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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the(...)
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October 2003, New York
October 2003, New York
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Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
Pamphlet architecture # 25 : gravity
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For fifteen years, three architects—James Cathcart, Frank Fantauzzi, and Terence van Elslander—from three different cities have held an ongoing collaboration, creating installations and other works of innovation and art about the act of building. Pamphlet Architecture 25: Gravity catalogs a cross section of their many works, from the portable toilets installed in the facade of New York's StoreFront for Art and Architecture to "Big Orbits," a giant solid and a giant void constructed from 4600 shipping palettes. Although strongly conceptual, their work reminds us that a primary function of architecture is to engage the public.
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books
books
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October 2003, New York
October 2003, New York
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small format
small format
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David(...)
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Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
Pamphlet architecture #24 - some among them are killers : unmanaged landscapes for non U.S. military and government users
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"PA 24 : some among them are killers" explores unmanaged landscapes, territories that the author calls "wildernesses." These emerge from the cracks of mapping the spaces, at a variety of scales, that literally reside in the margins of error of our abilities to measure and calibrate space. From Yosemite National Park to the ubiquitous one-gallon milk jug, architect David Ross depicts the relationships between architecture and miscalibration and explores the spatial, tactile, and political ramifications of our reliance on modern devices of precision and overdetermination.
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books
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October 2003, New York
October 2003, New York
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our(...)
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our(...)
Title:
Hyperbodies : toward an e-motive architecture
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our perception of space in and around the hyperbody. The architect programs this interaction and can thereby define the specific character of the building. In this book, the author provides a concise overview of this latest digital tool.
Hyperbodies : toward an e-motive architecture
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"Hyperbodies" are buildings and environments which can continuously change shape and content. The mutations of such buildings depend on the input coming from their user as well as from the surroundings. This interaction between user and building is determined by a data flow which the hyperbody uses and converts into a ”hypersurface” structure, which then alters our perception of space in and around the hyperbody. The architect programs this interaction and can thereby define the specific character of the building. In this book, the author provides a concise overview of this latest digital tool.
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books
books
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August 2003, Basel
August 2003, Basel
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small format
small format
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$21.95
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
$21.95
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their(...)
Title:
Digital odyssey : a new voyage in the Mediterranean
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
Digital odyssey : a new voyage in the Mediterranean
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The young digital architects of the Mediterranean countries leave the legacy of classical architecture and move on to radical new beginnings. How do young architects in Italy, France, Spain and Greece react to the new digital age? The electronic tools give them the chance to free themselves from the burden of tradition, to explore fascinating opportunities in their architecture. This book provides a concise overview of their work, using previously unpublished material. The team IAN+ was formed in 1997 in Rome by Carmelo Baglivo, Luca Galofaro and Stefania Manna.
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books
books
Publication:
August 2003, Basel
August 2003, Basel
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small format
small format
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books
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$11.00
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à(...)
$11.00
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à(...)
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Bibliothèque nationale de France
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à l'étroit, ne pouvait plus répondre à cette demande. Il fallait un bâtiment nouveau. Le site de Tolbiac est choisi, ouvrant un énorme chantier qui bouleverse l'Est de Paris. Rarement construction de bibliothèque aura fait couler autant d'encre. Les polémiques sont nombreuses, le coût et l'ampleur des travaux font peur, les tours de verre étonnent. Mais la construction est menée tambour battant et le déménagement de plus de 10 millions de livres s'effectue dans l'ordre le plus parfait. Aujourd'hui, la BNF après avoir réparti ses extraordinaires collections sur deux grands sites, a trouvé un nouvel équilibre.
Bibliothèque nationale de France
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Institution vieille de plus de cinq siècles, la Bibliothèque nationale de France a vécu ces dernières années une véritable révolution. La décision prise en 1998 par François Mitterrand d'édifier une bibliothèque " ouverte à tous " l'a conduite à élargir ses missions et à ne plus réserver ses collections au seul public de chercheurs. Le site Richelieu, déjà trop à l'étroit, ne pouvait plus répondre à cette demande. Il fallait un bâtiment nouveau. Le site de Tolbiac est choisi, ouvrant un énorme chantier qui bouleverse l'Est de Paris. Rarement construction de bibliothèque aura fait couler autant d'encre. Les polémiques sont nombreuses, le coût et l'ampleur des travaux font peur, les tours de verre étonnent. Mais la construction est menée tambour battant et le déménagement de plus de 10 millions de livres s'effectue dans l'ordre le plus parfait. Aujourd'hui, la BNF après avoir réparti ses extraordinaires collections sur deux grands sites, a trouvé un nouvel équilibre.
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books
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January 1900, Paris
January 1900, Paris
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small format
small format
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Title:
Le lieu unique
Le lieu unique
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Situé en bordure du canal Saint-Félix à Nantes, le lieu unique occupe l'une des dernières empreintes architecturales des usines LU. Consacré tout au long du XXe siècle à la fabrication des fameux biscuits, ce bâtiment voué à la démolition à partir de 1974, abrite aujourd'hui un lieu artistique atypique ou la vie côtoie spontanément l'art dans ses formes les plus contemporaines.
