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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
Livraison No. 10: soundtracks for the blind
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En donnant à cette livraison le titre d'un album des Swans, Pierre Belouin rend un hommage discret à l'univers sombre de Michael Gira.
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition(...)
January 2009, Houston
On the banks of Bayou city: the center for land use interpretation in Houston
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During a residency at the University of Houston, the The Center for Land Use Interpretation (CLUI)established a field station on the banks of the Buffalo Bayou, revealing aspects of the relationship between oil and the landscape in Houston that are often overlooked, even by the city's residents. The CLUI's findings are presented in this volume, and a concurrent exhibition at the Blaffer Gallery, titled "Texas Oil: Landscape of an Industry". The book documents the CLUI's methodology in a series of interviews and includes a photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's projects and publications over the past 14 years.
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in(...)
Modeling messages : the architect and the model
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The model is one of the oldest means of architectural representation and comes in an extravagant variety of forms, from miniaturizations of reality mesmerizing in their exactness to wildly energetic sculptural representations. "Modeling Messages: The Architect and the Model" is a study of the contemporary model, American and international, and its myriad uses in architectural practice. Among the illustrations are inventive designs by architects Peter Eisenman, Frank Gehry, Zaha Hadid, and Rem Koolhaas. Author Karen Moon discusses the meaning of the model for the architect, the relationship between model and building, and the impact of scale. She also explores how architects use models for presentation and the creation of a public image. In addition, she focuses on the practice of model making: the relationship between the architect and the maker; the materials and new technologies that are transforming model making.
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José Luis Sert : 1901-1983
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The author has assembled the entire legacy of Sert’s projects and has reconstructed the profile of one of the greatest Spanish architects of the twentieth century. The book also conveys an overview of the avant-garde art and architecture movements of the time, with illustrations of important CIAM meetings, art, sculpture and architecture by artists who influenced Sert.
José Luis Sert : 1901-1983
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The author has assembled the entire legacy of Sert’s projects and has reconstructed the profile of one of the greatest Spanish architects of the twentieth century. The book also conveys an overview of the avant-garde art and architecture movements of the time, with illustrations of important CIAM meetings, art, sculpture and architecture by artists who influenced Sert.
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June 2004, Milan
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
August 2003, Ostfildern
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.
Promenades montréalaises
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De Senneville à Pointe-aux-Trembles, et de Cartierville à Verdun, toute l'île de Montréal est ici passée en revue. Mêlant informations culturelles et pratiques, de courts chapitres présentent et détaillent les nombreuses facettes des 27 arrondissements montréalais.
Promenades montréalaises
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De Senneville à Pointe-aux-Trembles, et de Cartierville à Verdun, toute l'île de Montréal est ici passée en revue. Mêlant informations culturelles et pratiques, de courts chapitres présentent et détaillent les nombreuses facettes des 27 arrondissements montréalais.
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The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of(...)
May 2003, New York
The millenium house
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In the academic year 2000-2001, Yale professor and New York City based architect Peggy Deamer led two innovative courses: first, a focused seminar on the state of contemporary residential design; second, a creative studio offering house designs that drew on the discoveries of the seminar. This book, the second in a series documenting work at the Yale School of Architecture, combines work from both courses in a thoughtful and provocative study of the state of the house at the turn of the millennium. Deamer introduces the volume with an essay on three issues vital to a discussion of millennial design: newness, uniqueness, and design innovation. Designs of visiting seminar critics -- Steven Holl, Elizabeth Diller and Ricardo Scofidio, William McDonough, LOT/EK, Winy Maas, and Jacques Herzog -- are showcased along with descriptive and analytical texts. Work from the studio course is divided into various themes explored by the students: image, standardization and modularity, networks and diagrams. The hybrid quality of this volume -- designs by practicing architects and students; observation and interpretation -- reflects debates and issues at the heart of early-twenty-first-century architecture.
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May 2003, New York
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Julian Rothenstein turns his idiosyncratic eye towards eccentric alphabets, emblems, and logos discovered in avant-garde modernist publications and other curious sources. Hundreds of examples of graphic ephemera sit side-by-side, mixing peculiar charm with useful reference in one package. Special features include an alphabet, circa 1926, created from photographs of a(...)
ABZ : more alphabets and other signs
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Julian Rothenstein turns his idiosyncratic eye towards eccentric alphabets, emblems, and logos discovered in avant-garde modernist publications and other curious sources. Hundreds of examples of graphic ephemera sit side-by-side, mixing peculiar charm with useful reference in one package. Special features include an alphabet, circa 1926, created from photographs of a dancing woman; original test-types for opticians’ charts; pages from sign artists’ manuals; and designs from fin de siècle French, German, Italian, and Czech journals. Nearly all of this material is reproduced here for the first time since its original publication.
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters.(...)
April 2003, San Francisco
Readymades : American roadside artifacts
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Photographer Jeff Brouws has crisscrossed the country for two decades, documenting an America that is at once quintessential and peculiar. Readymades is a quirky, multi-layered catalog of this ascendant photographer’s work: partially painted pickup trucks, bowling alley signs, vibrant-hued houses that defy the monotony of the suburbs, abandoned drive-in movie theaters. Brouws treats his subjects as readymade art found in the landscape, brought together to create an idiosyncratic roadside panorama. Provocative essays by leading writers and cultural commentators such as Luc Sante, DJ Waldie, M. Mark, Diana Gaston, Bruce Caron, and Phil Patton are juxtaposed with these images of all that is unique in the uniform, and striking in the mundane.