Reflections on democracy and urban form: Provocations from a panel at Harvard's Graduate School
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This book builds on conversations that took place in the Fall of 2024 at Harvard’s Graduate School of Design marking the release of the book ''Democracy and Urban Form'', a co-publication by Harvard Design Press and Sternberg Press. The original book showcased a series of six lectures that the sociologist Richard Sennett gave under the same name at the GSD in the fall of(...)
Reflections on democracy and urban form: Provocations from a panel at Harvard's Graduate School
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$24.95
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This book builds on conversations that took place in the Fall of 2024 at Harvard’s Graduate School of Design marking the release of the book ''Democracy and Urban Form'', a co-publication by Harvard Design Press and Sternberg Press. The original book showcased a series of six lectures that the sociologist Richard Sennett gave under the same name at the GSD in the fall of 1981. The original lectures, which happened more than forty years ago, addressed a much different political climate. Even so, Richard’s core insights into the connections between democracy and justice, matters of architecture and urban design, the growth of cities, cosmopolitanism, inclusion, free speech, and other related matters remain just as relevant today. In the spirit of reflecting on these urgencies, the GSD invited the political philosopher Michael Sandel to deliver a lecture that drew on themes from the new edition of his book ''Democracy’s Discontent''. In his opening talk, which took place on the evening of Wednesday, October 9, Sandel encouraged the audience to consider what might account for the polarization that imperils democracy today, as well as what might be done about it? Beyond analyzing the forces that were about to decide the 2024 election, he proposed a bold project of civic renewal to reimagine the economy and empower citizens as participants in a shared public life. On Thursday, October 10, these provocations continued during a panel discussion that included Richard Sennett, Diane Davis, Claire Zimmerman, Markus Miessen, and Miguel Robles-Durán. All reflected on Sandel’s talk, as well as on the state of democracy as it related more specifically to architecture and the design and planning of cities and metropolitan regions.
Urban Theory
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In this edition, contributors listen to the cacophony of human noise to hear the voices of non-human agents. From parrots and pigeons to crystals and electrical substations, the complex depth and variety of city soundscapes reveal new ways to understand life among urban ecologies. The physical publication comes with a parallel digital publication that can be read, heard(...)
Urban Theory
January 2021
Sonic urbanism: Listening to non-human life
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In this edition, contributors listen to the cacophony of human noise to hear the voices of non-human agents. From parrots and pigeons to crystals and electrical substations, the complex depth and variety of city soundscapes reveal new ways to understand life among urban ecologies. The physical publication comes with a parallel digital publication that can be read, heard and watched at sonic.city.
Urban Theory
Site report
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"Site report" is a collection of poetry in prose, verse and screenplay, where windows are a lot more than panes of glass, tables have minds of their own and sinks are conduits that connect to the wider world beyond the home. It is not a book about the domestic: it is the domestic reimagined. Written through the architecture of the home and together with all its elements,(...)
Site report
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"Site report" is a collection of poetry in prose, verse and screenplay, where windows are a lot more than panes of glass, tables have minds of their own and sinks are conduits that connect to the wider world beyond the home. It is not a book about the domestic: it is the domestic reimagined. Written through the architecture of the home and together with all its elements, it is an invitation into the worlds of windows, tables and sinks that should never be reduced to their mere objecthood. Developed and written during Rhona Warwick Paterson’s fellowship at Theatrum Mundi (2020-22), Site Report is an imaginative re-worlding of domestic space that destabilises the most intimate and familiar of spaces, proposing a pulsating landscape with uncontained possibility.
Urban Theory
Encounters
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This publication addresses questions in the design of urban (im)mobilities, voicing the choreographers, dancers, architects, and urbanists that contributed to the Movement Forum project. It narrates the experiments they led, the processes they went through, and the encounters they had along the way. "Encounters" that challenged not only the way they relate to each other(...)
Encounters
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This publication addresses questions in the design of urban (im)mobilities, voicing the choreographers, dancers, architects, and urbanists that contributed to the Movement Forum project. It narrates the experiments they led, the processes they went through, and the encounters they had along the way. "Encounters" that challenged not only the way they relate to each other but also the way they move and co-exist in space; the way they present themselves, embody their identities and accommodate the identities and presence of others; and the way they relate to non-human species and inanimate things with whom they share their habitat. It is these encounters, whether amorous, meaningful, lasting, intimate, conscious or not, that this book wishes to celebrate.
Urban Theory
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There are cities that are walking cities or driving cities; there are quiet, loud, fast, slow, broad or high cities, and the bodies within them are shaped by the need to navigate them, while that process of navigation, in turn, shapes the cities. Urban designers, engineers, architects, exhibition curators and choreographers share a common interest in creating movement(...)
