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Summary:
Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions(...)
How Modern: Biographies of Architecture in China 1949–1979
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Summary:
Between the founding of the People’s Republic of China in 1949 and the implementation of Reform and Opening Up policies in 1979, architecture played a key role in shaping China’s vision for socialist modernity. However, driven by shifting policies throughout these three decades, modern Chinese architecture has largely been perceived as stunted. Many misconceptions of this history persist: that nationalization and collectivism denied architects creative independence, that projects focused on industrial productivity over design quality, and that the promotion of a “national style” limited more modern formal choices. At once a question and a proposition, How Modern: Biographies of Architecture in China 1949–1979 reassesses New China’s architectural production. Reproducing primary sources alongside short essays and interviews with architects, archivists, historians, and residents, the book reflects on issues such as agency, innovation, collaboration, expertise, standardization, craft, and local and international impact. It challenges a monolithic history of socialist modernity by foregrounding the varied conditions under which modernism was conceived, realized, and experienced.
CCA Publications
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Summary:
In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and(...)
Futures of the architectural exhibition: Five conversations on the display of space
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Summary:
In recent years, the specific formats and challenges of exhibiting architecture and design, both built and speculative, have often been used as critical devices for identifying, communicating, and convening the public around shared matters of concern. These have increasingly included urgent questions of equity and justice, labor, gender, race, class, community, and lifestyle in relation to spatial issues of density, economy, policy, infrastructure, climate, and sustainability. This book records a discussion of critical approaches to the representation of architecture through conversations with seven contemporary curators working inside and outside of the museum. Mario Ballesteros (Archivo Diseño y Arquitectura), Giovanna Borasi (Canadian Center for Architecture), Ann Lui (Future Firm), Ana Miljacki (Critical Broadcasting Lab, MIT), Zoë Ryan (ICA, University of Pennsylvania), Martino Stierli (Museum of Modern Art), and Shirley Surya (M+, Hong Kong) speculate on the specific challenges and potentials of exhibiting space.
Museology