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Le tzaradis
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
December 2008, Karlsruhe
Le tzaradis
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
books
December 2008, Karlsruhe
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
January 1999, Montréal, Vancouver
Manifeste pour une architecture douce, soft architecture, a manifesto
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
Rural urbanism
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In Vorarlberg, the westernmost Austrian federal state, the conditions promoting high-quality architecture are present to an exceptional degree. The “masters of the art of building” from the region who attracted international attention for the first time in the 1980s have now been succeeded by a second generation, whose members have returned to Vorarlberg after studying(...)
Rural urbanism
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In Vorarlberg, the westernmost Austrian federal state, the conditions promoting high-quality architecture are present to an exceptional degree. The “masters of the art of building” from the region who attracted international attention for the first time in the 1980s have now been succeeded by a second generation, whose members have returned to Vorarlberg after studying and practicing abroad, taking advantage of the areas’s advantageous conditions by realizing their projects without delay.
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“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet(...)
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January 1900, Berlin
Latz+partner bad places and oases
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“Bad Places” – defines spaces of urban wasteland, of landfills but also neglected parks or harmful and unfriendly traffic and infrastructure solutions. In their exhibition in AedesLand, Latz + Partner describe their approach to dealing with these places – the necessity of which goes beyond aesthetic standards in a time where we are faced with a shortage of space and yet continually create new wastelands. “Oases” – selective interventions and special places give an answer to bad places. Primarily, this revolves around the acceptance of devastated and polluted spaces, around the qualities that even such spaces can hold and around the layers that define them and hold the potential of fascinating information. Landscape does not merely exist physically. It represents a repertoire of information which is continually interpreted and re-interpreted by the beholder. The design philosophy of Latz + Partner is rooted in the ambition of facilitating and furnishing new ideas to this process. The exhibition focuses on two key, future-oriented projects: Hiriya, Tel Aviv and Crystal Palace Park, London. These projects, both of which are currently in the planning phase, are complemented by images of built projects, such as the blast furnace park in Duisburg, the Old Harbour in Bremerhaven and the urban transformation on the Plateau de Kirchberg in Luxembourg. Public participation is of great significance in all projects and ecological principles are innate to all of the work.
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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be(...)
Amp - the mark of the volcano : artengo + pastrana
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Almost ten years ago, Canary architectural practice AmP with its founders Felipe Artengo Rufino and José Pastrana (and their former partner Fernando Menis / Today: Menis Arquitectos) received acclaim far beyond their own country of Spain with their government building for the Canary Islands. A decisive factor for the international success of the team, which can be considered neither minimalist nor traditionalist, was the congenial mixture of four elements: their expressionist creative impulse, their deep roots in their home environment, the Canary Islands, their sculptural approach to architecture and the creative use of concrete as design element in combination with local materials. These vital aspects of their architecture also characterize the latest works of AmP, which are always the result of exact observations of space and locality. The Aedes exhibition’s focus is on the athletics stadium in Tenerife which was completed this year. Fitted like a giant earth and stone embankment into the suburban context, it represents at the same time a master piece of modern high-tech architecture. The two residential towers in Añaza, 2007, which have already gained landmark character and are an example of an offbeat approach to council housing in Spain, appear like giant concrete sculptures with their slightly bent shape and their odd-sized windows irregularly dispersed throughout the façade. Other projects are the court house in Santa Cruz, 2007 (competition entry), the extension building Cabildo, 2007 and a school in Orotawa, 2005. The competition entry for the harbour area in Los Cristianos, 2007, illustrates the sensitive approach of Felipe Artengo Rufino und José Pastrana within the urban context, achieving a user- friendly transformation of this area where the city meets the sea, for residents as well as for tourist. A fundamental principle of AmP would be to understand a place as a sediment of geological and climatic forces, of industrial, agrarian and urban residue, permeated by sociological and cultural components. Closeness to their environment and the means at their disposal enable Felipe Artengo Rufino and José Pastrana to do research in situ and thus create a clearly defined architecture. The scenic variety of the islands, in which light plays an essential role, has a strong influence on their design process. The effects of time on their work are vital to AmP. The aging process of their favourite materials concrete, stone and timber fosters a continuous natural change which accentuates the power of architecture and makes the formal and structural aspects become even more evident in the course of time.
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The hanging cemetery
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The London-based NaJa and deOstos architecture office was founded by Nannette Jackowski and Ricardo de Ostos as a platform for experimental architecture. The architects run their office as a studio that tackles the challenges arising from the manifold possibilities presented by urban situations and social dynamics by developing alternative urban concepts. One of their(...)
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May 2007, Vienna New York
The hanging cemetery
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The London-based NaJa and deOstos architecture office was founded by Nannette Jackowski and Ricardo de Ostos as a platform for experimental architecture. The architects run their office as a studio that tackles the challenges arising from the manifold possibilities presented by urban situations and social dynamics by developing alternative urban concepts. One of their projects is the "Hanging Cemetery of Baghdad”, which they have continuously developed since 2004. In his introduction, Peter Cook says that as an architect, one could essentially go into denial in view of the harrowing situation in Baghdad. NaJa and deOstos research the situation and react with the language of experimental architecture.
