L'avantage métropolitain
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Le paradoxe des métropoles est bien connu : principaux centres de création de richesse, elles cumulent également les difficultés (sociales, environnementales, démocratiques) de nos sociétés modernes. Il est désormais clair que les politiques destinées à choyer des populations et des fonctions « stratégiques » au titre de la compétitivité économique ne parviennent pas à(...)
L'avantage métropolitain
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Le paradoxe des métropoles est bien connu : principaux centres de création de richesse, elles cumulent également les difficultés (sociales, environnementales, démocratiques) de nos sociétés modernes. Il est désormais clair que les politiques destinées à choyer des populations et des fonctions « stratégiques » au titre de la compétitivité économique ne parviennent pas à dépasser ces tensions. Rejetant cette vision d'une « ville d'exception », l'ouvrage s'appuie sur les apports de l'économie territoriale pour repenser ce qui fonde l'avantage métropolitain dans la globalisation. Loin de la prétendue dilution des capacités locales dans la mondialisation et de l'inexorable déconnexion entre les villes mondiales et leurs territoires environnants, l'ère des métropoles offre des marges de manoeuvre aux sociétés qui se donnent les moyens collectifs d'exploiter leurs ressources.
Urban Theory
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Reprise d'une enquête anthropologique sur le quartier de Bethnal Green, oeuvre fondatrice de l'étude de la parenté en zone urbaine dans l'Occident moderne.
Le village dans la ville: famille et parenté dans l'Est londonien
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Reprise d'une enquête anthropologique sur le quartier de Bethnal Green, oeuvre fondatrice de l'étude de la parenté en zone urbaine dans l'Occident moderne.
Urban Theory
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone(...)
May 2011
Cinematic Rotterdam:The times and tides of a modern city
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Cinematic Rotterdam is not only a thorough study of the audiovisual history of Rotterdam but is more especially a conceptual exploration of a hidden dimension of the city itself. Besides being an exhaustive reference work for policymakers, clients, producers and researchers in architecture, media and social studies, this overview makes a visual guide for anyone interested in looking at the city of Rotterdam from a different angle.
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The twentieth century in Europe was an urban century: it was shaped by life in, and the view from, the street. Women were not liberated in legislatures, but liberated themselves in factories, homes, nightclubs, and shops. Lenin, Hitler, and Mussolini made themselves powerful by making cities ungovernable with riots rampaging through streets, bars occupied one-by-one. New(...)
Streetlife: The untold story of Europe's twentieth century
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The twentieth century in Europe was an urban century: it was shaped by life in, and the view from, the street. Women were not liberated in legislatures, but liberated themselves in factories, homes, nightclubs, and shops. Lenin, Hitler, and Mussolini made themselves powerful by making cities ungovernable with riots rampaging through streets, bars occupied one-by-one. New forms of privacy and isolation were not simply a by-product of prosperity, but because people planned new ways of living, new forms of housing in suburbs and estates across the continent. In Streetlife, Leif Jerram presents a totally new history of the twentieth century, with the city at its heart, showing how everything distinctive about the century, from revolution and dictatorship to sexual liberation, was fundamentally shaped by the great urban centres which defined it.
Urban Theory
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Zukin traces this economic and social evolution in six archetypal New York areas - Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city’s community gardens. Like Jane Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to(...)
Naked city: The death and life of authentic places
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Zukin traces this economic and social evolution in six archetypal New York areas - Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city’s community gardens. Like Jane Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to drive up real estate values and effectively force out the neighborhood “characters” that Jacobs so evocatively idealized.
Urban Theory
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural(...)
Dubai, the city as corporation
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural and political forces in shaping both the image and the reality of Dubai. Exposing local struggles over power and meaning in the making and representation of Dubai, Kanna examines the core questions of what gets built and for whom. This publication offers an instructive picture of how different factions—from local and non-Arab residents and expatriate South Asians to the cultural and economic elites of the city—have all participated in the creation and marketing of Dubai. The result is an unparalleled account of the ways in which the built environment shapes and is shaped by the experience of globalization and neoliberalism in a diverse, multinational city.
Urban Theory
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In the first decades of the twentieth century, Marseille was a booming Mediterranean port. Positioned at the very edge of France, the city functioned as a critical fulcrum between the metropolitan center and its overseas empire. A notoriously dangerous and cosmopolitan city, Marseille became the focus of the extraordinary energies of some of the most remarkable architects(...)
