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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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April 2002, Los Angeles
April 2002, Los Angeles
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
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Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
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September 2002, Vancouver
September 2002, Vancouver
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Public 22/23 : cities/scenes
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
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Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
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January 2002, Toronto
January 2002, Toronto
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film,(...)
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film,(...)
Title:
Architecture of the night : the illuminated building
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film, architecture, and painting. "Architecture of the Night" explores this dynamic period in depth, considers its impact today, and addresses the new issues that confront contemporary lighting, such as "light pollution", conservation, and aesthetics. The book features close to 200 illustrations and examines 100 examples of building illumination, including the Paris Opera House (1880), the Gas and Electric Building, Denver (1910), the Empire State Building, New York (1931), the Seagram Building, New York (1958), the Lloyds Building, London (1988) and the Anzeiger Hochhaus, Hanover (2000).
Architecture of the night : the illuminated building
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film, architecture, and painting. "Architecture of the Night" explores this dynamic period in depth, considers its impact today, and addresses the new issues that confront contemporary lighting, such as "light pollution", conservation, and aesthetics. The book features close to 200 illustrations and examines 100 examples of building illumination, including the Paris Opera House (1880), the Gas and Electric Building, Denver (1910), the Empire State Building, New York (1931), the Seagram Building, New York (1958), the Lloyds Building, London (1988) and the Anzeiger Hochhaus, Hanover (2000).
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February 2002, Munich
February 2002, Munich
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This introduction to the architectural master etcher Piranesi includes 168 plates.
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This introduction to the architectural master etcher Piranesi includes 168 plates.
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Giovanni Battista Piranesi : selected etchings
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This introduction to the architectural master etcher Piranesi includes 168 plates.
Giovanni Battista Piranesi : selected etchings
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This introduction to the architectural master etcher Piranesi includes 168 plates.
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January 2001, Cologne
January 2001, Cologne
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an(...)
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an(...)
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Jasper Morrison : everything but the walls
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an unmistakable and excitingly modern formal language that is used by manufactures including FSB, Vitra, Cappellini, and Flos. In additon to domestic product design, Morrison developed a new design for the Hanover municipal rail system for Expo 2000. Previously priced at $87.95.
Jasper Morrison : everything but the walls
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an unmistakable and excitingly modern formal language that is used by manufactures including FSB, Vitra, Cappellini, and Flos. In additon to domestic product design, Morrison developed a new design for the Hanover municipal rail system for Expo 2000. Previously priced at $87.95.
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Publication:
November 2001, Baden
November 2001, Baden
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila(...)
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila(...)
Title:
Inside the word - au coeur du mot
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila themselves. Previously priced at $72.00.
Inside the word - au coeur du mot
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila themselves. Previously priced at $72.00.
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August 2001, Baden
August 2001, Baden
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in(...)
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in(...)
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November 2001, Cologne
November 2001, Cologne
Title:
Great leap forward : project on the city 1
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in urbanization on an astonishingly large scale. "Great Leap Forward" contains essays that explore, in a theoretical and statistical context, the results of this rapid modernization, which has produced an entirely new urban substance.
Great leap forward : project on the city 1
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in urbanization on an astonishingly large scale. "Great Leap Forward" contains essays that explore, in a theoretical and statistical context, the results of this rapid modernization, which has produced an entirely new urban substance.
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November 2001, Cologne
November 2001, Cologne
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while(...)
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while(...)
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Truth or Consequences : a personal history of American photography from the last century
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while at the same time constructing a personal tribute to American photography, paying homage to such great pioneers of the genre as Edward Weston and Walker Evans.
Truth or Consequences : a personal history of American photography from the last century
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while at the same time constructing a personal tribute to American photography, paying homage to such great pioneers of the genre as Edward Weston and Walker Evans.
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Publication:
January 1900, London, New York
January 1900, London, New York
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"Form follows idea" examines the work and ideas of designers Ralph Ball and Maxine Naylor. Their reflections and propositions here provide a refreshing and provocative approach to design, touching on issues such as craftsmanship, modernism, and the role of nature and commercialism in design. Ball and Naylor's work explores ideas of space beyond the physical object. Their(...)
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"Form follows idea" examines the work and ideas of designers Ralph Ball and Maxine Naylor. Their reflections and propositions here provide a refreshing and provocative approach to design, touching on issues such as craftsmanship, modernism, and the role of nature and commercialism in design. Ball and Naylor's work explores ideas of space beyond the physical object. Their(...)
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Form follows idea : an introduction to design poetics
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"Form follows idea" examines the work and ideas of designers Ralph Ball and Maxine Naylor. Their reflections and propositions here provide a refreshing and provocative approach to design, touching on issues such as craftsmanship, modernism, and the role of nature and commercialism in design. Ball and Naylor's work explores ideas of space beyond the physical object. Their concern with cultural and social values is manifest in the form and (dis)function of their designs and appropiations of everyday objects, such as chairs, lights and shelving. "Form follows idea" features their approach to these objects through cultural, ecological and visual narratives. As such, this book provides a playful yet critical re-evaluation of familiar forms and typologies.
Form follows idea : an introduction to design poetics
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"Form follows idea" examines the work and ideas of designers Ralph Ball and Maxine Naylor. Their reflections and propositions here provide a refreshing and provocative approach to design, touching on issues such as craftsmanship, modernism, and the role of nature and commercialism in design. Ball and Naylor's work explores ideas of space beyond the physical object. Their concern with cultural and social values is manifest in the form and (dis)function of their designs and appropiations of everyday objects, such as chairs, lights and shelving. "Form follows idea" features their approach to these objects through cultural, ecological and visual narratives. As such, this book provides a playful yet critical re-evaluation of familiar forms and typologies.
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January 1900, London
January 1900, London
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sale books
