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the(...)
Drawing and reinventing landscape
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In landscape architecture, representation has become the subject of contention and much discussion. While computer techniques have been a catalyst for change across the field of design as a whole, nowhere have the conventions of representation been called into question more than in landscape architecture – which in itself is undergoing a process of reinvention. With the onset of rapid urbanisation and our shifting relationship with nature, landscape architecture has proved a potent lens for expressing a wider dialogue taking place in the world. It is, however, only through the introduction of innovative forms of representation – whether digital, analogue or hybrid – that one most vividly sees the emergence of the new. In this book, Diana Balmori explores notions of representation in the discipline at large and across time. She takes us back to landscape design’s roots in the seventeenth century in France and the eighteenth century in England, when it first grappled with questions of imagined exterior space. She explores the discipline’s relationship to painting and the influence of cartography with its bird's-eye views, topographic sections and perspectives. She highlights how new attempts at representation by modern landscape artists such as Patricia Johanson, Ian Hamilton Finlay and David Hockney continue to wrestle with the depiction of landscape.
Landscape Theory
Écrits sur la Botanique
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À l’inverse de la plupart des approches scientifiques du XVIIIe siècle, qui tendent à soumettre la nature aux besoins et aux désirs de l’homme, Rousseau n’envisage aucune application pratique à la botanique. Il n’y voit que le plus bel outil offert à l’homme par la Nature pour approfondir sa connaissance de luimême. Une position très moderne – si on la rapporte à la(...)
Écrits sur la Botanique
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À l’inverse de la plupart des approches scientifiques du XVIIIe siècle, qui tendent à soumettre la nature aux besoins et aux désirs de l’homme, Rousseau n’envisage aucune application pratique à la botanique. Il n’y voit que le plus bel outil offert à l’homme par la Nature pour approfondir sa connaissance de luimême. Une position très moderne – si on la rapporte à la problématique du respect de la nature sans cesse réactualisée – que le philosophe développe dans ses Lettres sur la botanique. Aussi, lorsqu’il est chargé d’initier une jeune enfant à cette science par une série de huit missives adressées à sa mère, Madame Delessert, entre 1771 et 1773, Rousseau cherche-t-il à rendre intelligibles les différentes phases de développement de l’être humain autant que celles des plantes.
Landscape Theory