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Situé en bordure du canal Saint-Félix à Nantes, le lieu unique occupe l'une des dernières empreintes architecturales des usines LU. Consacré tout au long du XXe siècle à la fabrication des fameux biscuits, ce bâtiment voué à la démolition à partir de 1974, abrite aujourd'hui un lieu artistique atypique ou la vie côtoie spontanément l'art dans ses formes les plus contemporaines.
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Le lieu unique
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Situé en bordure du canal Saint-Félix à Nantes, le lieu unique occupe l'une des dernières empreintes architecturales des usines LU. Consacré tout au long du XXe siècle à la fabrication des fameux biscuits, ce bâtiment voué à la démolition à partir de 1974, abrite aujourd'hui un lieu artistique atypique ou la vie côtoie spontanément l'art dans ses formes les plus contemporaines.
Le lieu unique
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Situé en bordure du canal Saint-Félix à Nantes, le lieu unique occupe l'une des dernières empreintes architecturales des usines LU. Consacré tout au long du XXe siècle à la fabrication des fameux biscuits, ce bâtiment voué à la démolition à partir de 1974, abrite aujourd'hui un lieu artistique atypique ou la vie côtoie spontanément l'art dans ses formes les plus contemporaines.
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January 1900, Nantes
January 1900, Nantes
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art,(...)
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art,(...)
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Curves and spikes : Kunsthaus und stadthalle für Graz
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art, which was the object of an international design competition won by the London architects Peter Cook and Colin Fournier, and the Stadthalle designed by the Graz architect Klaus Kada. The Kunsthaus is currently under construction and will open on the 23rd of September 2003. The Stadthalle opened on the 6th of October 2002. These two projects make an unusual pair in that they are in complete contrast not only in terms of programme and but mostly in terms of their design philosophy: the Kunsthaus is a biomorphic project conceived as a smooth bulbous volume of continuous double curved surfaces, while the Stadthalle is distinguished by a slender roof cantilevered high above the street. The playful aesthetic tension between these two extreme designs, at this interesting and provocative point in history when the architectural envelope is being pushed in many contradictory directions, provides the dominant conceptual and visual theme of the exhibition, which also offers an overview of some of the other key design projects recently completed in the city.
Curves and spikes : Kunsthaus und stadthalle für Graz
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The city of Graz in Steiermark, Austria, has been chosen as cultural capital of Europe for 2003. On this occasion, a number of significant architectural projects, art installations and events have been planned in the city. This exhibition at the Aedes West gallery in Berlin focuses on two of the major and most radical architectural projects: the new museum of Modern Art, which was the object of an international design competition won by the London architects Peter Cook and Colin Fournier, and the Stadthalle designed by the Graz architect Klaus Kada. The Kunsthaus is currently under construction and will open on the 23rd of September 2003. The Stadthalle opened on the 6th of October 2002. These two projects make an unusual pair in that they are in complete contrast not only in terms of programme and but mostly in terms of their design philosophy: the Kunsthaus is a biomorphic project conceived as a smooth bulbous volume of continuous double curved surfaces, while the Stadthalle is distinguished by a slender roof cantilevered high above the street. The playful aesthetic tension between these two extreme designs, at this interesting and provocative point in history when the architectural envelope is being pushed in many contradictory directions, provides the dominant conceptual and visual theme of the exhibition, which also offers an overview of some of the other key design projects recently completed in the city.
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books
books
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March 2003, Berlin
March 2003, Berlin
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small format
small format
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
Title:
IODACC : ein projeckt von Herzog & de Meuron
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
IODACC : ein projeckt von Herzog & de Meuron
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This small publication from the Aedes gallery in Berlin documents the IODACC / Instituto Osacr Dominguez de arte y cultura contemporanea in Tenerife.
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March 2003, Berlin
March 2003, Berlin
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small format
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence(...)
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence(...)
Publication:
February 2003, Paris
February 2003, Paris
Title:
Paris, capitale du XIXè siècle
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence sensible. Elles se manifestent en tant que fantasmagories. Quant à la fantasmagorie de la civilisation elle-même, elle a trouvé son champion dans Haussmann, et son expression manifeste dans ses transformation de Paris.
Paris, capitale du XIXè siècle
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Notre enquête se propose de montrer comment les formes de vie nouvelle et les nouvelles créations à base économique et technique que nous devons au siècle dernier entrent dans l'univers d'une fantasmagorie. Ces créations subissent cette "illumination" non pas seulement de manière théorique, par une transposition idéologique, mais bien dans l'immédiateté de la présence sensible. Elles se manifestent en tant que fantasmagories. Quant à la fantasmagorie de la civilisation elle-même, elle a trouvé son champion dans Haussmann, et son expression manifeste dans ses transformation de Paris.
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books
books
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February 2003, Paris
February 2003, Paris
Form:
books
books
Title:
Patinoire pôle sud
Patinoire pôle sud
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Maîtrise d'oeuvre : Hérault Arnod architectes, mandataires.
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Maîtrise d'oeuvre : Hérault Arnod architectes, mandataires.
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small format
small format
Publication:
January 2003, Paris
January 2003, Paris
Title:
Patinoire pôle sud
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Maîtrise d'oeuvre : Hérault Arnod architectes, mandataires.
Patinoire pôle sud
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Maîtrise d'oeuvre : Hérault Arnod architectes, mandataires.
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books
books
Publication:
January 2003, Paris
January 2003, Paris
Subject:
small format
small format
