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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical(...)
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Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
Juul & Frost Architects, Copenhagen : Signatur
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Helle Juul and Flemming Frost have been busy contributing assignment solutions from dialogue-based consultancy to concrete planning, designing and realization of architecture. The signature of their work is the discussion about context and scale with respect to urban time and space. Juul & Frost manifest their professional conceptual foundation through a philosophical and theoretical approach to architecture. There is a focus on the architectonic idea, which is consistently pursued and tested throughout the entire course of the project. The origin of their work was established through the editorial responsibilities for the Danish journal of architecture, SKALA, and the running of an architectural gallery, also known as SKALA, at the end of the nineteen-eighties. In the nineteen-nineties, Juul & Frost continued working as curators of large scale urban exhibitions, symposia and workshops known as SKAZKI Architecture Forum.Comprehensively unified planning and the contextual angle stand as indispensable points of reference for Juul & Frost, regardless of the assignment's scale.
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books
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December 2003, Berlin
December 2003, Berlin
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of(...)
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of(...)
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Dominique Perrault : New Mariinsky Theater
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of Kryukov canal, with additional 2000 seats. It will fully meet present day performance and technical demands. In order to underline the importance of this project for the Russian Federation, an international invited competition was launched in which the French architect Dominique Perrault, already an established figure among the world's architectural elite due to the Bibliothèque Nationale in Paris, emerged as the winner.
Dominique Perrault : New Mariinsky Theater
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Last June, with the accompaniment of international media attention, the decision was made for a second stage of the Mariinsky Theater in St Petersburg. This opera house, famous worldwide, also due to its director and conductor Valery Gergiev, will receive a contemporary second building, built in close vicinity of the existing Mariinsky Theater, on the other bank of Kryukov canal, with additional 2000 seats. It will fully meet present day performance and technical demands. In order to underline the importance of this project for the Russian Federation, an international invited competition was launched in which the French architect Dominique Perrault, already an established figure among the world's architectural elite due to the Bibliothèque Nationale in Paris, emerged as the winner.
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books
books
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December 2003, Berlin
December 2003, Berlin
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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Intégral Ruedi Baur et Associés Expo 2 : la signalétique
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
Intégral Ruedi Baur et Associés Expo 2 : la signalétique
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Le livre présente la signalétique d’Expo. 02, sixième exposition nationale suisse, conçue par Intégral Ruedi Baur avec des pictogrammes imaginés par le dessinateur Zhang Lu. Déclinées sur les différents sites de l’exposition, les propositions d’Intégral Ruedi Baur jouent sur le foisonnement des informations.
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books
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January 1900, Paris
January 1900, Paris
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Title:
Roy : architecture of risk
Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
Roy : architecture of risk
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Drawing from a range of Roy's work this book concentrates on four projects that engages an experience of nature and its inherent bliss and risk. Implicitly as well as explicily, these projects take on the challenge of balencing nature development and conservation.
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books
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July 2004, Ann Arbor
July 2004, Ann Arbor
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small format
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work,(...)
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work,(...)
Title:
Toshiko Mori : materials, fabrication + performance
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work, sometimes in collaboration with artists, and she is an active participant in and organizer of symposia and competition programs. She is an advisor to the Montreal Museum for Decorative Arts and the Greenwich Village Society for Historic Preservation. This book was published on the occasion of a lecture given at the School of Architecture and Planning at SUNY Buffalo.
Toshiko Mori : materials, fabrication + performance
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Toshiko Mori is the principal of Toshiko Mori Architect, which was established in 1981 in New York. Her firm's work has been widely published and has received awards and prizes internationally. Current work includes houses in Maine, Florida, and New York; the Farnsworth Art Museum in Rockland, Maine; and several projects in New York City. Mori often exhibits her work, sometimes in collaboration with artists, and she is an active participant in and organizer of symposia and competition programs. She is an advisor to the Montreal Museum for Decorative Arts and the Greenwich Village Society for Historic Preservation. This book was published on the occasion of a lecture given at the School of Architecture and Planning at SUNY Buffalo.
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books
books
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October 2003, Buffalo
October 2003, Buffalo
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small format
small format
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
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small format
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Publication:
October 2003, Berlin
October 2003, Berlin
Title:
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
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books
books
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October 2003, Berlin
October 2003, Berlin
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small format
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as(...)
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small format
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Publication:
July 2003, Ann Arbor
July 2003, Ann Arbor
Title:
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
The freedom of the architect : Rafael Moneo
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In "The Freedom of the Architect", Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo’s reflections on his own work include: The City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo’s work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in "Oppositions" and "Lotus". He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.
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books
books
Publication:
July 2003, Ann Arbor
July 2003, Ann Arbor
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small format
small format
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books
books
![Gr[o]und : workshop 2002](/img-bookstore/ER8rHi3W6hh0gG1ZY0E7rhTahW4=/700x821/MIG-05271.jpg)
Title:
Gr[o]und : workshop 2002
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The(...)
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Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
Gr[o]und : workshop 2002
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The site and subject of the gr(o)und workshop is lower Manhattan. Its underlying theme combines "ground" and the German word "Grund," referring to the foundation of ideas that give a rational structure to urban activity. The workshop designed and constructed new tectonic elements with the aim of making changes in the gr(o)und for a particular, brief period of time. The installation of these new elements in lower Manhattan on a hot, busy day in mid-August is documented and anaylzed.
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books
books
Publication:
January 2004, Vienna
January 2004, Vienna
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small format
small format
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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small format
small format
Publication:
October 2003, New York
October 2003, New York
Title:
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
Form:
books
books
Publication:
October 2003, New York
October 2003, New York
Subject:
small format
small format
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books
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
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Summary:
"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
Title:
Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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$22.95
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Summary:
"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
Form:
books
books
Publication:
October 2003, New York
October 2003, New York
Subject:
small format
small format
