Mies in America
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
17 October 2001 to 20 January 2002
Mies in America
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Description:
A profound thinker, painstaking artist, and one of the greatest architects in history, Ludwig Mies van der Rohe emigrated from Germany to the United States in 1938, when he was already in his fifties and one of the recognized masters of his profession. Transplanted from the Bauhaus (of which he was the last director) to a technical institute in Chicago, from the European(...)
Main galleries
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Main galleries, octagonal gallery, and hall cases
16 June 1998 to 8 November 1998
The American Lawn: Surface of Everyday Life
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Description:
The American Lawn: Surface of Everyday Life reveals the lawn as a domestic symbol, civic showplace, economic force, and national icon. Bungalows in tract developments, suburban corporate headquarters, and the White House are all alike in that they sit behind a lawn: a carefully contrived patch of “nature” that lies open to the sky and to a multitude of uses and(...)
Main galleries, octagonal gallery, and hall cases
textual records
ARCH186504
Description:
“Residence Tait (Province de Québec)": p. 135-137, is by John Bird.
1957
Petites maisons en Amérique du Nord
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ARCH186504
Description:
“Residence Tait (Province de Québec)": p. 135-137, is by John Bird.
textual records
1957
PH1980:1015:274
architecture
1920s
architecture
PH1980:1015:354
architecture
1920s
Détail d'un gratte-ciel à New York. Amérique. Buchman et Kahn, architectes à New York
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PH1980:1015:354
architecture
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Main galleries
14 June 1995 to 14 September 1995
Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960
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Description:
Americanism, the pattern of idealization, imitation and criticisms with which European architects greeted American urban models and building practices, is the subject of Scenes of the World to Come: European Architecture and the American Challenge, 1893–1960. The skyscrapers, massive industrial plants, and new sense of mobility and efficiency of North America became a(...)
Main galleries
PH1982:0789.01:003
published 1841
Amerique Du Nord: Niagara: Chute du Fer a Cheval, from Excursions daguerriennes
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PH1982:0789.01:003
Study Room, CCA
10 July 2025, 6pm
Study Room, CCA
archives
Level of archival description:
Collection
AP161
Synopsis:
- La collection est composée d’objets reliés au « Manifeste » de Gilles Clément, présenté lors de l’exposition « Environ(ne)ment » au Centre canadien d’architecture du 18 octobre 2006 au 10 juin 2007.
1995-2006
Gilles Clément’s Manifesto for the “Environment” exhibition collection
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AP161
Synopsis:
- La collection est composée d’objets reliés au « Manifeste » de Gilles Clément, présenté lors de l’exposition « Environ(ne)ment » au Centre canadien d’architecture du 18 octobre 2006 au 10 juin 2007.
archives
Level of archival description:
Collection 161
1995-2006