Project
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
1989-1990
2e Salon International des Musées et des Expositions
Actions:
AP142.S2.D3
Description:
File documents a museums fair held in the Grand Palais, Paris, France. Aldo Rossi exhibited his models and drawings for the Wettbewerb Deutsches Historisches Museum and designed the installations for the Wettbewerb Deutsches Historisches Museum's exhibit at the fair. Material in this file was produced in 1989 and 1990. File contains textual records, including sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair.
File 3
1989-1990
Wolfgang Ernst, chair of media theories at Humboldt University in Berlin, introduces media archaeology as a method of research and discusses recent concepts of the dynamic archive. He expresses the need for a virtual museum of computer architecture and addresses the concept of the so-called digital humanities, with special attention to the sound-related epistemology(...)
Paul-Desmarais Theatre
25 September 2014 , 6pm
Digital Media Archaeology: Archive, Museum and Sonicity
Actions:
Description:
Wolfgang Ernst, chair of media theories at Humboldt University in Berlin, introduces media archaeology as a method of research and discusses recent concepts of the dynamic archive. He expresses the need for a virtual museum of computer architecture and addresses the concept of the so-called digital humanities, with special attention to the sound-related epistemology(...)
Paul-Desmarais Theatre
articles
Origins of the digital
Archaeology of the Digital, Archéologie du numérique, Environnements virtuels objets interactifs, Media and Machines, Wolfgang Ernst
14 July 2009
Origins of the digital
articles
Is a Database a Museum?
PH1998:0032:002
architecture, engineering
1937
architecture, engineering
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Project
AP142.S1.D139
Description:
File documents an executed project for the Berlin museums stand for the "Salon international des musées et des expositions" (Sime'90) at the Grand Palais in Paris, France. Material in this file was produced in approximately 1989. File contains design development drawings.
[ca. 1989]
Allestimento dello stand dei musei berlinesi a Sime '90
Actions:
AP142.S1.D139
Description:
File documents an executed project for the Berlin museums stand for the "Salon international des musées et des expositions" (Sime'90) at the Grand Palais in Paris, France. Material in this file was produced in approximately 1989. File contains design development drawings.
File 139
[ca. 1989]
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Main galleries
25 January 1995 to 23 April 1995
The Photographs of Édouard Baldus: Landscapes and Monuments of France
Actions:
Description:
Édouard Baldus, more than any other photographer, defined the modern landscape and established the standard for architectural photography. The Photographs of Édouard Baldus: Landscapes and Monuments of France chronicles the Golden Age of France as seen by the photographer. The Photographs of Édouard Baldus is organized by chronological sections to reveal the evolution of(...)
Main galleries
drawings, textual records, photographs
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
Sketches, drawings, correspondence, specifications
Actions:
AP142.S2.D3.P1
Description:
sketches, drawings, correspondence, specifications, estimates, administrative records, financial records, schedules, programmes, labels for drawings, exhibition catalogues, bochures, clippings, business cards, memorandums, notes, photocopies of views of works of art, and photographs, including views of the fair; includes material relating to the Salon International des Musées et des Expositions, 1990
drawings, textual records, photographs
Project
AP156.S3.SS3.D12
Description:
Le dossier documente le projet non réalisé de Le Corbusier pour le Musée de la Connaissance, dans le secteur 1 à Chandigarh, Inde. Aussi connu sous le nom de Musée à croissance illimitée, ce projet avait été imaginé dès les années 1930 par Le Corbusier, en collaboration avec Pierre Jeanneret, avant qu'une version ne soit projetée pour Chandigarh. Un plan similaire sera également utilisé dans d'autres designs de musées par Le Corbusier. Le matériel dans ce dossier a été produit entre 1959 et 1964. Le dossier contient des dessins et des reprographies de dessin d'exécution et de dessin de présentation, ainsi qu'un album contenant des plans et des coupes du Musée. Le dossier comprend aussi des documents textuels, dont de la correspondance et un texte par Le Corbusier au sujet de son projet de Musée. File documents Le Corbusier's unrealized project for the Museum of Knowledge in sector 1 in Chandigarh, India. Also known as the Museum of Unlimited Growth, this project had been imagined as early as the 1930s by Le Corbusier, in collaboration with Pierre Jeanneret, before a version was planned for Chandigarh. A similar plan will also be used in later museum designs by Le Corbusier. Material in this file was produced between 1959 and 1964. The file contains drawings and reprographic copies of working drawing and presentation drawing, and an album containing plans and sections for the Museum. The file also contains textual records, including correspondence and a text by Le Corbusier about his Museum's project.
1959-1964
Musée de la Connaissance, Secteur 1 = Museum of Knowledge, Sector 1
Actions:
AP156.S3.SS3.D12
Description:
Le dossier documente le projet non réalisé de Le Corbusier pour le Musée de la Connaissance, dans le secteur 1 à Chandigarh, Inde. Aussi connu sous le nom de Musée à croissance illimitée, ce projet avait été imaginé dès les années 1930 par Le Corbusier, en collaboration avec Pierre Jeanneret, avant qu'une version ne soit projetée pour Chandigarh. Un plan similaire sera également utilisé dans d'autres designs de musées par Le Corbusier. Le matériel dans ce dossier a été produit entre 1959 et 1964. Le dossier contient des dessins et des reprographies de dessin d'exécution et de dessin de présentation, ainsi qu'un album contenant des plans et des coupes du Musée. Le dossier comprend aussi des documents textuels, dont de la correspondance et un texte par Le Corbusier au sujet de son projet de Musée. File documents Le Corbusier's unrealized project for the Museum of Knowledge in sector 1 in Chandigarh, India. Also known as the Museum of Unlimited Growth, this project had been imagined as early as the 1930s by Le Corbusier, in collaboration with Pierre Jeanneret, before a version was planned for Chandigarh. A similar plan will also be used in later museum designs by Le Corbusier. Material in this file was produced between 1959 and 1964. The file contains drawings and reprographic copies of working drawing and presentation drawing, and an album containing plans and sections for the Museum. The file also contains textual records, including correspondence and a text by Le Corbusier about his Museum's project.
Dossier 12
1959-1964