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A photographic journey through the recent reconversion of the J.& R. Weir industrial building, located in old Montreal. Photography by Diana Shearwood; additional photography by Atelier in Situ and Orazio Fantini. Architects: Atelier in Situ.
The zone
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A photographic journey through the recent reconversion of the J.& R. Weir industrial building, located in old Montreal. Photography by Diana Shearwood; additional photography by Atelier in Situ and Orazio Fantini. Architects: Atelier in Situ.
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January 1900, Montréal
small format
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This latest title in the Arcam Pocket series documents over thirty of the most significant recent architectural projects in Amsterdam.
Amsterdam architecture 1994-1996
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This latest title in the Arcam Pocket series documents over thirty of the most significant recent architectural projects in Amsterdam.
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June 1997, Amsterdam
small format
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Reading Drawing Building, is an exquisitely designed volume that juxtaposes two projects; the Library and the Drawing Machine. With an introduction by Stan Allen.
Pamphlet architecture #19 : reading drawing building
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Reading Drawing Building, is an exquisitely designed volume that juxtaposes two projects; the Library and the Drawing Machine. With an introduction by Stan Allen.
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July 1996, New York
small format
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$16.50
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This document describes the transformation of the Sao Paulo's Mauser Brothers' old steel drum factory into a leisure and cultural centre. This project was realized by Lina Bo Bardi between 1977 and 1986.
Leisure Center - SESC - Pompéia Factory Lina Bo Bardi 1977-1986
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This document describes the transformation of the Sao Paulo's Mauser Brothers' old steel drum factory into a leisure and cultural centre. This project was realized by Lina Bo Bardi between 1977 and 1986.
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April 1997, Lisbon
small format
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Une première version de ce texte a paru dans la revue Architecture d'aujourd'hui en juin 1997 sous le titre "Le problème de l'ordinaire".
Les avatars de l'architecture ordinaire
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Une première version de ce texte a paru dans la revue Architecture d'aujourd'hui en juin 1997 sous le titre "Le problème de l'ordinaire".
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January 1997, Paris
small format
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$24.95
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Part of the Architectural Association's "Themes" series, this is a book about technology and its teaching. The text is illustrated by selected student projects form the first three yeats of study at the AA.
Artefacts and instruments : themes VIII
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Part of the Architectural Association's "Themes" series, this is a book about technology and its teaching. The text is illustrated by selected student projects form the first three yeats of study at the AA.
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October 1998, London
small format
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$21.00
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This book describes the development of classical architecture in the countries bordering the Aegean Sea from the 6th to the 3rd century BC. It is part of the small-format series "A History of Architecture".
Hellenic classicism : the ordering of form in the ancient Greek world
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This book describes the development of classical architecture in the countries bordering the Aegean Sea from the 6th to the 3rd century BC. It is part of the small-format series "A History of Architecture".
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April 1998, London
small format
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$21.00
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Firmly rooted in Indian religion, cosmology and society, this book describes the evolution of architecture on the Indian sub-continent and the neighbouring countries of south-east Asia from the earliest times to the rise of Islam at the end of the 11th century in the north and in the 17th century in the south. This book is part of the small-format series (...)
India and South-East Asia: The Buddhist and Hindu Tradition
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Firmly rooted in Indian religion, cosmology and society, this book describes the evolution of architecture on the Indian sub-continent and the neighbouring countries of south-east Asia from the earliest times to the rise of Islam at the end of the 11th century in the north and in the 17th century in the south. This book is part of the small-format series "A History of Architecture".
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April 1998, London
small format
$15.00
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In order to encourage the networking of autonomous individuals, free of monumentalized institutions of culture and in the name of revitalizing the true, unseen culture of Berlin, the center of the city is declared as a Free-Zone and a network of Freespaces is established. The criteria of Freespace is established as follows: 1) No a priori determination of use: use must(...)
Lebbeus Woods: free-zone-Berlin
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In order to encourage the networking of autonomous individuals, free of monumentalized institutions of culture and in the name of revitalizing the true, unseen culture of Berlin, the center of the city is declared as a Free-Zone and a network of Freespaces is established. The criteria of Freespace is established as follows: 1) No a priori determination of use: use must be invented by those who dare to claim Freespace as their own. 2) Difficulty of occupation: the faint need to apply. 3) Absence of discernible order: hierarchy is frustrated; heterarchy unavoidable. Lebbeus Woods, Research Institute for Experimental Architecture, NYC, 18 November 1990, assisted by Leo Modrcin and Olive Brown
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore (...)
Pamphlet architecture #16 : architecture as a translation of music
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Elizabeth Martin draws closely on the work of composer John Cage, with whom she corresponded at length, and her study brings together ten projects by musicians and architects that explore the language, philosophy and character of both disciplines. Pamphlet Architecture #16 contains analytical drawings, diagrams, and models of the translation of minimalist music theory into built form. Case studies include buildings by architects Bernhard Leitner, Ellen Fullman, Maryanne Amacher, Neil Denari, Steven Holl, and Mangurian + Ray.
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May 1994, New York
small format