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Orte der Adoleszenz
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Three places of growing up – the Institution for the Blind at Regensburg, the Cantonal School Rychenberg / Winterthur and the Lecture Hall, Zittau – three concepts for a school environment. A different framework determines the progam and the utilization of each respective building type. Realization of the projects with their specific requirements was preceded by an open(...)
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January 2007, Berlin
Orte der Adoleszenz
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Three places of growing up – the Institution for the Blind at Regensburg, the Cantonal School Rychenberg / Winterthur and the Lecture Hall, Zittau – three concepts for a school environment. A different framework determines the progam and the utilization of each respective building type. Realization of the projects with their specific requirements was preceded by an open competition. Award winners are young offices realizing their first big project with this commission. The works of these young architects are displayed in this exhibition for the first time. The Institution for the Blind by Georg Scheel Wetzel Architekten : a partial or complete loss of the sense of sight determined the layout of the complex. In order to enable children to find their way in the building, a strong focus lies on the senses of touch and hearing. Hence, the building is organized on a single floor and the choice of materials underlines the haptic experience of the interior and outer spaces. Apart from the school rooms, the building also provides units of accommodation for stays up to several days. The Cantonal School Rychenberg / Winterthur by Haberland Architekten,,an extension of the building erected in 1960 – 63 by Eric Lanter and a continuation of the Corbusian composition, at the same time utilizes exposed concrete for its façades. All functions are accommodated within an elongated construction consisting of a base and a cube placed above it. Situated off the existing buildings, the base is accessible from the slope and serves as terrace and recess area. It contains class rooms as well as a multi-use sports gym with weights and gymnastics facilities. The cube accommodates a media center and music rooms and is situated between the main building and the hall. The Lecture Hall in Zittau by Tilmann Bock Norbert Sachs Architekten marks the beginnings of a new location for higher education. The new campus center consists of one large and three smaller lecture halls and is completed by two seminar rooms. The lecture hall building is characterized by a fluid spatial movement and accessibility. Starting from the central campus place, the foyer opens up the internal room plan moving past accesses to the lecture halls and a mezzanine toward the upper floor. The open theater on the roof terrace may be used as "open air" lecture hall or as event space for the university.
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January 2007, Berlin
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The exhibition illustrates the variety of leisure spas and thermal baths realized by the architectural practice 4a Architekten from Stuttgart, Germany. Accessible for visitors from viewpoints resembling starting blocks, the room installation is made up of models and platforms suspended over a water pool. Enhancing the experience of visiting an actual swimming pool,(...)
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March 2007, Berlin
4a Architekten : wasserwelten
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The exhibition illustrates the variety of leisure spas and thermal baths realized by the architectural practice 4a Architekten from Stuttgart, Germany. Accessible for visitors from viewpoints resembling starting blocks, the room installation is made up of models and platforms suspended over a water pool. Enhancing the experience of visiting an actual swimming pool, in-depth information to each project is provided in a row of lockers. Via projections on the walls and on the water surface, visitors also become emotionally involved in the bathing activities and the architectural diversity of 4a Architekten.
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March 2007, Berlin
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The exhibition is a cooperation with ifa – Institut für Auslandsbeziehungen e.V., which also organizes the international tournee. After the presentation in Berlin the installation will be presented at numerous locations in North America. The exhibition project “Redefining Comfort - Rethinking Conventions” presents combined outstanding architectural and engineering performances.
Ecology, design, synergy : behnisch architekten + transsolar climate engineering
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The exhibition is a cooperation with ifa – Institut für Auslandsbeziehungen e.V., which also organizes the international tournee. After the presentation in Berlin the installation will be presented at numerous locations in North America. The exhibition project “Redefining Comfort - Rethinking Conventions” presents combined outstanding architectural and engineering performances.
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November 2006, Berlin
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Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public(...)
Graftworld
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In addition to Graft’s the widely published projects, like the prize-winning Hotel Q in Berlin, Restaurants Fix and Stack in Las Vegas and several international houses, the exhibition will focus on the new and unpublished work of Graft, including numerous high-rise buildings, special hotel designs and private residences, research installations as well as public projects. Graftworld refers to Graft’s specific method of work process, which fuses syntactic, semantic and phenomenological aspects into architecture. Graft uses narrative elements of cinema, exploiting space - time interconnections through storyboarding with progressive technical research of long term collaborations with various companies. The exhibit will showcase this methodology in an accessible, usable exhibition sculpture, an interactive lounge displaying not only projects of all three office locations but providing chillout zones to relax as well. Classical distinctive architecture elements like floor, wall and ceiling will be fused into a lounge-display-hybrid. Graftworld is thought to be inclusive and rather crosses and blurs boundaries than accepting their exclusive nature. This approach also touches on the increasing transition of distinct modern mono-functional living and working environments, that are blending into new urban lifestyles of the metropolitan nomads. Graftworld proposes architecture that can evolve to be sculpture, be furniture, be a product, be an urban scenario, be landscape at the same time. Design, methodology and technology are not classically “displayed”, but are integrated in the Graftworld.
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January 2007, Berlin
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