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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the(...)
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October 2003, Berlin
Tadao Ando : Langen Foundation
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The former missile station in the Hombroich cultural area is the site for another outstanding architectural project that blends harmoniously with its environment. Tadao Ando sees this as an experience that uses a combination of simple building materials, glass and concrete, to create a dialogue between building and nature. Viktor and Marianne Langen’s life work forms the basis for this new art house, which Japanese architect Tadao Ando was contracted to design. It will be completed in the spring of 2004. The first exhibition will be dedicated to a selection of the Langen collection of modern and Japanese art. The Langen Foundation aims in future to stimulate unusual meetings between art and its surrounding architecture. Tadao Ando’s architecture, a built space as an independent sculpture, and the presentation of the art inside it create the possibility of interactive experiences.
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of(...)
Pamphlet architecture #26 : 13 projects for the Sheridan Expressway a.k.a. jump, slump, hump, bump : guide specifications for a post-Fordist infrastructure
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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of proposals that reaffirm the role of architecture in urban planning. The thirteen projects take as their subject a site of contested transportation infrastructure — the Sheridan Expressway. By proposing new typologies for this site, these studies seek to mediate the spaces in the city where local and regional meet. Referencing the introduction of the modern parkway into the Bronx, the grading of the Central Park transverse roads, and other works that have redefined the relationship between parks and roads, author Jonathan Solomon suggests a system by which large projects might again be built in American cities.
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Le XXe siècle aura été prématurément célébré comme celui des ruptures et vite proclamé fondateur d'une ère nouvelle. D'emblée, l'architecture et l'urbanisme, pour le meilleur et pour le pire, furent pris à témoin de ce bouleversement supposé, tant étaient spectaculaires les transformations de la ville et l'allure des édifices qui marquaient son premier âge. En ce début de(...)
Le résistible arrachement au passé
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Le XXe siècle aura été prématurément célébré comme celui des ruptures et vite proclamé fondateur d'une ère nouvelle. D'emblée, l'architecture et l'urbanisme, pour le meilleur et pour le pire, furent pris à témoin de ce bouleversement supposé, tant étaient spectaculaires les transformations de la ville et l'allure des édifices qui marquaient son premier âge. En ce début de siècle nouveau, faut-il faire un autre bilan ? Professeur d'architecture à l'Université de Bretagne occidentale à Brest et directeur fondateur de l'Institut de géoarchitecture de la même université, Daniel Le Couédic réfléchi depuis longtemps aux questions qui relient l'architecture à l'histoire.
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January 1900, Québec
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Alvaro Siza : croquis
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Ce carnet de croquis a été publié à l'occasion de l'exposition "Alvaro Siza architecte. Projets 1961-1999" présentée au Centre de Design de l'UQAM du 18 septembre au 2 novembre 2003.
Alvaro Siza : croquis
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Ce carnet de croquis a été publié à l'occasion de l'exposition "Alvaro Siza architecte. Projets 1961-1999" présentée au Centre de Design de l'UQAM du 18 septembre au 2 novembre 2003.
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"Armed surfaces" presents DRD Lab's investigations into contemporary reality and a new typology for living. An analysis of transitional moments in daily life instigates a re-examination of Modern Functionalism as an ideology of standardisation and normalcy. The DRD Lab uses theory, spatial and cultural analysis, dynamic measurement, temporal positioning and their(...)
Dagmar Richter / DR_D : armed surfaces (serial books architecture & urbanism 5)
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"Armed surfaces" presents DRD Lab's investigations into contemporary reality and a new typology for living. An analysis of transitional moments in daily life instigates a re-examination of Modern Functionalism as an ideology of standardisation and normalcy. The DRD Lab uses theory, spatial and cultural analysis, dynamic measurement, temporal positioning and their collected data to develop a non-standard diagram which exposes the new role of architectural surfaces as 'performing surfaces'. This concept is explored through a series of research-oriented projects which include 'custom mass produced' contemporary housing, a performance induced landscape and an urban frontage. In the diverse projects which she undertakes, Richter seeks to radically reinvent urban design through a game of 'retracing' and 'restitution', founded in the notion that information is what qualifies space. The book explores new solutions to architecture and planning exposing an alternative view of architecture.
