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Beauty of our pain
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Installation by Egashira composed of reconstructed fitness equipment.
Beauty of our pain
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Installation by Egashira composed of reconstructed fitness equipment.
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January 1900, London
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This book looks at sculptor Erwin Heerich's twelve buildings which constitute the Museum Insel Hombroich, a private museum. Two further structures are planned to comlete the complex.
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January 1900, Stuttgart
Erwin Heerich : Museum Insel Hombroich
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This book looks at sculptor Erwin Heerich's twelve buildings which constitute the Museum Insel Hombroich, a private museum. Two further structures are planned to comlete the complex.
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January 1900, Stuttgart
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An elegant examination of the relationship between the work of architect Gunther Wratzfeld and wall design by artist Willi Kopf at the nursery school in Koblach, Austria. Photographs by Margherita Spiluttini.
Wratzfeld, Kopf : Kindergarten Koblach
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An elegant examination of the relationship between the work of architect Gunther Wratzfeld and wall design by artist Willi Kopf at the nursery school in Koblach, Austria. Photographs by Margherita Spiluttini.
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August 1999, Stuttgart
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Published to commemorate the Charles & Ray Eames Lecture, given by Mack Scogin and Merrill Elam.
Mack & Merrill : the 1999 Charles & Ray Eames lecture
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Published to commemorate the Charles & Ray Eames Lecture, given by Mack Scogin and Merrill Elam.
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January 1999, Ann Arbor
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Kazuyo Sejima in Gifu
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This building constitutes the first material expression of Kazuyo Sejima's studies on metropolitan housing, studies which proceed from the idea that not all subsidized housing is the same. Starting from a standard public apartment program, the confrontation between a strictly modulated structure and a random disposition of the different rooms, or between the length of the(...)
Kazuyo Sejima in Gifu
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This building constitutes the first material expression of Kazuyo Sejima's studies on metropolitan housing, studies which proceed from the idea that not all subsidized housing is the same. Starting from a standard public apartment program, the confrontation between a strictly modulated structure and a random disposition of the different rooms, or between the length of the building and the reduction of its built depth, also elicits a confrontation between habitable space and the surrounding landscape, and between the individual and the family unit.
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Catalogue from the exhibition Appearing Sculptural by Marte.Marte Architekten.
Marte.Marte architects: appearing sculptural
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Catalogue from the exhibition Appearing Sculptural by Marte.Marte Architekten.
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Textes autobiographiques dans lesquels le philosophe raconte des souvenirs liés à la ville de Amorbach et, à travers elle, réfléchit à des sujets tels que l'Amérique, la standardisation et l'industrie culturelle.
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Dans cet entretien réalisé en 1979, G. Anders retrace l'ensemble de sa carrière : ses rapports tumultueux avec Brecht, la vie difficile des émigrés allemands, etc. Une présentation par lui-même de l'oeuvre d'un des intellectuels allemands les plus importants de l'après-guerre.
Et si je suis désespéré, que voulez-vous que j'y fasse? (nouvelle édition)
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Dans cet entretien réalisé en 1979, G. Anders retrace l'ensemble de sa carrière : ses rapports tumultueux avec Brecht, la vie difficile des émigrés allemands, etc. Une présentation par lui-même de l'oeuvre d'un des intellectuels allemands les plus importants de l'après-guerre.
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L. Russolo, peintre et musicien futuriste, conçut en 1913 le bruitisme comme possibilité d'élargissement de la matière sonore. Il en explique ici les caractéristiques et les enjeux.
L'art des bruits (nouvelle édition)
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L. Russolo, peintre et musicien futuriste, conçut en 1913 le bruitisme comme possibilité d'élargissement de la matière sonore. Il en explique ici les caractéristiques et les enjeux.
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Dans ce texte de 1957, le dessinateur allemand s'auto-analyse et réfléchit notamment à la place qu'occupent ses obsessions dans sa création artistique.
Petite anatomie de l'image (nouvelle édition)
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Dans ce texte de 1957, le dessinateur allemand s'auto-analyse et réfléchit notamment à la place qu'occupent ses obsessions dans sa création artistique.
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