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Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures(...)
Public 22/23 : cities/scenes
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This issue of Public is devoted to the study of "scenes," treating these as phenomenal elements in the cultural life of cities. Both memorable and ephemeral, scenes conjugate a history of urban places by enacting a dramatic visibility. They are a measure of the decline, vitality and distinctiveness of a city. A century or more of theorizing has subdivided city cultures into communities, subcultures, networks and innumerable other unities. "Scenes" are both the haziest of such unities and some of the most productive. Amidst an explosion of writing on all aspects of urban culture, our focus on scenes has served to constrain and inspire the studies contained in this issue. Contributors: Adrian Blackwell, Alan Blum, Jenny Burman, Jean-François Côté, Jonathan Gainer, Elke Grenzer, Janet Jones, Ryan Kamstra, Janine Marchessault, Paul Moore, Brian Poole, James N. Porter, John Porter, Peter Shevlin, Johanne Sloane, Geoff Stahl, Will Straw, Tom Taylor, Kathryn Walter, Margaux Williamson, Kelly Wood. Originally priced at $20.00.
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January 2002, Toronto
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film,(...)
Architecture of the night : the illuminated building
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The book serves as a histirical survey of architectural lighting throughout the twentieth century and also examines the cultural, social, and artistic issues surrounding this phenomenon. During the 1920's and 1930's architectural floodlighting was at its most intense, considered an essentially modern abstract art form that crossed the boundaries between film, architecture, and painting. "Architecture of the Night" explores this dynamic period in depth, considers its impact today, and addresses the new issues that confront contemporary lighting, such as "light pollution", conservation, and aesthetics. The book features close to 200 illustrations and examines 100 examples of building illumination, including the Paris Opera House (1880), the Gas and Electric Building, Denver (1910), the Empire State Building, New York (1931), the Seagram Building, New York (1958), the Lloyds Building, London (1988) and the Anzeiger Hochhaus, Hanover (2000).
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February 2002, Munich
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This introduction to the architectural master etcher Piranesi includes 168 plates.
Giovanni Battista Piranesi : selected etchings
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This introduction to the architectural master etcher Piranesi includes 168 plates.
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January 2001, Cologne
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an(...)
Jasper Morrison : everything but the walls
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This publication provides a survey of the working methods and results achieved by one of the most influential European product designers. Morrison’s name is not associated with spectacular consumer design products. In fact he represents an approach that many designers return to: simple and durable form, functional and true to its material. Here Morrison has developed an unmistakable and excitingly modern formal language that is used by manufactures including FSB, Vitra, Cappellini, and Flos. In additon to domestic product design, Morrison developed a new design for the Hanover municipal rail system for Expo 2000. Previously priced at $87.95.
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila(...)
Inside the word - au coeur du mot
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Philippe Apeloig has established his reputation in the international poster scene since the end of the 1980s with works of unusual quality and an unerring sense for what it takes to design a poster. His interest in the printed word shifted from content to form. He began appreciating letters not only as a medium for expressing thoughts but also as creative materila themselves. Previously priced at $72.00.
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August 2001, Baden
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in(...)
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November 2001, Cologne
Great leap forward : project on the city 1
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In 1996-97, Harvard's graduate students studied China's Pearl River Delta (PRD), a cluster of five cities with a population of twelve million that will probably reach thirty-six million by the year 2020. The establishment in the PRD of Special Economic Zones - "laboratories for the contained unleashing of capitalism" - has hastened an unprecedented experiment in urbanization on an astonishingly large scale. "Great Leap Forward" contains essays that explore, in a theoretical and statistical context, the results of this rapid modernization, which has produced an entirely new urban substance.
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November 2001, Cologne
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while(...)
Truth or Consequences : a personal history of American photography from the last century
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Nick Waplington has been taking photographs in and around Truth or Consequences, a small town in New Mexico, for nearly ten years. Typical and unremarkable in many ways, the town voted to change its name to that of a celebrated radio quiz show in 1950. Waplington records the town behind the extraordinary name, the lives of its people and the landscape they live in while at the same time constructing a personal tribute to American photography, paying homage to such great pioneers of the genre as Edward Weston and Walker Evans.
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Le travail de deux architectes du Sud de la France C+D (Nicolas Crégut + Laurent Duport) sous une forme originale.
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Livraison No. 10: soundtracks for the blind
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
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