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Homeland security is a grid of 36 suspended insect zappers with ultraviolet fluorescent lights and electrocuting matrix installed at the center of the bordertown Marfa, Texas.
Charles Stankievech : Homeland security (it's hard to find a good lamp)
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Homeland security is a grid of 36 suspended insect zappers with ultraviolet fluorescent lights and electrocuting matrix installed at the center of the bordertown Marfa, Texas.
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Someone who doesn’t experience or understand pleasure re-invents poetry for the 21st century conflicted ego, viewing life as a political problem that no amount of startling emotional turmoil or insight can solve. The texts here range from confessions of conflicted feelings to theories of obsolesce, from the desire for a fluffy towel, to possible dialogs for a future(...)
Jacob Wren : Someone who doesn't experience or understand pleasure
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Someone who doesn’t experience or understand pleasure re-invents poetry for the 21st century conflicted ego, viewing life as a political problem that no amount of startling emotional turmoil or insight can solve. The texts here range from confessions of conflicted feelings to theories of obsolesce, from the desire for a fluffy towel, to possible dialogs for a future detective novel. Freely mixing a calm, straight-forward voice with fragmented shades of hysteria and polemic, the book lays bare the unsettling disappointment of youthful hope, the utopian dream, and energy lost somewhere between a party and a political action.
Weather systems
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This vein of asemic literature excuses the verbal in favour of an imaginatively textual language that renders the reader as interpreter. This post-literate writing is assembled from enlarged pen & ink drawings, scavenged materials, rubber stamps, and photocopies. A thorough remix has been performed by author & editor to create a document that requires all levels of(...)
Weather systems
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This vein of asemic literature excuses the verbal in favour of an imaginatively textual language that renders the reader as interpreter. This post-literate writing is assembled from enlarged pen & ink drawings, scavenged materials, rubber stamps, and photocopies. A thorough remix has been performed by author & editor to create a document that requires all levels of creativity be employed in both its creation and consumption.
Moving day & other stories
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With incisive humour and caustic sympathy, in three short stories, Anna Leventhal gives us characters that live in a world strolling a few steps beside our own. Exploring class, ownership, and civic duty, Moving Day captures the totalitarian exercise of a mandatory, city-wide move and the effect of its bureaucratic mishaps. The shiftless narrator of Last Man Standing has(...)
Moving day & other stories
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With incisive humour and caustic sympathy, in three short stories, Anna Leventhal gives us characters that live in a world strolling a few steps beside our own. Exploring class, ownership, and civic duty, Moving Day captures the totalitarian exercise of a mandatory, city-wide move and the effect of its bureaucratic mishaps. The shiftless narrator of Last Man Standing has his social bubble threatened by a dubious emergency, while a diagnosis in Sweet Affliction suggests a new stage in human evolution.
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The world is changing in ways that only children understand. Floods come and go in the blink of an eye and tin can phones call out warnings and fall from the sky. In the alleyways magicians pull ghosts out of hats, while policemen climb over fences, out of the drains, and airplanes are carefully folded notes left all over the place. There is a steamboat in the backyard(...)
Sasha Fletcher : I cannot pretend to be a ghost today
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The world is changing in ways that only children understand. Floods come and go in the blink of an eye and tin can phones call out warnings and fall from the sky. In the alleyways magicians pull ghosts out of hats, while policemen climb over fences, out of the drains, and airplanes are carefully folded notes left all over the place. There is a steamboat in the backyard and one day it will die. Life, as it is known in i cannot pretend to be a ghost today, is a domestic storm brewing within the careful vocabulary that Fletcher takes for rides around the house, down the hallway, and into the kitchen.
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With ten cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
JP King : 10 postcards, Standard greeting procedure
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With ten cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
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These Ten Truly Amazing Postcards are nothing short of their claim. Capturing some of the best collages and illustrations by Montreal/Toronto Artist Jp King, you can use these to communicate with friends in far away places, or as decoration for your sparse and empty walls hungry for images. Don't let your walls go hungry. Jp King is a writer and relational,(...)
JP King : Ten truly amazing postcards
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$12.00
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These Ten Truly Amazing Postcards are nothing short of their claim. Capturing some of the best collages and illustrations by Montreal/Toronto Artist Jp King, you can use these to communicate with friends in far away places, or as decoration for your sparse and empty walls hungry for images. Don't let your walls go hungry. Jp King is a writer and relational, investigative publisher from Toronto, whose works explore contemporary mythology, masculinity, garbage, and collective activity. His obsession with paper manifests itself in collage, installation, murals, and multiples. When the timing is right he plays the role of designer, editor, residency coordinator, and conversational facilitator.
Kirsten McCrea: 10 postcards
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In Ten Postcards, the illustrations and paintings of Papirmasse founder Kirsten McCrea are ready to be written on, mailed halfway 'round the world, or selfishly framed for your own walls. In this series Kirsten's ornate textile patterns are featured next to the now famous "Ampersands" seen on the streets of Montreal and Toronto.
Kirsten McCrea: 10 postcards
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In Ten Postcards, the illustrations and paintings of Papirmasse founder Kirsten McCrea are ready to be written on, mailed halfway 'round the world, or selfishly framed for your own walls. In this series Kirsten's ornate textile patterns are featured next to the now famous "Ampersands" seen on the streets of Montreal and Toronto.
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the(...)
JP King : 13 postcards from the book We will be fish
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Thirteen Postcards of illustrations from the book of narrative poetry We Will Be Fish. These images are compiled from turn-of-the-century mail-order catalogs, medical & zoological textbooks, and engineering diagrams. We Will Be Fish is a collection of narrative poems and illustrations, which can be viewed here, published by Pistol Press in 2008. It was listed for the 2008 ReLit Awards and 2009 Expozine Awards, and a top ten seller at Drawn & Quarterley in 2008. The story follows the life of Leopold Canary, who loses his wife to sleeping sickness and gets tangled up in a government scam covering the truth behind the disease. He goes on to try and find his place in other small towns, at times working as an appliance designer, a self-appointed dentist, and the guide of his own basement museum. With thirteen cards you can choose your favorites for the fridge and use the rest to tell your grandma about all the nifty things you've been up to as of late.
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This issue features "animate landscapes" by James A. Craig and Matt Ozga-Lawn of Stasus. The project - an experimental film institute - mediates between its postindustrial site in Warsaw and the Edinburgh studio in which it was developed. By identifying, interrogating, and immaterial conditions of both landscape and studio, Stasus creates a new scape that draws on the(...)
Pamphlet architecture 32: resilience
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This issue features "animate landscapes" by James A. Craig and Matt Ozga-Lawn of Stasus. The project - an experimental film institute - mediates between its postindustrial site in Warsaw and the Edinburgh studio in which it was developed. By identifying, interrogating, and immaterial conditions of both landscape and studio, Stasus creates a new scape that draws on the resilience of its constituent elements.
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