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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
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Architecture in Vorarlberg since 1980: a guide to 260 noteworthy buildings
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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
Architecture in Vorarlberg since 1980: a guide to 260 noteworthy buildings
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Essay by Otto Kapfinger. Architects include: Carlo Baumschlager, Marianne Burkhalter, Dietmar Eberle, Ernst Giselbrecht, Roland Gnaiger, Hermann Kaufmann, Christian Lenz, Wolfgang Ritsch, Bruno Spagolla, Christian Sumi, Peter Zumthor.
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books
books
Publication:
April 2002, Stuttgart
April 2002, Stuttgart
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books
books
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and(...)
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and(...)
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Marcel Meili, Marcus Peter Architects Zurich : the house of stone
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and Peter Zumthor, and contains a detailed description of the concepts underlying the design. A particular focus is the relation between the structural and the technical aspects of the project, which is described through engineering and working drawings as well as photographs of the house under construction.
Marcel Meili, Marcus Peter Architects Zurich : the house of stone
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The house of stone is the kind of project that happens only rarely : a house built to the highest standards of craftsmanship with the full support of the client, who acted as a patron of architecture in almost a Renaissance sense. This publication documents in full its making. It covers the initial phase of the project, the invited competition between Meili + Peter and Peter Zumthor, and contains a detailed description of the concepts underlying the design. A particular focus is the relation between the structural and the technical aspects of the project, which is described through engineering and working drawings as well as photographs of the house under construction.
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books
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January 2002, London
January 2002, London
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small format
small format
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books
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$31.95
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which(...)
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which(...)
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small format
small format
Publication:
February 2002, Ostfildern
February 2002, Ostfildern
Title:
Swiss Re Rüschilkon : centre for global dialogue
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Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which architecture and art, landscape and interior space, old and new combine to form a complex whole. The result is not a manifesto of a particular style but the equally perfect and subtle interpretation of a real place and the programmatic vision it inspires. The Art Commission of Swiss Re chose a "strategy of systematic artistic interventions in existing space". The design of all furniture and interiors was entrusted to the hands of renowned artists and architects. Adolf Krischanitz and Hermann Czech designed the furniture and the "Red Bar" in the Gardener's Lodge. Gilbert Bretterbauer supervised the design and selection of textiles. Artist Günther Förg handled the color design for all of the interiors in the old mansion. The old grounds had been preserved almost entirely in their original condition. The existing stands of trees served as a framework for the detailed design of the park complex by landscape architects Kienast Vogt and Partner. With photographs by Margherita Spiluttini
Swiss Re Rüschilkon : centre for global dialogue
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Summary:
Given an ideal situation to work with, the Zurich architects Marcel Meili and Markus Peter designed and built a new training and meeting center for Swiss Re in Rüschlikon. Backed by an ambitious client and a substantial budget, they developed an expansive park complex overlooking Lake Zurich and the Bodmer mansion, a protected historical monument, into a setting in which architecture and art, landscape and interior space, old and new combine to form a complex whole. The result is not a manifesto of a particular style but the equally perfect and subtle interpretation of a real place and the programmatic vision it inspires. The Art Commission of Swiss Re chose a "strategy of systematic artistic interventions in existing space". The design of all furniture and interiors was entrusted to the hands of renowned artists and architects. Adolf Krischanitz and Hermann Czech designed the furniture and the "Red Bar" in the Gardener's Lodge. Gilbert Bretterbauer supervised the design and selection of textiles. Artist Günther Förg handled the color design for all of the interiors in the old mansion. The old grounds had been preserved almost entirely in their original condition. The existing stands of trees served as a framework for the detailed design of the park complex by landscape architects Kienast Vogt and Partner. With photographs by Margherita Spiluttini
Form:
books
books
Publication:
February 2002, Ostfildern
February 2002, Ostfildern
Subject:
small format
small format
Form:
books
books
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$12.95
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Summary:
Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre(...)
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre(...)
Title:
Pierre Chareau : la Maison de verre 1928-1933 - un objet singulier
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre constitue pour des générations d'architectes une référence absolue, elle demeure un lieu magique.
Pierre Chareau : la Maison de verre 1928-1933 - un objet singulier
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Un an après son achèvement et dès sa publication en 1933 dans "L'Architecture d'Aujourd'hui" la Maison de verre surprend, provoque, inquiète ou enthousiaste et surtout suscite réflexion. L'impact de cet objet singulier sur les visiteurs se poursuit jusqu'à nos jours. Sa notoriété contraste nettement avec la maigreur des archives publiques ou privées. La Maison de verre constitue pour des générations d'architectes une référence absolue, elle demeure un lieu magique.