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Transfert du suège de la Croix-Rouge Française sur le site de l'ancien hôpital Broussais. Transfer of la Croix-Rouge Française headquarters onto the site of the former Broussais hospital.
Reichen & Roberts architectes : reflets & transparences - Croix-Rouge française
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Transfert du suège de la Croix-Rouge Française sur le site de l'ancien hôpital Broussais. Transfer of la Croix-Rouge Française headquarters onto the site of the former Broussais hospital.
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Supersurfaces : folding as a method of generating forms for architecture, products and fashion
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Reprint Folding is a valid design method that can be successfully applied, not only in architecture, but also in disciplines such as industrial design, product design and fashion design. The diversity of forms that can be achieved are limited only by the designers' imaginations. From donuts to concertinas, wraps and hinges, the exciting, innovative new ideas and(...)
Supersurfaces : folding as a method of generating forms for architecture, products and fashion
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Reprint Folding is a valid design method that can be successfully applied, not only in architecture, but also in disciplines such as industrial design, product design and fashion design. The diversity of forms that can be achieved are limited only by the designers' imaginations. From donuts to concertinas, wraps and hinges, the exciting, innovative new ideas and concepts presented in "Supersurfaces" will expand the perspective of any curious creator.
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S’inscrivant dans un ensemble de trois volumes consacrés à la réhabilitation du groupe hospitalier Necker – Enfants malades, ce premier tome se penche sur l’aspect historique de l’hôpital, retraçant dans un premier volet ses origines, du siècle des Lumières aux années 1920. Avec un interview de Gérard Lemonnier, directeur du département du Patrimoine et de la Logistique à(...)
Necker enfants malades - le projet
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S’inscrivant dans un ensemble de trois volumes consacrés à la réhabilitation du groupe hospitalier Necker – Enfants malades, ce premier tome se penche sur l’aspect historique de l’hôpital, retraçant dans un premier volet ses origines, du siècle des Lumières aux années 1920. Avec un interview de Gérard Lemonnier, directeur du département du Patrimoine et de la Logistique à l’assistance publique des Hôpitaux de Paris et de Philippe Gazeau, architecte de l’opération. L’ouvrage présente ensuite le nouveau projet architectural conçu en 2004 par l’architecte Philippe Gazeau et la restructuration complète du site prévue par l’Assistance publique – Hôpitaux de Paris. Sont exposés au travers d’une interview entre maître d’ouvrage et architecte les caractéristiques et enjeux de cette opération.
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The latest addition to Art Spaces series profiles one of the most famous and prestigious buildings in the world. The two-acre square, enclosed by a spectacular glass roof, transforms the Museum’s inner courtyard into the largest covered public square in Europe, with the world-famous Reading Room at its center. Written and researched in collaboration with the architects(...)
The great court at the British museum
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The latest addition to Art Spaces series profiles one of the most famous and prestigious buildings in the world. The two-acre square, enclosed by a spectacular glass roof, transforms the Museum’s inner courtyard into the largest covered public square in Europe, with the world-famous Reading Room at its center. Written and researched in collaboration with the architects Foster and Partners and the British Museum.
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This catalogue booklet with detachable postcards and its accompanying exhibition "Den Ol Bod Ose" are the culmination of a six month long project that has used photography to document one element of a significant period of West African history. They offer a record of the fast disappearing Creole Architecture of Freetown, Sierra Leone. The 14 page booklet is part of a(...)
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January 1900, London
Den Ol Bod Ose : Creole archtiecture in Sierra Leone
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This catalogue booklet with detachable postcards and its accompanying exhibition "Den Ol Bod Ose" are the culmination of a six month long project that has used photography to document one element of a significant period of West African history. They offer a record of the fast disappearing Creole Architecture of Freetown, Sierra Leone. The 14 page booklet is part of a wider archival project and its two 1,500 word texts offer a historical and a personal perspective to complement the 12 colour photographs taken by Tim Hetherington and Sullivan Khallon.
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