Mediterranean crossroads: Marseille and Modern architecture
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In the first decades of the twentieth century, Marseille was a booming Mediterranean port. Positioned at the very edge of France, the city functioned as a critical fulcrum between the metropolitan center and its overseas empire. A notoriously dangerous and cosmopolitan city, Marseille became the focus of the extraordinary energies of some of the most remarkable architects and theorists of urban modernity. Drawing together architects, photographers, and cultural theorists, including Le Corbusier, Sigfried Giedion, Walter Benjamin, and László Moholy-Nagy, Mediterranean Crossroads examines how mythic ideas about Marseille helped to shape its urban landscape. Tracing successive planning proposals in tandem with shifting representations of the city in photographs, film, guidebooks, and postcards, Sheila Crane reconstructs the history and politics of architecture in Marseille from the 1920s through the years of rebuilding after World War II.
Urban Theory
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D’où vient le sens de la ville? Pourquoi et en quoi les villes diffèrent-elles les unes des autres? Comment naissent les significations urbaines? Et qu’est-ce que la ville, par delà la mince surface de notre temps présent? Pourquoi la ville s’oppose-t-elle à la nature? Comment la ville des architectes, la ville des poètes, la ville de la publicité, la ville des(...)
La ville phénomène de représentation
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D’où vient le sens de la ville? Pourquoi et en quoi les villes diffèrent-elles les unes des autres? Comment naissent les significations urbaines? Et qu’est-ce que la ville, par delà la mince surface de notre temps présent? Pourquoi la ville s’oppose-t-elle à la nature? Comment la ville des architectes, la ville des poètes, la ville de la publicité, la ville des aménagistes, la ville des chroniqueurs se comparent-elles? Quels sont les liens qui unissent la ville d’aujourd’hui à celle d’autrefois? Cet ouvrage propose quelques perspectives à propos de ces questions. Sous les horizons variés des sciences humaines et des lettres, on y aborde la ville comme un phénomène de représentation, c’est-à-dire comme un artefact culturel logé quelque part entre notre propre conscience et les idéaux de ceux qui l’ont imaginée, de ceux qui l’habitent et de ceux qui l’explorent. Les divers textes réunis dans ces pages s’attardent donc à exposer des approches et des contextes spéculatifs afin de recadrer les questionnements sur la genèse des espaces urbains et sur les relations, d’une part entre les villes et l’identité collective. Pour penser, comprendre et expliquer la ville sous ces dimensions, l’on aborde d’abord quelques considérations épistémologiques, pour interpeller ensuite la ville engendrée par le projet architectural et urbain. Suit l’examen, entre mythe et réalité, de la ville comme idéal variable, voire antinomique dès que l’on considère l’opposition historique entre milieux naturels et urbanisés. L’ouvrage se clôt enfin sur l’invention de la ville comme processus d’investissement de sens des paysages construits.
Urban Theory
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In his previous project Migropolis, Wolfgang Scheppe proposed Venice, Italy, as a prototype of the increasingly globalized city. Here, the German philosopher reexamines the city from another perspective. Done. Book is an "inquiry into the depth of visual archives," and how the archives of a city can aid an understanding of its society. Under this rubric, Scheppe compares(...)
Done. Book, picturing the city of society
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In his previous project Migropolis, Wolfgang Scheppe proposed Venice, Italy, as a prototype of the increasingly globalized city. Here, the German philosopher reexamines the city from another perspective. Done. Book is an "inquiry into the depth of visual archives," and how the archives of a city can aid an understanding of its society. Under this rubric, Scheppe compares two obsessive attempts at archiving or summating Venice: the Venetian notebooks of English art critic John Ruskin (1819-1900), compiled for his classic study Stones of Venice, and previously unseen photographs assembled by Alvio Gavagnin (born 1944), a contemporary resident of the city's working-class district. Despite their differences, both projects stem from a similar self-imposed commitment on the part of their makers: to provide a comprehensive representation of the details of an urban network, whose truth can be glimpsed in the minutiae and hidden particulars.
Urban Theory
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As African societies come to live more and more in cities, they do so in ways that challenge prevailing theories and models of urban development in geography, sociology, anthropology, and planning. This book uses African urban concepts and experiences to speak back to theoretical and practical concerns in urban studies and disciplines that study cities, as well as in(...)
African cities: alternative visions of urban theory and practice
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As African societies come to live more and more in cities, they do so in ways that challenge prevailing theories and models of urban development in geography, sociology, anthropology, and planning. This book uses African urban concepts and experiences to speak back to theoretical and practical concerns in urban studies and disciplines that study cities, as well as in African studies. It argues for a re-vision a seeing again, and a revising of how cities in Africa are discussed and written about in both urban studies and African studies.
Urban Theory