Form:
books
books
Publication:
August 2001, Paris
August 2001, Paris
Subject:
small format
small format
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books
books
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La(...)
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La(...)
Title:
A. et G. Perret : le Théâtre des Champs-Élysées 1913 - La magie du béton armé
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La retauration de l'édifice, en 1987, lui a redonné l'éclat qu'il méritait.
A. et G. Perret : le Théâtre des Champs-Élysées 1913 - La magie du béton armé
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Inauguré en 1913, le théâtre des Champs-Élysés représente un moment important dans l'histoire de l'architecture du XXè siècle. Son programme novateur, sa construction en béton armé et les multiples interactions qui se sont produites lors de l'élaboration du projet entre l'erchitecture et les différents domaines artistiques en ont fait une oeuvre exceptionnelle. La retauration de l'édifice, en 1987, lui a redonné l'éclat qu'il méritait.
Form:
books
books
Publication:
August 2001, Paris
August 2001, Paris
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small format
small format
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books
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Exhibition Catalogue
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Exhibition Catalogue
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small format
Publication:
January 2001, Berlin
January 2001, Berlin
Title:
LCM / Fernando Romero : interpretations
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Exhibition Catalogue
LCM / Fernando Romero : interpretations
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Exhibition Catalogue
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books
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January 2001, Berlin
January 2001, Berlin
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small format
small format
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books
books
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$17.95
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Frank Lloyd Wright's Darwin D. Martin House Visitors' Center Competition includes design proposals by ARO, Brian Healy, Schwartz/Silver, Office dA, and Toshiko Mori with essays by Paul Goldberger and Kent Kleinman.
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Frank Lloyd Wright's Darwin D. Martin House Visitors' Center Competition includes design proposals by ARO, Brian Healy, Schwartz/Silver, Office dA, and Toshiko Mori with essays by Paul Goldberger and Kent Kleinman.
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small format
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Publication:
January 1900, Buffalo
January 1900, Buffalo
Title:
On Wright Darwin D. Martin House visitor's center competition
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Frank Lloyd Wright's Darwin D. Martin House Visitors' Center Competition includes design proposals by ARO, Brian Healy, Schwartz/Silver, Office dA, and Toshiko Mori with essays by Paul Goldberger and Kent Kleinman.
On Wright Darwin D. Martin House visitor's center competition
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Frank Lloyd Wright's Darwin D. Martin House Visitors' Center Competition includes design proposals by ARO, Brian Healy, Schwartz/Silver, Office dA, and Toshiko Mori with essays by Paul Goldberger and Kent Kleinman.
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books
books
Publication:
January 1900, Buffalo
January 1900, Buffalo
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small format
small format
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
Title:
Art and use Tod Williams Billie Tsien
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
Art and use Tod Williams Billie Tsien
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Published to celebrate the Martell Lecture given by Tod Williams and Billie Tsien on March 30, 2007 at the school of Architecture and Planning, University at Buffalo, The State University of New York.
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books
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October 2007, Buffalo
October 2007, Buffalo
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small format
small format
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Title:
Le tzaradis
Le tzaradis
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
Publication:
December 2008, Karlsruhe
December 2008, Karlsruhe
Title:
Le tzaradis
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
Le tzaradis
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Sur la tombe du poête DADA Tristan Tzara, nous avons semé un radis et nous en occupons quotidiennement. Après 42 jours, nous prononçons un petit discours et récoltons un parfait «Tzaradis».
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books
books
Publication:
December 2008, Karlsruhe
December 2008, Karlsruhe
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$6.00
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
Publication:
January 1999, Montréal, Vancouver
January 1999, Montréal, Vancouver
Title:
Manifeste pour une architecture douce, soft architecture, a manifesto
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
Manifeste pour une architecture douce, soft architecture, a manifesto
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Catalogue d'exposition présentée à Dazibao, Montréal, du 7 janvier au 7 février 1999 et à Artspeak Gallery, Vancouver, du 27 mars au 8 mai 1999.Inclut bibliographie.Ce livre réunit des oeuvres des artistes Josée Bernard et Sharyn Yuen ainsi qu'un texte de l'auteure et poète Lisa Robertson.
Form:
books
books
Publication:
January 1999, Montréal, Vancouver
January 1999, Montréal, Vancouver