Navigations: Scoring the moment
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There are cities that are walking cities or driving cities; there are quiet, loud, fast, slow, broad or high cities, and the bodies within them are shaped by the need to navigate them, while that process of navigation, in turn, shapes the cities. Urban designers, engineers, architects, exhibition curators and choreographers share a common interest in creating movement around, in, and through places. Each of these disciplines comes with its own language, verbal and/or somatic: a structured system of words, ideas, movements, rules, meanings and assumptions that can lead to slippages or ‘failures’ in communication outside the narrow field of their specialisms. And those instances of slippages have provided the starting point for dancer, choreographer and Theatrum Mundi’s Research Fellow Adesola Akinleye to define a transdisciplinary lexicon of Place-making: a scaffolding for shared exploration, liberating communication from the contingencies and limitations of different subject areas.
Urban Theory
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This Edition documents a research exchange organised with support from the British Embassy in France. Exploring different models of infrastructure for cultural production through spatial and network analysis, it asks how those that design and run these infrastructures can develop new approaches and solidarities by reflecting on their everyday experiences in dialogue with(...)
Urban Theory
January 2020
It's always a work in progress = C'est un chantier permanent
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This Edition documents a research exchange organised with support from the British Embassy in France. Exploring different models of infrastructure for cultural production through spatial and network analysis, it asks how those that design and run these infrastructures can develop new approaches and solidarities by reflecting on their everyday experiences in dialogue with colleagues from another city.
Urban Theory
Performing projections
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"Performing projections" explores the two-year collaboration between Theatrum Mundi and Jayden Ali, Unit Leader of the Spatial Practices programme at Central Saint Martins. Combining the voices of students, educators, and practitioners the publication is centred around one fundamental question: Can performance-making be a craft for architectural thinking? The studio was(...)
Performing projections
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"Performing projections" explores the two-year collaboration between Theatrum Mundi and Jayden Ali, Unit Leader of the Spatial Practices programme at Central Saint Martins. Combining the voices of students, educators, and practitioners the publication is centred around one fundamental question: Can performance-making be a craft for architectural thinking? The studio was an experimental testbed where methodologies were developed using the techniques of scoring, staging, rehearsing, and improvising to raise provocative questions about who has the right to access, occupy, use, and remake our urban environments.
Urban Theory
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L'ouvrage de Jose Luis Romero constitue un condense remarquable de l'histoire de la conquete de l'Amerique du Sud et du developpement par les villes de ce continent. Il situe son analyse a partir de l'Europe et, plus particulierement, de la peninsule iberique a la fin du xive siecle, et la poursuit jusqu'a l'Amerique latine du XXe siecle. Quatre decennies apres sa(...)
L'Amérique latin, villes et idées
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L'ouvrage de Jose Luis Romero constitue un condense remarquable de l'histoire de la conquete de l'Amerique du Sud et du developpement par les villes de ce continent. Il situe son analyse a partir de l'Europe et, plus particulierement, de la peninsule iberique a la fin du xive siecle, et la poursuit jusqu'a l'Amerique latine du XXe siecle. Quatre decennies apres sa publication, cet ouvrage est devenu un classique de l'historiographie latino-americaine. A la fin de sa vie, Jose Luis Romero tire de son experience d'historien des sciences urbaines europeennes une hypothese sur le processus historique latino-americain. Celle-ci apparait dans son livre comme le resultat d'une tension, d'un conflit et d'une integration entre la ville et la campagne.
Urban Theory
La Commune d'Oaxaca
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Georges Lapierre arpente le Mexique depuis de longues années. En 2006-2007, il a tenu sur place cette chronique de la Commune d’Oaxaca, qui s’accompagne ici de documents inédits, d’une chronologie et d’une réflexion sur la communalité des peuples autochtones, qui irrigue le mouvement de transformation sociale jusqu’au cœur de la ville. Paru pour la première fois en 2008(...)
La Commune d'Oaxaca
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Georges Lapierre arpente le Mexique depuis de longues années. En 2006-2007, il a tenu sur place cette chronique de la Commune d’Oaxaca, qui s’accompagne ici de documents inédits, d’une chronologie et d’une réflexion sur la communalité des peuples autochtones, qui irrigue le mouvement de transformation sociale jusqu’au cœur de la ville. Paru pour la première fois en 2008 aux Éditions de la rue des Cascades, le livre reparaît aujourd’hui sans avoir perdu une once de son ‘actualité’.
Urban Theory
books
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Historian Max Page argues that New York City, at the early part of the 20th century, was dominated by the politics of destruction and rebuilding. He examines the dichotomies inherent in the label "creative destruction", itself an oxymoron of sorts. The book is well illustrated with vintage photographs, drawings, and paintings.
The creative destruction of Manhattan 1900-1940
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Historian Max Page argues that New York City, at the early part of the 20th century, was dominated by the politics of destruction and rebuilding. He examines the dichotomies inherent in the label "creative destruction", itself an oxymoron of sorts. The book is well illustrated with vintage photographs, drawings, and paintings.
books
November 1999, Chicago
Urban Theory